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First edition, apparently transcribed from a genuine Middle English original. The title-page notes: ‘The Manuscript to be disposed of. – Apply to the Printer’. pp. 61-70 is an ‘Astronomical and Astrological Appendix’ from a work published in 1647. Caleb Stower (d. 1816) was an interesting and prolific printer with Unitarian connections.

One of a set of three Gillray prints of medical conditions that were also astute studies in facial expression.

The printer, Hannah Humphrey, is an interesting figure. Known as ‘Mrs Humphrey’ although she was unmarried, she was sister of printer William Humphrey from whose address in St Martin's Lane she published her first prints. She became the leading publisher of expensive satirical prints, especially by Gillray who worked for her exclusively from 1791, and who lived in her house for the last twenty years of his life. ‘The two lived together in circumstances of domestic intimacy for many years, but so discreetly that the prurient gossips of the next generation could find little to say against them. When Gillray made his will in 1807 he left all his possessions 'to my dearest friend Hannah Humphrey' (Oxford DNB). BM Satires 10304.

First edition, usually attributed to Fanny de Beauharnais, the popular salon host and aunt by marriage to the future Empress Joséphine. A collection of essays, a novella, a dramatic piece and several poems, it derives its name from the contemporary vogue for ‘somnabulism’ or mesmerism, popular in the last quarter of the century in spite of the rationalism of the so-called Enlightenment.

Apart from the comedy Les Illuminés, an overt satire on mesmerism, the most interesting part is the utopian novella, Relation très-véritable d’une île nouvellement découvert. A young chevalier, a collector of natural history specimens and other curios, take a trip to the Indes in search of the wisdom of the Brahmins. He takes an aerostatic balloon with him and finds himself on a desert island (’L’Île des Cocotoiers’) of which he makes an aerial survey. It is inhabited only by women and girls, whose rank is denoted by the possession, respectively, of hair or feathers. He is willingly captured by some of them, who believe him to be one of their own kind, not knowing the meaning of ‘man’ or ‘woman’. He is taken to their leader, where it becomes apparent that they have no concept of sex or gender, nor concomitantly of happiness or sadness. They each live for many hundreds of years, and their queen is periodally reborn, phoenix-like. Though charmed by the beauty of the islanders, the chevalier soon tires of the monotony of their lives and sails away in his balloon.

Not in fact posthumous, the entire framing of the book is ironic and satirical, and the author claims it to have been written by a friend in a state of somnambulism under a specially magnetised tree in the Champs Elysées, giving a peculiarly acute insight into the secrets of the hearts of men: ‘Mon plus intime ami, dont je donne ici l’ouvrage,... le hasard le conduisit sous cet arbre merveilleux où il s’assit. Mon ami se trouva dans un état de bonheur dont lui seul pourrait rendre compte...)Il voit, depuis ce moment, tous les corps diaphanes, et pénètre les plus secrètes pensées ; mais je n'en abuse pas de peur d'augmenter le nombre de divorces.... Je pourrais indiquer l'arbre en question; mais tout bien calculé, je crois qu'il ne faut pas que les hommes en général, et les maris en particulier, deviennent trop pénétrans [sic]; peut-être ferait-on bien de demander la permission d'abattre cet arbre.’ (Avertissement) Barbier, IV, p. 525; Cioranescu 10294 (’fausse attribution’).

First edition of a pioneering work in the field of forensic medicine, the graphic images depict numerous conditions resulting from homicidal and suicidal injuries. The grisly and powerful photographs show skull and bone fractures, the impact of gunshot wounds, burns, injuries caused by stabbings, the effects of hanging and so on. Each set of 50 plates is accompanied by a booklet providing details of each image and the important features from the legal-medico cases from which the photographs have been obtained. Heidtmann, Bibliographie der Photographie: Deutschsprachige Publikationen, 14062. OCLC locates 4 US copies and no UK copies.

First edition, British issue, with Crosby Lockwood and Sons stamp, adverts and variant binding. An important pre-Great War account, extensively illustrated and with a final chapter on aerial warfare and its potential

A classic pre-Prohibition American cocktail book. Jacob ‘Jack’ Grohusko was the head bartender at Baracca’s restaurant in New York, having been born in England to a Russian Jewish family and brought to New York as an infant. Jack’s Manual has 17 pages on the different types of wine (particularly champagne, sauternes and burgundies) and liquor, and 61 pages of recipes for cocktails.

This 1910 edition was preceded by a very rare 1908 edition (NLM and LC only in Worldcat). Jack’s was the first cocktail book to include the Brooklyn, perhaps his own creation, and several others which would be immortalised in the much later Savoy Cocktail Book (1930).

First edition, preserved in its contemporary wrapper. A panegyric given on the Feast of Saint Louis, patron saint of France in the church, to members of the Académies royales in the church of the Oratoire. Worldcat: Newberry and Michigan only outside France.

First separate edition of Seguin’s tables of squares and cubes designed for architects and for other practical purposes. The tables were originally issued as an appendix to his Manuel d’architecture (1786) Worldcat: Cornell and Brigham Young only.

First separate edition, also issued simultaneously as a suite to the author’s Question de longitude sur mer (1833), but here issued alone with its own title-page and errata leaf forming a wrapper. The final 4 leaves are adverts for the author’s controversial mechanical planispheres, one of which is illustrated in the very large folding plate.

Demonville had been a printer (and the son of a printer to the Académie française) but diversified as a maker of globes scientific instruments after losing his licence to print in Paris. In the year of publication, he acquired notoriety as an astronomical crank who denied the astronomy of Copernicus, Galileo, Newton, Halley and Herschel. His planispehere demonstrates his alternative system: the earth, the sun and the moon are the only astronomical bodies; the earth does not rotate (it merely nods a little over the course of a year); the moon is 250 leagues from the earth and the sun, just 1500; the stars are affixed to the crystalline sphere; and the planets have no corporeal existence. Demonville hawked his system (with both books and his instruments) around Paris and London, even obtaining an audience with William III, who asked the Royal Society for their opinion. With his longitude pamphlets he sought to obtain prizes from the Societies of Paris and London but ideas were roundly dismissed, and Demonville pilloried in the press. Both issues rare.

First edition of this rare Italian contribution to the aeronautical excitements of 1784, addressed to the Paris Académie royale. Bruno proposed an elegant and elaborate gondola with oars and sails in an early attempt to solve the problem of steering a dirigible balloon (Lynn, The Sublime Invention: Ballooning in Europe, 1783-1820, p. 55). The work also included a proposal for a personal flotation device (for navigating water). It was reviewed at some length in the Rome Memorie per le belle arte in 1788. Worldcat: LC, US Airforce Academy, Hagley Museum and Harvard in US. There is a copy in the BL.

First edition of this collection of verse by the young tutor to Edward Jenner’s children, which also contains journal extracts, together with addresses and verses on the benefits of vaccination. Worgan (1790-1809) was ‘a consumptive boy of precocious ability whom Jenner took into his household, nominally as a tutor to his sons.’ Jackson, p. 344.

First published in 1865 and hugely popular, this copy of the seventh edition is from the library of Napoleon III.

Henry Herbert, tenth earl of Pembroke and seventh earl of Montgomery (1734–1794) led a colourful life: after the Grand Tour he became a cavalry officer, married Lady Elizabeth Spencer and was appointed lord lieutenant of Wiltshire and a lord of the bedchamber to the prince of Wales He was forced to give up the latter when he eloped abroad with Elizabeth Catherine (Kitty) Hunter, by whom he fathered a son. Lady Elizabeth took her husband back in 1763, but he continued to have barely-concealed affairs: Walpole admitting he was ‘not surprised at any extravagance in his Lordship’s morals’.

‘Since youth Pembroke had been, in his own words, “horse mad”... and he had attended riding academies during his grand tour... In 1761 Pembroke published A Method of Breaking Horses, and Teaching Soldiers to Ride (2nd edn 1762; 3rd and 4th edns 1778 and 1793 entitled Military Equitation). This influential book provided sensible and much-needed advice. The author emphasized the need for officers to superintend the management of horses, advocated riding with a natural seat, and opposed the docking of horses’ tails’ (Oxford DNB).

The third edition was published at Salisbury, close by Pembroke’s family seat at Wilton, and this copy contains an inscription in French apparently recording its presentation: ‘De la part de Mylord Pembroke’.

A seventeenth-century manuscript copy of Dubreuil’s La Perspective Pratique necessaire a tous peintres, graveurs, sculpteurs, architectes, orfevres, brodeurs, tapissiers, & autres se servans du dessein... première partie, first published in 1642. Evidently well-used, rebound in the nineteenth-century, and to judge from the binding, still handled and used thereafter, this is a large illustrated fragment consisting of parts 1, 2 and most of 3 (of 7) of the text. The original title-page and front matter, was replaced by a simple manuscript title, probably at the time of rebinding.

La Perspective Pratique, by Jean Dubreuil ‘the Jesuit’ (1602–1670) was popular among artists, architects and designers of the seventeenth and eighteenth centuries and was still being used by artists well into the nineteenth century as a practical introduction to perspective drawing. As the original title indicates it was intended for the use of painters, engravers, sculptors, goldsmiths, embroiderers and tapestry workers and had a very wide circulation, reprinted in numerous editions, including several in English. It proceeds from the principles of drawing simple shapes and solids in perspective, to specific objects such as chairs, tables, opening chests and shelving, then to buildings and townscapes. Each set of instructions is accompanied by detailed illustrations, which were widely copied. In the printed editions, these were presented as engraved plates opposite the letterpress text, but in this manuscript they are carefully incorporated into the text for ease of use. It seems to have been a practical handbook, extensively, but carefully handled (but not marked or annotated) over a long period of time.

Third edition (first 1771). Maude’s best-known work and a very popular poem, according to Aubin, who quotes from it extensively. The preface contains ‘his well considered observations on the nature of descriptive poetry... Like Crabbe, Maude fully realizes that the English bumpkin is too greatly harassed by cares to be the ideal poetic rustic.’ Jackson, p. 84. It occupies a curious place in the canon of works about Isaac Newton: apart from the plate depicting Newton’s paternal home, it represents the sole source for an oft-repeated anecdote of Newton’s rebuke to his pet dog Diamond (’Oh Diamond! Diamond! thou little knowest the mischief done’) for upsetting a candle and burning his papers (Gjertsen, The Newton Handbook, p. 177). The anecdote is almost certainly apocryphal. Aubin, pp. 367; Jackson p, 84.

First edition of this important early treatise on the practical construction of the reflecting telescope. It is precisely contemporary with Robert Smith’s System of Opticks (also 1738), and both books share credit as the first manuals devoted to the construction of this instrument. Later editions, with the title Construction d’un telescope par reflexion de Mr. Newton, appeared in 1741 and 1756.

The invention of the reflecting telescope is generally attributed to Isaac Newton who built one in 1668. However, due to the extreme difficulty of producing mirrors of sufficient quality, his telescope was not widely adopted until the 1720s and 1730s when British instrument makers began to produce finely polished metal mirrors and the reflecting telescope became a practical reality for European astronomers. Passemant, one of the most celebrated instrument makers of his age, later Ingenieur du Roy, built several to the design depicted in the folding plate here. cf. Babson, Newton Collection, 157, (describing the 1741 edition only, now in the Huntington Library) ‘Passemant was a Frenchman who lived in Geneva and constructed not only telescopes, but also astronomical clocks and other instruments. This rare book contains many trade secrets’. Worldcat: copies Harvard, Stanford, U. South Carolina, Cornell and Cambridge (UK) only outside continental Europe. There is also a copy at Linda Hall.

First edition in English of the Exercitatio Anatomica De Motu Cordis (1628) in which was described the discovery and proof of the circulation of the blood. ‘The most important book in the history of medicine. Harvey proved experimentally that in animals the blood is impelled in a circle by the beat of the heart, passing from arteries to veins through pores (i.e. the capillaries, seen by Malpighi with the microscope in 1660’ (Garrison & Morton). It should also be regarded as ‘the first record of a complete biological investigation, giving a clear and accurate description of the methods employed to recognise the laws governing an important vital process, a knowledge of which had till then been befogged by mistaken conceptions...’ (H.P. Bayon in Keynes).

Harvey’s hypothesis, like almost all revolutionary hypotheses, was initially very unpopular and was widely refuted. Harvey himself admitted that his career was nearly destroyed by the publication of De Motu Cordis. However, it is interesting that he was quickly vindicated and that the circulation of the blood became accepted as irrefutable medical fact within his own lifetime, albeit towards its end. This lifetime edition in English reflects that vindication. Keynes wrote of the text ‘It gives a vigorous if unpolished, rendering of Harvey’s book in contemporary language.’

The translation is from the Rotterdam edition and includes the additional commentaries by Zachariah Wood and James De Back. This edition also contains the first English translation of Exercitio anatomica de circulatione sanguinis (of which the first edition had appeared in Latin at Cambridge in 1649) again taken from the Rotterdam edition. This is an important text in its own right, providing a restatement of Harvey’s hypothesis concerning circulation supported by further experimental proof.

This is an unusually tall copy. In most copies the headlines, and sometimes even the top lines of the text, are shaved. In this copy none of the headlines is shaved, and on some leaves the lower edge is uncut. This copy has 11 of the 13 misprints (to pagination and signatures) listed by Keynes that were corrected as the book passed through the press. In addition, F3 is mis-signed F5. It is complete with the first blank leaf. Wing H1083. Cf G&M 759, Printing and the Mind of Man 127 (the first edition of 1628). Keynes, William Harvey, 19.

First edition. A delightful collection by a prolific gastronomic author, devoted to the matter of women at table, a counterpoise to the masculinity of French gastronomy: ‘Une table sans femmes est une table sans fleurs’. This is one of 20 copies on Van Gelder, after 10 on japon (total edition 400).

An appealing and unsophisticated gardener’s pocket notebook of some 10,000 words, with a first part (to page 21) concerning citrus fruit cultivation and the remaining majority to growing garofolo, or carnation [Dianthus caryophyllus]. Written from an entirely practical point of view this is a veritable grower’s guide, considering details of soil, situation, containers, seasonal care, factors affecting the size of the flowers, overwintering, avoiding ailments and cultivation from seed.

A rare satirical elegy and epitaph for the celebrated electrical eel, who could no longer rise to the occasion. A reissue of the sheets of the first edition of 1777 with a cancel title, of this elaborate addition to the corpus of salacious 1770s pamphlets devoted to the subject of the electrical eel, a topic of serious scientific enquiry and popular merriment. This one continues the phallic joke and manages to draw in the hapless Chevalier D’Eon (whose sex was then popularly debated) alongside the lecherous Earl of Harrington.

‘If the Gymnotus Electricus, lately exhibited to the Public, be really dead, it is to be hoped that we shall have no more of these witty indecencies’ (Monthly Review, Nov. 1777). ESTC: Harvard and Princeton only worldwide of this issue. ESTC gives the pagination [4], 29, [1], but both the 2 copies reported have only pp [2] before title, as here, though it is perhaps likely the work was issued with a half-title or initial blank not present in surviving copies.