Search

First edition. ‘During the Jacobite rising of 1745, the Jews had shown particular loyalty to the government. Their chief financier, Sampson Gideon, had strengthened the stock market, and several of the younger members had volunteered in the corps raised to defend London. Possibly as a reward, Henry Pelham in 1753 brought in the Jew Bill of 1753, which allowed Jews to become naturalised by application to Parliament. It passed the Lords without much opposition, but on being brought down to the House of Commons, the Tories made protest against what they deemed an “abandonment of Christianity.” The Whigs, however, persisted in carrying out at least one part of their general policy of religious toleration, and the bill was passed and received royal assent (26 Geo. II., cap. 26). The public reacted with an enormous outburst of antisemitism, and the Bill was repealed in the next sitting of Parliament, in 1754. (Wikipedia).

An Old Testament (only) from a Restoration Bible with an attractive contemporary binding. An original flyleaf at the front bears the inscription ‘Deborah Ballowe Anno Domin 1692’ while one at the rear has ‘Mrs Deborah Ballowe Givest to Elizabeth Leeton’.

A diminutive Geneva psalter in green vellum. The French text is Bèze and Marot’s rhymed version first published in 1562 in which the 150 psalms were set to 124 melodies. Worldcat locates the Geneva copy only of this edition.

An attractive illuminated leaf in gothic type. The text is a portion of the Office of the Dead from a Book of Hours and opens with the prayer or chant: ‘Ne recorderis peccata mea domine. Dum veneris iudicare saeculum per ignem’ (Remember not my sins, oh Lord. When thou shall come to judge the world by fire).
Ex libris James Dearden. Folio Society Collector’s Corner. Catalogue 7 (1962), item 135, illustrated (£3.10).

This attractive fragment includes the opening of the prayer to the Virgin ‘O intemerata’ (O Immaculate), commonly included (with the ‘Oscecro te’) in a medieval Book of Hours. Folio Society, Collectors Corner (n.d, ?1960) £2.

Ex libris James Dearden. Folio Society, Collectors Corner, catalogue 2 (1961), item 66 (£2.10).

The verso includes the first part of Psalm 42, ‘Quem admodum desiderat cervus ad fontes aquarum’ (Like as the hart desireth the water). Ex libris James Dearden. Folio Society Collector’s Corner, catalogue 11 (1962) item 190 (£4).

An attractive single leaf from a Book of Hours including, as an antiphon, the opening verses of Psalm 95, ‘Cantate Domino cantico novum; cantate Domino omnis terra’ (O sing unto the Lord a new song). Ex libris James Dearden. Folio Society Collector’s Corner, catalogue 9 (1962), item 173 (£3)

A diminutive compendium of personal devotions in the spirit of Thomas à Kempis comprising:

1-51: Esercizio sopra la passione di Gesû Cristo.
53-63: Meditazione sopra l’Amor di Dio.
65-77: Meditazione seconda...
79-89: Meditazione sopra amor proprio.
91-131: Breve instruzione per far con frutto l’Oratione mentale.
133-83: Meditatione sopra la Mansuetudine.
184-200: S[op]re Viaggi del’Anima Religiosa...
[1-38]: Essercizi Spirituali per Religiose professe..

At the time of publication these were ‘the smallest books in the world’. An edition was first published at Mainz in 1952 to raise money for the reconstruction of the Gutenberg museum, while the firm of Waldmann & Pfitzner in Munique continued to print these novelty volumes into the 1960s. Bromer and Edison, p.117.

First editions of two very rare Swedenborgian sermons preached in the New Jerusalem Temple in Cripplegate. Separately issued, they were the first two in a series of 12 published in the same year listed on the advert leaf with details of subscription. On completion, all twelve could also be bought bound up with a general title as Twelve Sermons (also 1796). They are rare both alone and collectively — ESTC lists copies of these first 2 sermons at BL only and copies of the collected Twelve Sermons at: BL, Glasgow, Rylands, Academy of the New Church and Louisiana State University. The printer, Robert Hindmarsh was one of the founders of the Swedenborgian movement and the Church of the New Jerusalem in England. The publication dates of both titles is given as 1796=40, reflecting the Swedenborgian belief that the Last Judgement had occurred in 1757, with 1796 representing the 40th year of the Second Coming of Jesus Christ through divine revelation.

‘Sibly... (1757–1840), Swedenborgian minister and banker, was born at Bristol on 20 August 1757. He was the brother of Ebenezer Sibly (1751–c. 1799), a notable publisher of esoteric lore, and was himself an autodidact and nonconformist, self-taught in the classical and biblical languages, part of the self-taught artisan culture. He specialized in alchemy and astrology, and became for a period a bookseller in Goswell Street, London, specializing in books on the occult, some of which his brother was then publishing. He himself translated two astrological works by Palcidus de Titis... He also served as a shorthand writer... (ODNB).

They are here bound together with three other East London non-conformist sermons:

Joseph Priestley, The present State of Europe compared with antient Prophecies; a Sermon, preached at the Gravel Pit Meeting in Hackney, February 28, 1794, being the day appointed for a general fast. By Joseph Priestley, LL.D. F. R. S. &c. with a preface, containing the reasons for the author’s leaving England. London: for J. Johnson, pp. xx, 44, [8] (advert/catalogue for Priestley’s books). First edition.

William Cooper. The Promised Seed. A Sermon, preached to God’s ancient Israel the Jews, at Sion-Chapel, Whitechapel, on Sunday afternoon, August 28, 1796. By William Cooper.... London: Printed for the author; and sold by T. Chapman and J. Matthews, [1796], pp. 38. One of several editions of 1796 and probably the first.

William Cooper. Daniel’s Seventy Weeks. A Sermon, preached at Sion-Chapel, on Sunday Afternoon, September 18, 1796, to the Jews. By William Cooper. Being his second Address to that People. London: Printed and sold by T. Chapman, 1796, pp. 32. One of several editions of 1796 and probably the first.

First edition of the first of Joseph Cundall’s illuminated gift books, with superb decoration by John Brandard printed in chromolithography. ‘The borders in the book were copied from Harleian MS 2936 and MS 3469, Royal MS.19.C.3 and 19.C.8, the DeCroy MS, and Henry VIII’s Missal, all in the British Library; also used was a Book of Hours in the possession of the publisher. The miniature paintings are from Harleian MS. 2877’ (Claire McKendrick). Cundall (printer, publisher and photographer) is also known as the publisher of the first commercially printed Christmas card (in an edition of 1000 copies) in December 1843 (the same month as Dickens’s A Christmas Carol). He later produced some of the most handsome illustrated books of the 1850s and 1860s, including the ‘Home Treasury’ series of children’s books. McLean, Victorian Book Design and Colour Printing (2nd ed.) pp. 90-1.

First edition. The frontispiece included a mounted oval collotype print reproducing an engraved portrait of John Milton McLean, Victorian Book Design and Colour Printing (2nd ed.), p. 137.

An interesting collection of 54 rare hand coloured plates by Augsburg publishers Johann Michael Motz and Albrecht Schmidt, very much in the style of the recreational and educational prints of the slightly earlier Augsburg engraver-publisher Martin Engelbrecht. Like Engelbrecht’s these prints were intended for popular consumption and were often cut up for albums or other decoupage projects. All are very rare, notably the fine 4-plate suite of the continents here (Europe, Asia, Africa and America) and a very substantial part of the biblical sequence by Schmidt. There are also plates for the four, two hunting plates and another after Boucher. The album was evidently put together c. 1800 from two or more constituent parts, perhaps already quite well used to judge by the variation in condition across the collection and by the various patterns of previous stab holes. An early owner/user has added some amusing pencil drawings to the rear endpapers.

Comprising:

1. Les Amans Surpris (after Boucher, c, 1750), Motz.
2. Les Plaisirs au jardin & La musique, 2 plates, Motz.
3. Europa, Asia, Africa, America, 4 plates, lower lines of verses and imprint cropped, but Motz after I. Waxmuth.
4. Der Frühling, Der Sommer, Der Herbst, Der Winter, 4 plates, Motz.
5. Das Feuer, Das Wasser, Die Lufft, Die Erde, 4 plates, Motz.
6. Der Morgen, Der Mittag, Der Abend, Die Nacht, 4 plates, Motz after Stockhman[n].
7. [Hunting], 2 untitled prints, Motz after Stockhman[n].
8. [Old Testament. Genesis] 14 plates, numbered 5-12, 37, 40, 45-48 each with gold borders, Albrecht Schmidt. [of 56?]
9. [Old Testament, Genesis, the story of Joseph]. 13 plates, numbered 1-5, 7-14. Motz.
10. [The Prodigal Son]. 6 plates, numbered 1-2, 5-8, Motz after C. Vogt (stubs of plates 3 & 4, evidently cut out).

A curious florilegium, with extensive lithographed devotional text, presumably after the handwriting of author (’Jean, prêtre’) and a series of handcoloured lithographs. The latter include 31 of flowers (marigold, violet, primula, iris, cornflower, honeysuckle etc) which are paired with a description and devotional meditation on the opposite page. The others depict a hermit, a memento mori, a decorative contents list and (at the end) women in a religious procession with a banner. At least one them is signed ‘Jean’. The prefatory text is from Chateaubriand’s Le Martyrs: ‘En achevant ces mots, Zacharie s’arrêta, me montra le ciel où nous devions nous retrouver un jour, et, sans me laisser le temps de me jeter à ses pieds, il me quitta après m’avoir donné sa dernière leçon. C’est ainsi que Jésus-Christ dont il imite l’exemple, se plaisoit à instruire ses disciples, en se promenant au bord du lac de Génésareth, et faisoit parler l'herbe des champs et le lis de la vallée’.

Although marked ‘Deposé’ on the first leaf, we have been unable to find any other copies or record of its publication. It was presumably printed in very small numbers.

‘Adam and Eve eating the forbidden fruit / Death how certain Death how sur[e] / Sin the wound. And Christ the cure’. ‘Emma. Preest. Her work / Tuts Hill House / July. 20. 1847 Aged /12. Years. Old’.

Emma Preest is possibly the Emma born on the 8th June 1835 at Bream Eaves, Gloucestershire and baptised in the Wesleyan chapel at Monmouth — certainly that would accord with her given age (12) in 1847 when she made this sampler. The identity of Tuts Hill house is not straightforward, there having been two houses so named in the vicinity of Tidenham, Chepstow. We can find no pictorial evidence of either of them as a three-storey, four bay house as in Emma’s depiction, and no Preest family associated with either. But if one accepts the likelihood of Emma being Gloucestershire born, both houses would have been some ten miles from her birthplace, suggesting the possibility she entered service at one of them at the age of 12 (quite possible) and that this may have been an ‘apprentice’ piece. Young girls were taught this kind of sewing not so much as a primer in reading (still less writing) as in household needlework and linen labelling.

The verse is a variation of a popular gravestone epitaph: ‘Life is uncertain, death is sure, Sin the wound, and Christ the cure. If we have correctly identified Emma Preest, she married in 1854, had several children and emigrated with her family after 1870 and died in 1915 at Shawnee, Perry County, Ohio, USA, aged 80.

Alphabet (upper and lower case), several decorative lines and two verses: ‘Is there ambition in my heart / search gracious God and see...’ [Isaac Watts] and ‘Teach me to live / that I may dread/ the grave as little / as my bed // Teach me to die ‘ that so I may / with joy behold /the judgement day’ [by Thomas Ken, later reused by Thomas Hardy in Jude the Obscure]. Needlework samplers remain one of the most widespread manifestations of the teaching and learning of basic literacy among girls and young women and, as here, reflect a strongly moralistic background.

First edition of this juvenile guide to the manners, customs and costumes of peoples of the known world. The plates include: France, England, Russia, Spain, Italy, Switzerland, Greece, Turkey, Persia, the East Indies, China, Japan, Barbary (North Africa), Egypt, Canaries, Africa, United States, Mexico, Brazil, Peru, Argentina, Java, Australia and New Zealand.

This is one of Aubert’s Récréations instructives series for young people. The ownership inscription is of Amédée Girod de l’Ain, lawyer and politician who became Minister of Public Education and Religious Affairs in 1832. Gumuchian, 5038.

Second edition (appearing in the same year as the first) of one of the best-loved works of William Penn, founder of Pennsylvania. After Penn’s departure from Pennsylvania in 1684, he returned to England. At the time of the Glorious Revolution, and James II’s exile he faced charges of high treason and was forced to remain in seclusion for three years. During that time he wrote Some Fruits of Solitude, a collection of maxims on such subjects as marriage, family, friendship, religion, and the temptations of wealth. Licensed on May 24 1693, the aphorisms were published anonymously (to avoid the author’s reimprisonment for disloyalty) and epitomize the simple Quaker truths upon which the Republic would be based, distilling the essence of Penn’s spiritual idealism, combining it with practicality and common sense. Wing P1369; Smith, Descriptive Catalogue of Friends’ Books, II, p. 309.

First edition in English. This copy in an attractive Regency binding with an interesting English Catholic provenance: the Hornyold family of Worcestershire. The Blackmore Park estate had been in the hands of the Hornyold family since the sixteenth century, and in 1844 Thomas Charles Hornyold donated land for the building of a new Catholic church. The church, with an attached monastery for monks of the Redemptorist order, was paid for by John Vincent Gandolfi, a Genoese silk merchant who had married into the Hornyold family and would inherit the Blackmore Estate in 1859. ESTC: BL, London Oratory, Bodley (several copies), Newberry Library and Clark Library (UCLA).