- Keywords = social sciences
LE PORTEFEUILLE DES AMANS,
ou le Carquois epistolaire de l’amour...
Paris: [Limoges: L. Bargeas fils for] Masson et Yonet,
A popular guide to writing love letters, intended for the use of young men and women. Presented in pairs, there are numerous letter samples, usually… (more)
A popular guide to writing love letters, intended for the use of young men and women. Presented in pairs, there are numerous letter samples, usually from the the man to the woman, with her response. There is a useful synoptic table of the several types of love, together with a description of several invisible inks or ‘encres sympathiques’. Cf. Gay, III, 821 (editions of 1825 and 1842, attributed to Cuisin). The Bibliothèque nationale catalogue lists editions of 1825 and 1837 (but not our edition). All editions appear very rare.(see full details)More details Price: £600.00
BECCARIA, Cesare, marchese di. Dmitri YAZYKOV, translator.
Razsuzhdenīe o prestuplenīi︠a︡kh i nakazanīi︠a︡kh... [Dei Delittie e delle Pene / On Crimes and Punishments in Russian].
St. Petersburg: Gubernskom Pravlenīi,
First edition in Russian of Beccaria’s Dei Delittie e delle Pene (1764) translated from the French version of Morellot. In his fundamental Enlightenment legal treatise… (more)
First edition in Russian of Beccaria’s Dei Delittie e delle Pene (1764) translated from the French version of Morellot. In his fundamental Enlightenment legal treatise Beccaria opposed the death penalty and ‘maintained that the gravity of the crime should be measured by its injury to society and that the penalty should be related to this’ (Printing and the Mind of Man). It was enthusiastically read (in French) by Catherine the Great while codifying her own celebrated legal manifesto, Nakaz, in which almost a third of the text came directly from Beccaria, alongside major borrowings from Montesquieu’s L’Ésprit des lois. Given Catherine’s intellectual omnipotence it is perhaps unsurprising that no Russian edition of Dei Delittie e delle Pene itself appeared during her reign, even though its spirit imbued her widely disseminated Nakaz — required reading for anyone involved in Russian law and government. Thus Beccaria’s principles came to serve as ideals for future legislators in Russia and were fully incorporated into Russian criminal law by the end of the nineteenth century. The title of Dostoevsky’s Crime and Punishment (Prestupléniye i nakazániye, 1866) is only the most prominent emblem of Beccaria’s influence in Russia.
‘The first [Russian] translation of Beccaria came out in 1803. It was done by the poet D. Yazykov from the French translation by Morellet, edited by Roederer in 1797... the translation is one of the best in Russian. It manages to convey not only the ideas of the treatise but also the spirit, the language of Beccaria and his contemporaries. It is dedicated to Alexander I...’ (Cizova).
Dmitry Ivanovich Yazykov (1773-1845), writer, translator, academician and director of the Ministry of Public Education later published a translation of Montesquieu’s Esprit des Lois in 1809–14. Cf. Printing and the Mind of Man 209. Rare: Worldcat lists only the NYPL and Yale copies in anglophone countries. T. Cizova, ‘Beccaria in Russia.’ Slavonic and East European Review, Vol. 40, No. 95 (Jun. 1962), pp. 384-408.(see full details)More details Price: £6,000.00
LE MIROIR DES GRACES
ou l’art de combiner l’élégance, la modestie, la simplicité et l’économie dans l’habillement. Avis utiles adressés aux femmes sur la conservation de leur santé et de leur beauté, sir l’agrément des manières et le bon ton dans la Société; par une dame qui a étudié la mode et le bon goût chez les nations les plu civilisées de l’Europe. Traduit de l’anglais.
Paris: [Brasseur aîné for] l’Editeur, Galignani, Delaunay,
Sole edition of this rare little handbook of ladies’ fashion and deportment. Advertised as a translation from the English, there is no obvious British analogue,… (more)
Sole edition of this rare little handbook of ladies’ fashion and deportment. Advertised as a translation from the English, there is no obvious British analogue, though it is an interesting indication of the esteem in which British fashion was held in France at this period. The four plates are especially charming depictions of Austen-era styles. The format is very much that of contemporary almanacs with similar titles, but Le Miroir des Graces appeared only once. WorldCat lists no UK or US copies (copies at BnF, Bayerische Staatsbibliothek and Kunstbibliothek Berlin only).(see full details)More details Price: £600.00
La Constitution en vaudevilles suivie des Droits de l’homme, de la femme & de plusieurs autres vaudevilles constitutionnels.
Paris: Maradan, 1792.A satirical song collection, in the form of an almanac, lampooning the new Revolutionary institutions. The frontispiece (here in rare colour-printed state) is probably the… (more)
A satirical song collection, in the form of an almanac, lampooning the new Revolutionary institutions. The frontispiece (here in rare colour-printed state) is probably the first book illustration to depict a yo-yo, a toy which became a craze in France in the 1790s under the name of the émigrette, reflecting its popularity among the French nobility at precisely the time they were forced to flee their country. A 1789 painting of the future King Louis XVII now in the Louvre shows him with a yo-yo, while in a revival of the Mariage de Figaro of 1792 Beaumarchais brings his hero on stage playing with his émigrette.
Several issues are known from 1792. An issue with identical pagination and the same plate but with the imprint ‘chez les libraires royalistes’ is usually cited as the first. In this issue Maradan has put his own name on the title. cf. Martin & Walter, 22975; cf. Cohen-de Ricci, p. 677 (’Frontispice non signé, attribué par Mehl à Debaucourt. Ce frontispice existe en couleurs (avant la lettre) en bistre et à la sanguine’).(see full details)More details Price: £950.00
The Creation of Man by the Triune God, and his Prerogatives defined. A Sermon preached at the New Jerusalem Temple, in Red-Cross-Street, near Cripplegate, London, October 12, 1794=38, on Genesis I. 26, 27.
London: by R. Hindmarsh... and Sold by the Author,
‘1796=40’ i.e. 1796.
First editions of two very rare Swedenborgian sermons preached in the New Jerusalem Temple in Cripplegate. Separately issued, they were the first two in a… (more)
First editions of two very rare Swedenborgian sermons preached in the New Jerusalem Temple in Cripplegate. Separately issued, they were the first two in a series of 12 published in the same year listed on the advert leaf with details of subscription. On completion, all twelve could also be bought bound up with a general title as Twelve Sermons (also 1796). They are rare both alone and collectively — ESTC lists copies of these first 2 sermons at BL only and copies of the collected Twelve Sermons at: BL, Glasgow, Rylands, Academy of the New Church and Louisiana State University. The printer, Robert Hindmarsh was one of the founders of the Swedenborgian movement and the Church of the New Jerusalem in England. The publication dates of both titles is given as 1796=40, reflecting the Swedenborgian belief that the Last Judgement had occurred in 1757, with 1796 representing the 40th year of the Second Coming of Jesus Christ through divine revelation.
‘Sibly... (1757–1840), Swedenborgian minister and banker, was born at Bristol on 20 August 1757. He was the brother of Ebenezer Sibly (1751–c. 1799), a notable publisher of esoteric lore, and was himself an autodidact and nonconformist, self-taught in the classical and biblical languages, part of the self-taught artisan culture. He specialized in alchemy and astrology, and became for a period a bookseller in Goswell Street, London, specializing in books on the occult, some of which his brother was then publishing. He himself translated two astrological works by Palcidus de Titis... He also served as a shorthand writer... (ODNB).
They are here bound together with three other East London non-conformist sermons:
Joseph Priestley, The present State of Europe compared with antient Prophecies; a Sermon, preached at the Gravel Pit Meeting in Hackney, February 28, 1794, being the day appointed for a general fast. By Joseph Priestley, LL.D. F. R. S. &c. with a preface, containing the reasons for the author’s leaving England. London: for J. Johnson, pp. xx, 44,  (advert/catalogue for Priestley’s books). First edition.
William Cooper. The Promised Seed. A Sermon, preached to God’s ancient Israel the Jews, at Sion-Chapel, Whitechapel, on Sunday afternoon, August 28, 1796. By William Cooper.... London: Printed for the author; and sold by T. Chapman and J. Matthews, , pp. 38. One of several editions of 1796 and probably the first.
William Cooper. Daniel’s Seventy Weeks. A Sermon, preached at Sion-Chapel, on Sunday Afternoon, September 18, 1796, to the Jews. By William Cooper. Being his second Address to that People. London: Printed and sold by T. Chapman, 1796, pp. 32. One of several editions of 1796 and probably the first.(see full details)
Effets merveilleux des lacets.
Paris: chez Basset, M[archan]d d’estampes et fabricant de papiers peints, [n.d., c.
A French satire on the excesses of contemporary fashion for both women and men — a woman has her corset laces mechanically tightened by a… (more)
A French satire on the excesses of contemporary fashion for both women and men — a woman has her corset laces mechanically tightened by a fop in a ridiculously exaggerated version of Napoleon’s headgear and a young woman in a scooped bonnet and corset (which leaves her breast almost entirely bare). The corset enjoyed a brief resurgence in popularity in the Empire era, before being swept away once more at the Restoration. It was a frequent subject of mirth in the popular press on both sides of the English Channel, and while there are several French and English prints on the same theme, this one is very rare. Not in the British Museum catalogue; WorldCat lists a copy in the Spanish national library, and there is also a copy at the Musée Carnavalet in Paris.(see full details)More details Price: £950.00
A new and easy Guide to the use of the Globes; and the Rudiments of Geography. Wherein the Knowledge of the Heavens and Earth is made easy to the meanest Capacity: First, by giving a concise Account of the four Quarters of the World, with the Distance and Situation of the principal Islands and inland Places; and Secondly, by the Solution of upwards of Seventy useful Problems, in Geography, Astronomy, Navigation, and Dialling... the sixth edition...
London: for S. Crowder,
Fenning’s popular Guide to the Use of the Globes first appeared in 1760 and ran to numerous editions. It was regularly used in schools, notably… (more)
Fenning’s popular Guide to the Use of the Globes first appeared in 1760 and ran to numerous editions. It was regularly used in schools, notably that of Joseph Moon of Salisbury, who made improvements and additions to later editions, including our sixth edition. The identity of this copy’s early owner is not certain, but Barbara Priestman is a sufficiently uncommon name to make a tentative connection with a Quaker of that name who died at Pontefract (Yorks) in 1837 and was born around 1781. The same Barbara may have been among several members of the Priestman family to subscribe to the British and Foreign Bible Society in 1812 via the York Auxiliary Society.(see full details)
Encyclopédie comique ou Recueil anglois de gaietés, de plaisanteries, de traits d’esprit, de bons mots, d’anecdotes, de portraits, d’originalités, d’aventures, de naïvetés, de balourdises, de calembourgs et de pensées graves et sérieuses. Version libre de l’anglois.
Paris: chez l’Editeur, [n.d.,
[uniform with:] Les Rieurs anglais, ou Supplément a l’Encyclopédie comique, traduction libre de l’anglais. Paris: Marchand, An X [1801/2]. 2 vols bound together, pp. ,… (more)
[uniform with:] Les Rieurs anglais, ou Supplément a l’Encyclopédie comique, traduction libre de l’anglais. Paris: Marchand, An X [1801/2]. 2 vols bound together, pp. , viii, , 132; , 156, ,20, including half-titles, plus engraved frontispiece to each volume.
4 vols bound in 2, 12mo (175 × 95 mm), partially uncut. Later red straight grain quarter morocco, spines elaborately gilt (by Champs-Stroobants Sr). Excellent copies.
First edition. A rare collection of comic extracts translated or abridged from English authors including: Shakespeare, Gay, Johnson, Milton, Sheridan, Fielding, Goldsmith, Richardson, Young, Smollett, Sterne and Swift. Bertin (1751-1819) had worked in England as a tutor and translator and was the author of some 50 works on various subjects, including several translations. While in England he had studied Samuel Taylor’s system of shorthand and published, in 1791 a French edition of An Essay intended to establish a Standard for a universal System of Stenography, successfully introducing modern shorthand to the French public. Encyclopédie comique and Les Rieurs anglais are partly adverts for this system, with their shorthand plates and supplement entitled ‘Dissertation critique et curieuse sur l‘Okigraphie’. The second volume of Encyclopédie comique has a frontispiece depicting an English ‘Wife Sale’ (vente d’une femme Angloise à l’encan) which illustrates a short account of this peculiarly English custom or ritual observed in rural or working-class communities. ‘It can be seen as a bleak transaction, or as street-theatre, or as a shaming ritual’ (E. P. Thompson, ‘Sale of Wives’ in Customs in Common, 1993, p. 447). Gay II, 98 (first work only); Rochedieu, Bibliography of French Translations of English Works, 1700-1800, Appendix III (Collections of works translated from the English), 30.(see full details)More details Price: £750.00
Letters on the Improvement of the Mind. Addressed to a young Lady... in two volumes.
Dublin: for J. Exshaw, H. Saunders, W. Sleater, J. Potts, D. Chamberlaine, J. Williams, and R. Moncrieffe,
First Dublin edition, printed in the same year as the first (London) edition. The ten letters comprise: On the First Principles of Religion; On the… (more)
First Dublin edition, printed in the same year as the first (London) edition. The ten letters comprise: On the First Principles of Religion; On the Study of the holy Scriptures (2); On the Regulation of the Heart and Affections (2); On the Government of the Temper; On Oeconomy; On Politeness and Accomplishments; On Geography and Chronology; On the Manner of Reading and Course of reading History. It is dedicated to Elizabeth Montagu. ‘Montagu encouraged Chapone, presumably in the summer of 1770, when the two friends were travelling in Scotland, to publish the letters on education she had been sending her niece since 1765. Chapone was grateful to Montagu for correcting the manuscript, and the text, Letters on the Improvement of the Mind (1773), was Chapone’s most celebrated work’ (Oxford DNB). It ran to many editions over several decades. ESTC: BL, Cambridge, NLI, Bodley and National Trust (Florence Court, Enniskillen, N.I.). No US copies of this edition.(see full details)More details Price: £300.00
(SLAVERY). [BARANTE, Amable-Guillaume-Prosper BRUGIÈRE, Baron de.]
[Notes for a speech on the slave trade].
Slavery in France was abolished during the Revolution, but was reintroduced by Napoleon in 1804 and not finally abolished until 1838. In April 1826 Charles… (more)
Slavery in France was abolished during the Revolution, but was reintroduced by Napoleon in 1804 and not finally abolished until 1838. In April 1826 Charles X had signed a treaty formally recognising the independence of Saint-Domingue (Haiti) and it seems likely that these notes were written for a speech given shortly after that date. Barante notes that some viewed the treaty as an act of submission, but he states that the king and the negotiators who signed the treaty had ‘une horreur sincère pour cet infame trafic’ and that the loss of the colony was no threat to France. In the light of the treaty, Barante believes that this was a favourable moment to advance the cause of abolition. Towards the end he refers to the famous saying of Robespierre: ‘Périssent les colonies plutôt qu’un principe’ (though he simply writes ‘périsse les colonies...’ here) but he goes on ‘ces paroles sont atroces — le premier de tous les principes est l’horreur du crime... Cependant ce principe auquel on faisait des sacrifices humains était un principe et de cruauté’. For Barante therefore the fight against the injustice and cruelty of the slave trade is of the highest importance, and these eight pages clearly reveal his humanity and support for the cause of abolition.(see full details)
Prosper de Barante (1782-1866), a prominent liberal voice in nineteenth-century France was variously a diplomat, politician, statesman, historian and writer. From 1807-9 he was a ‘sous préfet’ in the department of Ardèche, and from 1813-15 prefect of Loire-Inférieure at Nantes. He made several diplomatic visits to Spain and Poland and was a close friend of liberal thinker Benjamin Constant. He was also a member of the Coppet group in the circle of Madame de Staël.More details Price: £1,200.00
[BARANTE, Amable-Guillaume-Prosper BRUGIÈRE, Baron de.]
La Déclaration de droits.
It deals with the various attempts to frame legislation on human rights from the English Bill of Rights of 1688, the Rights of Man in… (more)
It deals with the various attempts to frame legislation on human rights from the English Bill of Rights of 1688, the Rights of Man in the American Revolution, the French Revolution, to his own time. He examines each and discusses the difficulties of framing a Declaration of the Rights of Man. This manuscript was evidently the basis of his essay ‘Déclarations des droits de l’homme et du citoyen’ published in Études littéraires et historiques (1858).
Prosper de Barante (1782-1866) a prominent liberal voice in nineteenth-century France was variously a diplomat, politician, statesman, historian and writer. From 1807-9 he was a ‘sous préfet’ in the department of Ardèche, and from 1813-15 prefect of Loire-Inférieure at Nantes. He made several diplomatic visits to Spain and Poland and was a close friend of liberal thinker Benjamin Constant. He was also a member of the Coppet group in the circle of Madame de Staël.(see full details)More details Price: £750.00
(ANDERSON, Patrick). George ANTHONY and LE BRUN et RENAULT, Père et Fils.
Grana angelica; ou Véritables pilules écossaises, laissées à la postérité par le Docteur Patrice Anderson, d’Edimbourg, Médecin de Charles I, Roi d’Angleterre; desquelles Charles II saisoit sa médicine ordinaire. Préparées avec fidélité par G. Anthony, demeurent à l’enseigne des armes d’Angleterre.
A RARE FRENCH BROADSIDE ADVERTISING THE VIRTUES OF ‘SCOTCH PILLS’ OR ‘GRANA ANGELICA’ invented by the seventeenth-century Edinburgh physician Patrick Anderson, a medical treatment which… (more)
A RARE FRENCH BROADSIDE ADVERTISING THE VIRTUES OF ‘SCOTCH PILLS’ OR ‘GRANA ANGELICA’ invented by the seventeenth-century Edinburgh physician Patrick Anderson, a medical treatment which remained popular in Scotland, England and France well into the nineteenth century. The long text in twelve chapters outlines the supposed virtues of the pills as a cure for almost any complaint. This French version imitates the English broadsides of the second half of the eighteenth century (there are several in ESTC) which themselves mimicked the form of Royal proclamations with woodcut arms at the head. It also reproduces the purported trademark of Anderson and his successor Isabelle Inglish, which seems to have been pirated as often as the pills themselves.
‘Some time after 1625 Anderson was appointed physician to Charles I. In 1635 he published in Edinburgh Grana angelica, a treatise in Latin which puffed his mild aperient pills, made with aloes, colocynth, and gamboge, and pronounced a sovereign remedy for cleansing the system after carouses. Anderson claimed to have brought the formula of the pill back from a trip to Venice about 1603’. (Oxford DNB).(see full details)
ROWLANDSON, Thomas after George Moutard WOODWARD.
The Miser’s Prayer!!
[London]: R. Ackermann, Feb. 10
Sole edition. A thin man in shabby clothes kneels in prayer before a candle on a chair, his toes poking through his worn shoes. The… (more)
Sole edition. A thin man in shabby clothes kneels in prayer before a candle on a chair, his toes poking through his worn shoes. The window panes above a heavy locked strongbox are broken. ‘The miser confesses he owns nine houses, estates in Essex, mortgages in Hertford, large landed speculations in Russell Square and the neighbourhood, reversions of estates, trading ventures, “Mermaid” sloop, funded property, Government securities, &c. &c. he is beseeching an increase in his means, success in investments, and a rise in the “Stocks”’ (Grego). Rowlandson produced a series of such ‘Prayers’ as squibs in 1801. Grego, Rowlandson the Caricaturist, II, 30.(see full details)More details Price: £375.00
CHASSENEUZ, Barthélemy de.
Catalogus gloriae mundi... In quo multa praeclara de praerogatiuis, praeeminentijs, maioritate, praestantijs, & excellentijs, continentur... Opus ad omnes publicas et quotidianas actiones dirigendas, controuersiasq́ue grauissimas dissoluendas, perquàm vtilissimum : in XII. libros diuisum. Nunc denuo accuratissime emendatum, ac nouis figuris elegantissime illustratum: ita vt facilè omnes caeteras editiones antecellere possit.
Frankfurt: Sigmund Feyerabend,
A spectacular renaissance illustrated book, the first edition with the detailed and dramatic double-page etched plates by Jost Amman. First published at Lyon in 1529… (more)
A spectacular renaissance illustrated book, the first edition with the detailed and dramatic double-page etched plates by Jost Amman. First published at Lyon in 1529 with single-page woodcuts (reprinted with the same woodcuts in 1546) there were also Venice editions of 1569, 1571 and 1576 with quarter-page woodcuts.
A vast encyclopaedic work, the Catalogus gloriae mundi sought to set out the hierarchy of creation —animate and inanimate, from the heavens themselves to the governments, laws and sciences of humanity. Its particular value was in setting out orders of precedency and protocol in law and ceremony, which probably accounts for its interest to publisher Sigmund Feyerabend, who enlisted Amman to create large emblematic plates for this edition, derived from the earlier woodcut illustrations. They are:
1. A genealogy with insignia of royal houses (including European houses and those of Persia, Egypt, Israel etc); 2. Adam and Eve in the Garden of Eden; 3. a mandala depicting the ranks of the hierarchy of the heavens; 4. a sitting of the papal court; 5. an imperial council; 6. a regal council; 7. a judicial court; 8. the nobility; 9. the military ranks; 10. The liberal arts and sciences (14 female personifications); 11. the mechanical arts (7 female personifications); 12. a geocentric cosmography. Andresen, A. Jost Amman, 32-43; The New Hollstein: German Engravings, Etchings and Woodcuts 1400-1700, 1998, VI.144. A very scarce book. Worldcat lists non-European copies at Folger, Getty and Huntington libraries only.(see full details)More details Price: £5,000.00
(CIRCUS). LÉOTARD, Jules.
Mémoires de Léotard.
Paris: [Simon Raçon et comp[agnie],
Rare first edition of the memoirs of the great circus performer Jules Léotard, pioneer of the flying trapeze who inspired the 1867 song ‘The Daring… (more)
Rare first edition of the memoirs of the great circus performer Jules Léotard, pioneer of the flying trapeze who inspired the 1867 song ‘The Daring Young Man on the Flying Trapeze’. A second edition of his Mémoires appeared in the same year, with the same pagination, but giving ‘deuxième édition’ on the title — almost all library copies appear to be of this later edition. The superb comic lithograph by Durandeau shows Léotard trapezing over the city of Paris, while adoring female fans cry out to him from the rooftops (some flying heart-shaped kites). With Blondin, Léotard was one of the first great celebrities of the circus, when he visited London in 1861, Charles Dickens wrote: ‘I have been beguiled into seeing Léotard, and it is at once the most fearful and most graceful thing I have ever seen.’ (Letter to Macready, June 11, 1861).(see full details)More details Price: £800.00
Jurons !!! pas de diminutions......
Paris: H. Platel. Cheyère, [n.d.
A very rare satirical print depicting two blood-sucking landlords expelling a bewildered tenant. In the hand of one of the ‘vampires’ a note reads ‘eviction’… (more)
A very rare satirical print depicting two blood-sucking landlords expelling a bewildered tenant. In the hand of one of the ‘vampires’ a note reads ‘eviction’ [congé], ‘end of lease’ [fin de bail] and ‘increase’ [augmentation] and all the notes scattered on the ground make reference to the real estate business. The caption reads ‘We promise, no reduction’. Paris (like London) was in the throes of a vampire craze in the 1820s, following the publication of Polidori’s The Vampyre in 1819. Charles Nodier’s melodrama Le Vampire was performed in Paris in June 1820, and spawned a host of spinoffs in popular culture and the press.(see full details)More details Price: £1,800.00
Les grands effets merveilleux de l’Acupuncture.
[Paris]: Cheyère [and Mantoux], [n.d., c.
A rare and amusing satire on the practice of acupunture ― much in vogue among certain Parisian doctors in the early nineteenth century. A sickly… (more)
A rare and amusing satire on the practice of acupunture ― much in vogue among certain Parisian doctors in the early nineteenth century. A sickly male patient is receiving a doctor’s needles, the longest of which is seemingly destined for his heart; a young woman in a bonnet seems unimpressed with her needles (one pierces her tongue); while a young man throws down a set of crutches. On the wall behind hangs a painting of the martrydom of Saint Sebastian. Though known in France since the seventeenth century, acupuncture was revived in the decades after 1800 — Doctor Louis-Joseph Berlioz (1776–1858, the composer’s father) claimed to have used it successfully in 1810 and published a paper on the subject, while Jules Cloquet published his influential Traité de l’acupuncture in 1826.(see full details)
The print was listed in the Bibliographie de France for 1825 (p. 172). It was published by Mantoux and Cheyère (cf. the Paris Musée Carnavalet copy) though in our example Mantoux’s name has been cancelled in the imprint line.More details Price: £1,200.00
[An Album of 50 Watercolours depicting Women’s Fashion.
A wonderful collection of contemporary fashion designs for the year 1867-8. The title-page, (marked ‘5ème volume) is an emblem of the ever-changing nature of fashion… (more)
A wonderful collection of contemporary fashion designs for the year 1867-8. The title-page, (marked ‘5ème volume) is an emblem of the ever-changing nature of fashion ― two richly-dressed women stand between marker posts for the years 1867 and 1868, one in deep winter attire with bonnet, scarf, cape and muff, the other in the light spring garments of the following year. Between them an elegant dandy stands with a velocipede (suggesting modernity, movement and rapidity) and above is a cartouche enclosing a naked woman below the legend: ‘Comment l’habiller-t-on?’ (‘how will they dress?’). The final leaf is similarly emblematic, with a splendidly-attired young woman in green stepping from 1868 to 1869 over a running stream.(see full details)
Anonymous and evidently once part of a sequence, these brilliant watercolours depict Parisian fashions at their most colourful and sumptuous. Those showing off fabrics with new chemical or aniline dyes of green, mauve and blue are often heightened with gum arabic, adding a lustrous sheen, evocative of rich and heavy silks then much in vogue. Skirts are full and often multi-layered, with arrangements for lifting the outermost layer for walking. Special attention is paid to the backs of these outfits, with a good number seen from the side or behind, showing the elaborate ruffles and bows (which would develop into fully-blown bustles in the following decade). There are stripes, plaids, pleats, ruffles, embroidery, lace and beadwork. Hairstyles are also carefully depicted, with long and thick tresses in a variety of braids and tresses, as well as luxuriantly loose styles.
The anonymous artist was a highly accomplished fashion artist, brilliantly equipped to render details and textures of fabrics, dress and deportment, of the type employed by designers and couturiers to show off to prospective customers their latest creations. This is a remarkable record of a golden age of Parisian dressmaking at the height of nineteenth-century haute couture when designers such as Charles Worth were claiming the city as the focus of the fashionable world.More details Price: £8,500.00
Exposition Publique des Produits de l’Industrie Française; Catalogue des Produits Industriels
Qui ont été exposés au Champ-de-Mars pendant les trois derniers jours complémentaires de l’an VI; avec les noms, départemens et demeures des artistes et manufacturiers qui ont concouru à l’exposition; suivi du Procès-Verbal du Jury nommé par l’examen de ces produits. Paris: Imprimerie de la République; Vendémiaire an VI [October 1798].The very rare catalogue for the first exhibition of industrial products, held in Paris in 1798, the forerunner of the great universal exhibitions of the… (more)
The very rare catalogue for the first exhibition of industrial products, held in Paris in 1798, the forerunner of the great universal exhibitions of the following centuries.(see full details)
Organised by the Minister of the Interior, François de Neufchâteau, with a view to ‘offering a panorama of products from the different branches of industry in order to encourage emulation’ this was the first great exhibition held in France. Its origins went back to the previous year and the initiative of the Marquis d’Aveze, who visited the factories of Sèvres, Gobelins and Savonnerie and was appalled both at the starving condition of the workers and at the superabundance of exquisite luxury goods with insufficient commercial outlet. With Neufchâteau, he arranged for an exhibition to be held at the Chateau de St Cloud but on the very day selected for the opening (18th Fructidor 1797) the Directory sent out its decree for the expulsion of the nobility — the Chateau de St Cloud was occupied by a company of dragoons and the Marquis expelled. The exhibition eventually took place the following year at the Chateau d’Orsay and on the Champ-de-Mars (on the spot where the spoils of the Italian campaign had been exhibited six weeks previously) and in a series of sixty arcades designed by David in fashionable Grecian style. Sixteen departments and 110 exhibitors were represented and as a note at the beginning of the catalogue explains, the number would have been even greater but for the speed with which the exhibition was organised, which made it impossible to get word to more distant departments of the country in time. It was a great success and the decision was taken to hold it annually.
The pamphlet sets out the list of exhibitors and is followed by the statement of the Jury given on the 5th Vendemiare, a list of the twelve firms singled out for particular distinction by the jury, and a further list of another twelve firms meriting an ‘honourable mention’. The jury consisted of Vien, Gallois, Darcet, Chaptal, Mollard, Moitte, Gilet-Laumont, Duquesnoy, Ferd and Berthoud. It sets out its criteria clearly: the key merit of any work is the invention and its principle appeal in public terms is its utility. In the context of ongoing hostility with Britain, it is interesting to see that the jury confesses a preference for those products which rival or outshine their British counterparts. A couple of firms which did not choose to exhibit are nonetheless singled out for mention in the address: Boyer Fonfrede, a textile merchant, Didot jeune, the publisher, and Delaître, a cotton weaver. The prize winners included firms of international repute, such as Breguet, the clock maker, Lenoir, inventor and maker of mathematical instruments, and Conté, an engineer who first applied machine-ruling to engraving. Having made known its decision to hold the exhibition on an annual basis in future, the address concludes with resounding praise for the new face of France, delivered by the Revolution from subservience to its neighbours and slavery to ‘routine’, the enemy of all true art. Rare: no printed copy listed in the holdings of the Bibliothèque nationale (which has a manuscript transcription) and only 3 copies known in libraries in France. Worldcat lists copies at Yale, Northwestern, Oregon and the British Library. Sandoz and Guiffrey, Arts appliqués et industries d’art aux expositions, 1912, pp. 1-5; Douyere-Demeulenaere, Expositions publiques des produits de l’industrie francaise, Répertoire méthodique, 2008.More details Price: £4,000.00
CALENDRIER DE LA COUR
pour l’année 1828, imprimé pour la Famille Royale et la maison de sa Majesté.
Paris: [Carpentier Méricourt for] Le Doux-Hérissant,
One of the last French royal Calendriers issued in the last years of the restored Bourbon monarchy (before the July Revolution of 1830). In addition… (more)
One of the last French royal Calendriers issued in the last years of the restored Bourbon monarchy (before the July Revolution of 1830). In addition to the calendar it contains details of all the French royal households and of monarchies all over the world as well as French military commanders.(see full details)More details Price: £150.00