history

Copy number VII of 100 copies (total edition 111 copies only) printed for Les Cent Une, Société de femmes bibliophiles. All were printed on paper watermarked ‘Les Cent Une’ and this is copy number 5 of the 10 tirage de tete copies, and printed for member Madame Jacques Gompel. The text is after the 1556 French edition by André Jaulme (complete with authentic contractions) while the superb visual interpretations by Mariette Lydis include two of her characteristic decorated maps (both are signed). This is one of the early publications for the women’s book collecting club founded in Paris by the Princesse Schakhowskoy in 1926 as a direct riposte to ‘Les Cent’ — a bibliophile circle which then included no women among its members. Les Cent Une issued editions limited to the 101 members only and a handful of collaborators, usually no more than once a year, and is still in existence. Carteret IV, 322.

First edition of this survey of the fundamental changes made to female education in France between 1879 and 1887, France fundamentally reformed female education, moving from Catholic-dominated, basic instruction to a state-run, secular, and more academic system. Legislation such as the 1880 so-called Camille Sée law, established the first public secondary schools for girls (lycées) to produce educated ‘republican mothers,’ focusing on academic study rather than just needlework. The author was deputy director of the French ministry of public education. He dedicates the book to Camille Sée.

First edition of this rare practical programme for female secondary education. The so-called Duruy Reforms of 1865 instituted a new programme of secondary instruction geared towards practical careers in business and administration. While they also reformed primary education for girls, they did little for their secondary education, as noted in the foreword here by Madame Charles Sauvestre, instutrice. She concludes that the private initiatives are the only way of circumventing this, and the Guide pratique pour les écoles professionnelles de jeunes filles is a brief but complete guide to the practicalities and particularities of secondary schools for girls, starting with budget estimates for their foundation and maintenance. Much of detail is provided by the tables, which include three-year curricula with breakdowns of the necessary subjects, encompassing, letters, sciences, arts, and practical studies. ‘Letters’ comprise literacy in French and other living languages (not Latin), as well as history, geography, cosmography, domestic economy and ethics (religion is absent). ‘Sciences’ include mathematics (especially mental and commercial arithmetic), accounting, botany, zoology and mineralogy. ‘Arts’ include writing, drawing, geometry, ornament, industrial drawing, engraving, painting on porcelain and singing (formal music and panel painting notably absent). ‘Practical studies’ include couture (dressmaking), embroidery, tapestry, artificial flowers, lacemaking and paper crafts. Each of these subjects is broken down further into specific lessons with their place in a termly and weekly timetable divided into hours. A final chapters gives recommendations for the organisation of a library and a list of recommended books and authors. WorldCat: Library of Congress only outside Europe.

First edition, presentation copy, arguing for the proper provision of university education for women. The author surveys recent developments around the world, notably in the United States, where the women’s education movement has been most marked (and citing the Philadelphia medical school and the University of Michigan as examples) and in Great Britain (citing University College, London, Girton and Somerville Colleges at Cambridge and Oxford respectively). WorldCat locates a single copy: Università Bocconi, Milan.

First edition of one of the celebrated French clairvoyant’s earliest and rarest works, in which she reported an angelic appearance at Louis XVI’s tomb and revealed the contents of a tablet of prophecies for the era of the Restoration of the French monarchy. Like Le Normand’s later works it is couched in terms of dreams, predictions and angelic interventions. Marie-Anne Le Normand (1772–1843) was a celebrated (but also notorious) clairvoyant. Famed throughout Europe for her exclusive clientele, she popularised cartomancy and spawned an enormous wave of imitators. At the height of her career she claimed to have advised the likes of Robespierre, Talleyrand, Metternich, the Empress Josephine and the Russian Emperor Alexander; others argued that the whole thing was a sham, and she was frequently arrested, spending several weeks in prison. She is perhaps best remembered today for the cartomancy tarot decks named after her (’Lenormand cards’).
Le Normand was not only successful as a clairvoyant, but as a businesswoman, publisher and bookseller, with most of her works carrying her own imprint (as here) and sold at her shop in the rue de Tournon. At this early date she evidently operated her own press, with the half-title giving an address in nearby rue de Seine. Later works were generally printed for her by other presses. Caillet 6515. WorldCat: British Library only. While there are several copies in French libraries it is apparently absent from the Bibliothèque nationale. Arbour, Dictionnaire des femmes libraires en France, p. 343.

First edition of Le Norman’s predictions issued in the wake of the July Revolution of 1830 and the restoration of the monarchy under Louis Philippe, events welcomed by Le Normand, who saw the ghost of Louis XVI as her protector. Like her previous collections, it consists of accounts of her ‘visions intuitives’ and ‘Révélations politiques, symboliques, prophètiques, somnambulismes etc’. Throughout the nineteenth century, writers and pamphleteers repeated that tale of the ‘Little Red Man’ purported to be from an old folk tale dating back to the creation of the Tuileries Palace (1564) in which Le Petit Homme Rouge (a genie, or ghost) had appeared to the kings and queens living in the palace on the eve of great events, from Catherine de Medici to Napoleon. Here Le Normand uses him to recount the counsel given to Napoleon at Malmaison in 1793, that France could never be a democracy. Chapter five is set at the Scottish royal palace of Holyrood where the deposed Charles X had lived between 1796-1803
The title verso has an advert for eleven works hitherto published and still marketed by Le Normand at her shop in rue de Torunon, all priced, together with three fothcoming works ‘sous presse’ and a collected works in 10 volumes. Caillet 6514 (’Ouvrage peu commun’).

Presumed first or sole edition of this bilingual English-Japanese picture book showing the costumes of men and women of the various ranks of orders of Japanese society. It includes aristocratic and military subjects, as well as servants, scholars, labourers and craftspeople. The English preface states ‘These books are not only designed to please children, but to show the manners and customs of the ancient and modern people of Nippon. The fine illustrations afford an important aid in this respect. It is through the eye that understanding itself is most quickly reached’.
It was printed by the Poole Women’s College in Osaka. Arthur William Poole, after whom the Osaka Women’s School was renamed in 1890, was the first Anglican Bishop of Japan. The school had been founded as the Church Missionary Society school and its head teacher from 1890 to 1928 was the Durham-born missionary educator, Katherine Tristram, one of the early female graduates of the University of London. When she was appointed ‘there were at the school two other British women apart from Tristram, as well as eight Japanese teachers, including four women, and there were forty-nine pupils, of whom twenty-three were Christians’ (Oxford DNB).

A splendid bibliophilic caricature. ‘The bouquiniste in pleasure’ shows a crouching bookseller, his sleeves made of reused book-covers, offering a variety of books to a voracious bibliophile, whose pockets are already stuffed with treasures. The print is signed simply ‘XX’ but is attributed to Auger by the Bibliographie de France of 1817. Adrien-Victor Auger (1787-1854) had been a student of David, he exhibited at the Salons of 1810, 1824 and 1834 and satirised fashionable Paris society through his lively engraved and lithographed prints.

Despite his former military success in service in the American and French Revolutionary wars Custine was found guilty of treason by a majority vote of the Revolutionary Tribunal on 27 August, and guillotined the following day. ‘Custine (an ex-noble) was guillotined on 28 Aug. (in spite of his previous victories), accused of having treacherously caused the fall of Frankfort, Condé, Valenciennes, and Mayence. According to the English newspapers, he “kissed the crucifix, embraced his confessor... and at last was brought to the guillotine by force”’ (BM Satires).
‘Custine stands on the scaffold beside the guillotine (left). Four ragged ruffians are about to bind him to the plank on which he is to lie; one says, “By Gar so we will serve all de Generals who do not conquer de whole World, and give them de Libertè [sic]”. Custine says, “Pardon me Heaven for having been leagued with such a set of Blood hounds”. A stout soldier pushes a weeping priest, who says “Let us Pray”, down the steps (right) which lead up to the scaffold, saying, “Go to de diable & Your Prayers both”. Below (right) stand republican soldiers with fixed bayonets much caricatured. On the extreme left a man kneels at the guillotine holding his hat in place of the usual basket; he says, “Begar I will have a Drink of de blood.” BM Satires, 8340; De Vinck 6176; Krumbhaar 785.

‘Down, down, to Hell & say A Female Arm has made one bold Attempt to free her Country’ reads the speech emerging from Charlotte Corday’s mouth as she holds a bloodied dagger, just withdrawn from the body of Marat, who has fallen to the ground. The subtitle reads: ‘Who [Corday], while he [Marat] was villifying some of the more moderate men in the Convention and asserting that they should lose their heads stabed [sic] him saying, Villain thy death shall precede theirs.’ Charlotte Corday was condemned to the guillotine for the murder of Jacobin leader Jean-Paul Marat. Aged just 25 at her death, she was later nicknamed l’ange de l’assassinat (the Angel of Assassination) for her actions and was posthumously revered by Royalists for her stand against the injustices of the era of the Terror.
News of Marat’s assassination (on 13 July), without details, reached London on 22 July making this the earliest dated British print to depict her. Several later prints, including another by Gillray, depicted her trial and execution. BM Satires 8336; De Vinck 5298; Krumbhaar 1077.

Issued in a small number of typescripts for private circulation. An extraordinary short history and summary of several interesting cases that occurred in the New York Branch of the Office of Naval Intelligence, compiled by Hollis H. Hunnewell, Voluntary Aide with other staff members for Lieutenant-Commander Spencer Eddy, Officer-in-Charge. It covers an important era of development, when the ONI (the oldest member of the US intelligence network) was tasked with espionage in monitoring foreign threats, both in naval affairs and domestically, detecting hostile acts among non-American communities, and acting as censor for cable communications. Though the author states in the inserted letter ‘I must lay stress on the fact that these pages are strictly confidential in nature, and for your own personal use’, the books seems, in retrospect, to be a rather reckless exposition of the Office’s actvities.
It is both serious and comical, with the the first half of its text setting out the history and aims of the ONS, its personnel and departmental structure, and the second half presenting a series of humorous anecdotes. The Office’s departments comprised: the executive and the espionage departments together with departments for: cables, plant protection, commercial, banking, Latin-American, I.W.W (for surveillance of the unions or ‘Industrial Workers of the World’), Russian and Czecho-Slovak, legal and file. A paragraph each describes their remit and a photographic copy of a flow-chart diagram explains the procedure of communication between agents and officers. A list of officers (including Eddy and Hunnewell) is provided, comprising voluntary aides, agents, enlisted men, enlisted men detailed to the Postal Censorship Office, enlisted women, civilians, telephone officers. The text then becomes an account of humorous mistakes and misunderstandings, presumably for the amusement of former members of the office. These are accompanied by well-known illustrator Maginel Wright Enright’s lighthearted vignettes (presumably commissioned for this account) which would be charming except for one obviously racist caricature accompanying an equally racist anecdote. There are two stories of botched espionage attempts using dictographs: one in which the apparatus was hidden in what was thought to be a disused fireplace in the home of a suspect (with predictable consequences) and another in which agents pick up only sounds of an amorous encounter between and agent and a suspect.
Worldcat locates two copies one at Georgetown University, the other in the US Naval War College Library. The latter is digitised, and contains one additional photograph (a group photo of officers) not present in our copy (probably never bound in). Though the texts are essentially identical, minor typographic variances confirm that copies were individually typed rather than duplicated. Our copy (unlike the NWCL copy) is specially bound in the style of Cobden Sanderson at the Rose Bindery, Boston (which was owned by the author, Hunnewell).

First published in 1738, Soumille’s illustrated guide to trictrac (a variant of the game of backgammon) was reprinted several times in the eighteenth century, the present 1756 edition probably being the second (another edition appeared at Avignon in the same year). This copy contains a delightful contemporary first person ex libris inscription giving voice to the book itself:
‘je suis a qui je suis, a autre ne veut être, et si perdut je suis promtement je veux être remit a qui je suis Alexandre est mon maïtre’. (’I belong to who I belong to; I do not wish to belong to another, and if I am lost, I want to be promptly returned to the one I belong to. Alexandre is my master.’) Barbier II, 565.

First edition with the English text of the Preparatoirlyk plan, van een tractaat van commercie (Plan of a Treaty of Commerce) projected between Holland and the United States. Though never concluded it is important as one of the earliest treaty negotiations by the American nation after the Revolution. The plan had been secretly negotiated at Aix-la-Chapelle in 1778 between William Lee, American commissioner to Berlin and Jean de Neufville, an Amsterdam banker professing to act on behalf of the city and was to be concluded when England acknowledged America as a free nation. A detailed treaty it contains thirty four articles outlining terms of trade between the two nations, and the form of passports and certificates for ships. It is subscribed Jean de Neufville and Samuel W. Stockton, the American lawyer, diplomat and public servant who was later to serve as Secretary of State of New Jersey from 1794 to 1795. It is followed by transcriptions (also in Dutch and English) of the associated diplomatic correspondence. An edition of the Dutch text only appeared also in 1780 which Sabin (65110) refers to as the ‘Original edition’, though it is not clear on what basis.
The draft was inadvertently made public in 1780 when the vessel in which the bearer of it, Henry Laurens, South Carolina merchant, planter, and revolutionary leader who served as President of the Continental Congress from 1777 to 1778 was apprehended at sea by the English. The Plan was found among the effects he threw overboard on his capture and Laurens was imprisoned for treason. The treaty was not strictly illegal, but the British Government was able to construe it and other retrieved papers detailing Dutch financial aid to the rebellious American colonies as being equivalent to actual aggression. Although it was neither authorised nor sanctioned by the States-General nor by Congress, it served as a pretext for England’s declaration of war against the Netherlands.
It was handed to the Dutch Estates General by the British Ambassador, General Joseph Yorke, debated and published here as one of the Extracts of the resolutions of the Estates General of the Netherlands. Sabin 63286: ‘Official edition of the Preparatory Plan’ (projected 1778 at Aix-la-Chapelle), with the correspondence relating to it, as it was presented by the Chev. Yorke, as found with the papers of Mr. Laurens, to the Prince of Orange, and sent by the States General to the Provinces. The subscription of the Treaty is changed in all the reproductions — Müller’. Cf. Sabin 65110 for the original Dutch edition (two editions, also 1780).

A popular pocket dream dictionary abridged from Vulson de la Colombière’s influential Le Palais des curieux first published in 1660 and widely disseminated in popular form. The foot of the final page includes a series of numbers offered as the most likely to be drawn in the national lottery. René Helot, La Bibliothèque bleue en Normandie (1928). 12

First edition. Copies of Louis XVI’s will were widely circulated in facsimile at the time of the Restoration of the monarchy after the fall of Napoleon. They were first printed as official copies engraved from the original manuscripts, circulated to members of the houses of representatives and issued for sale, as here in their officially sanctioned version engraved directly by Piquet from tracings of the original manuscript. The final page of the four-page facsimile of Louis’ will bears the imprint: ‘Calqué par Pierre Picquet sur l’original écrit de la main du Roi’. Picquet is described as ‘graveur d’écritures’ in the imprint, a speciality for which he appears to enjoyed royal patronage. His finely-engraved copies were widely pirated by enterprising engravers and booksellers and sold to the public in Paris in various other forms. Besides his facsimiles, Picquet engraved several writing manuals.
Louis XVI’s last will and testament, written on December 25, 1792, in the Temple prison, is a deeply personal, religious document in which the deposed king proclaimed his innocence, forgave his enemies, and entrusted his family to God. He reaffirmed his Catholic faith, urged his son not to seek revenge for his death, and expressed hope for the unity of France. It is accompanied here by a letterpress account of the king’s last days, together with the circumstances of his and Marie-Antoinette’s will. There are also engraved copies of both their signatures, together with those of their children Élisabeth Marie and Louis (both also executed).

First edition, much extending and improving Smart’s earlier work of 1707, Tables of simple Interest and Discount. Dedicated to the governor or the Bank of England, William Thompson, his deputy, Humphrey Morice and the bank’s directors, they proved to be among the most used tables of interest of the eighteenth century. There were two further printings in 1747 and 1780. Included are tables of simple and compound interest, discount as well as tables to calculate the value of annuities on lives and numerous worked examples of their use. It concludes with a survey of the history of British currency and coinage, which includes consideration of unlawful usury and coin clipping, as well as other legal considerations. In the 1707 Tables of simple Interest and Discount Smart described himself as of ‘the Town Clerk’s office, London’, whereas by 1726 he could describe himself as ‘of Guildhall, Gent.’ Other sources show he was Clerk to H. M. Commissioners of Lieutenancy for the City of London, 1714-1739, and Deputy Town Clerk until his death in 1742. Of Tables of Interest, Discount, Annuities, McCulloch wrote in his 1871 Dictionary of Commerce: ‘They are carried to 8 decimal places, and enjoy the highest character, both here and on the Continent, for accuracy and completeness. The original work is now become very scarce.’ The work also holds a significant place in the history of actuarial science, since he noted in his discussion of annuities the need for accurate tables of mortality and the systematic recording of ages of death by parish clerks (p. 113), a recommendation that was soon adopted for bills of mortality, at least in London.
The owner of this copy, Thomas Best (1753-1815), was part of the wealthy Best brewing family of Kent, was educated at Eton and Cambridge, and became an officer in the West Kent militia. Goldsmiths’ 6485; Kress 3666.

By an otherwise unidentified female artist, this is a rare large-format album of lithographs of the famous catholic Bavarian passion play at Oberammergau. The artist’s name is given only as initials ‘M. C. S. D’ on the plates and wrapper, but this copy bears a contemporary manuscript addition to the initials, which thus reads ‘M. C. S. Dawkins done by Herself’. It is additionally inscribed ‘with love’ to Major M. G. Best.
Performed decennially since 1634, the Oberammergau plays told the story of Christ’s passion, with a large cast drawn from local villages forming immense tableaux vivants with spoken biblical texts in the vernacular. In the nineteenth century it became a major attraction for well-to-do Grand Tourists and drew significant numbers of English visitors (so much so that the pioneering travel agent Thomas Cook established an Oberammergau office in 1880). The passion play was widely reported in contemporary English-language journals, adding to its attraction among English visitors (mainly protestant) who were curious about this ancient catholic theatrical tradition. We have been unable to discover anything substantial about the artist, but its fair to assume she made the journey to Oberammergau herself. WorldCat lists the V&A copy only in the UK. In the US there are copies at the University of Saint Mary of the Lake (IL) and WRHS (OH).

A rare and outlandish canard depicting a winged harpie, with the caption ‘Ce monstre afreux son corps est de la force d’un taureau / d’un an il a vingt deux pieds de longueur’.
This is a version of several contemporary ‘Peruvian monster’ prints issued as satirical allusions to Marie Antoinette, who was widely accused of accused of rapaciously squandering the royal treasury. They were inspired by a pamphlet of 1784 titled Description historique d’un monstre symbolique pris vivant sur les bords du lac Fagua près de Santa Fé par les soins de Francisco Xaveiro de Meunrios, comte de Barcelone — the pseudonym Francisco Xaveiro de Meunrios probably referring to Louis Stanislas Xavier, Count of Provence, Louis XVI’s brother. Harpie prints then appeared in considerable number (the Bibliothèque nationale holds at least thirteen, most printed in Paris, a number of which are dated to 1784) and were popular in both Paris and other French cities. Not found in WorldCat or among the similar prints in the BnF.

A Caen-printed bibliothèque bleue edition of a title popular in the genre, with other editions from Paris, Tours and Lyons. The woodcut portrait was evidently old when the edition was printed, the impression showing a scatter of wormholes affecting La Belle Hélaine’s face, hair and shoulders. The text has it origins in a Middle French chanson de geste of the fourteenth century. cf. Hélot, La Bibliothèque bleue en Normandie (1928), 114 noting the degradation of the woodcut over its several issues, and this one specifically where: ‘la pauvre belle devient effrayante, avec un véritable trou à la place de l’oeil gauche’.

A popular history of the Norman crusader king who became Richard I of England. Hélot, 124.