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First edition of this much-cited work on the history of hair-styling, grooming, beards and wigs. Cioranescu 45793; Colas 1449

A nice copy of this famous novel, issued as volumes 4 & 5 of a set of the works of Madame de Lafayette, but bound separately here without the half-titles from the set and the spines numbered “I” and “II”. The library of Augustus Frederick, Duke of Sussex was sold at auction in 1844-45.

Eschewing the fantastic rhetoric of other seventeenth-century authors such as Madeleine de Scudéry, and the excesses of heroic romance, La Fayette preferred to explore the realities of human emotion when exposed to love and jealousy and told a remarkably modern story of a virtuous young wife who suppressed her passion for a nobleman in the name of honour and duty. In so doing, La Fayette launched the ‘novel of character’ as a genre, in which the character of the protagonists is more important than the events of the plot. Set in the previous century during the reign of Henri II and with carefully researched historical detail, the novel nevertheless pursues themes of individuality and public expectation absolutely contemporary to its author’s times. After La Fayette, writers of French novels continued to be preoccupied with the realistic analysis of love, but none of their productions can compare with Princesse de Clèves until perhaps Laclos’ Les Liaisons Dangereuses (1782).

Quinto Sectani was the pseudonym used by Sienese born poet and papal official Lodovico Sergardi. His fourteen Latin satires mocked contemporary Roman society and, more particularly, the poet and jurist Giovanni Vincenzo Gravina. In 1690 Gravina was instrumental in creating the Accademia degli Arcadi, founded with the intention of reforming Italian poetry. Gravina’s writing was steeped in influences from the classical past, resulting from his researches into Roman law and history, which was an attitude quite in tune with his fellow Arcadians early attempts to return to classical perfection in poetry. The Academy, however, soon found itself reverting to fashionable baroque style, a tendency deplored by Gravina, who tried to suppress any such decadent backsliding. He alienated many of his former friends and colleagues and was the butt of frequent satires.

Despite the claim of the title page (‘nunc primum in lucem editae’) the Satyrae first appeated at Rome, with the same false imprint, in 1696 There seem to have been several early pirated editions, as might be expected for a scurrilous work, which accused Gravina of both pedantry and paedophilia (Susan Dixon, Between the real and the ideal: the Accademia degli Arcadi and its garden in eighteenth-century Rome, 2006). Worldcat lists a single copy of this edition (Wake Forest University, NC).

A rare Revolutionary pamphlet, probably addressed to a Dutch audience, first published the year before, and in this second edition, provided with a new preface in light of the ‘happy events’ of the Revolution which ‘obligent le zèle et la bonne foi de l’auteur... de donner ici, comme dans un postscrit, ou supplément, les corrections et additions que la justice et le changement des circonstances rendent nécessaires’ (p. iii). The pagination in both editions, however, is identical.

The author analyses the effects of a revolution in France by looking at the changes it would make under three headings – ‘La Justice, l’utilité, la facilité’; gives a spirited criticism of the Ancien régime and joyously lauds the actions of his revolutionary comrades.

The ‘Londres’ imprint is probably false, even though the book may well have been sold by Richardson. The typography suggest and origin in the Netherlands (the recent origin of this copy). Both editions are rare. ESTC locates 4 copies of the first (Christ Church Oxford, John Rylands, Huntington, Colorado), but only one of the second (British Library). The CCFr lists a single copy of the first edition only (Bn) and none of the second.

One of 330 numbered copies. An eccentric poem about the nine lives of a cat, written and illustrated by the radical liberal wood-engraver and poet William James Linton, an Englishman who later emigrated to the United States. Linton invents a nostalgic biography of the fictional young author, "a young lady of colour", whose humbled origins as the uneducated daughter of field-hands are left behind as her literary genius emerges, before her untimely and premature death. COPAC lists just one copy of this edition, at V&A Libraries. 35 numbered copies printed on Japanese vellum and an unlimited edition were also published by Lawrence and Bullen in the same year; COPAC records an edition printed at the Appledore U.S. Press, Hamden, Connecticut, 188-? (the press owned and run by Linton).

First editions. A dramatic adaptation of Fielding’s Tom Jones for the French stage by Choudard-Desforges, with its sequel. The plays were written for performance by the Comédie-Italienne, of which the playwright Desforges had been a member. Cioranescu 23412; 23418.

A collection of 12 scarce treaties between Britain and her allies following the French declaration of war in 1793 and one further treaty negotiated with Bavaria in 1800. The backbone of the British war policy, these 1793 agreements were designed to create an allied coalition against the French, of which the axis would be Britain and the German powers, with further support from subsidiary powers in the Baltic, Mediterranean and Atlantic. However, the speed and efficiency with which these agreements were signed belies the complex and conflicting aims of each nation and the subsequent rapid disintegration of the policy.

Britain's initial admiration for the evolving Revolution in France quickly changed to alarm with the execution of Louis XVI in January 1793, followed by the French declarations of war on Britain and the Dutch Republic on February 1 and Spain on March 7. French war-mongering had already led to the annexation of Savoy, Belgium and the Rhineland in 1792 and French ambitions were spelt out by Danton in the National Convention: "The frontiers of France have been mapped by nature, and we shall reach them at the four corners of the horizon, on the banks of the Rhine, by the side of the ocean and at the Alps. It is there that we shall reach the limits of our Republic."

Notably, the first two agreements were conventions signed with Russia, one uniting the two countries as allies against the aggressions of France and securing Russia's cooperation in the naval war, the other being a trade agreement, which finally settled a longstanding commercial dispute between Britain and Russia. Signed on the same day in March 1793, a contemporary commentator wryly noted that it seemed the two powers were competing as to "who shall be most fond and shall kiss the first". However, despite the apparent goodwill on both sides, the conventions never led to full and binding treaties.

Similarly, the terms of the convention signed with Prussia unravelled almost as soon as the ink was dry and within two months Frederick William II was demanding significant additional terms. Lord Grenville, Britain's Foreign Secretary, took a dim view of such demands and having first shored up his own position by negotiating a separate agreement with Austria, he initially refused to comply with Prussian requests. However, under pressure from Pitt and Dundas, Grenville was forced to negotiate further with the Prussians, with the result that the Austrians were in turn estranged.

Like Russia, the Spanish had their own motives for joining the war and despite the successful signing of the convention of Aranjuez, which committed both parties to explore the prospects of an alliance, a further agreement was never reached. Alliances with Portugal, Sardinia and Sicily proved equally problematic in the following months. The four earliest agreements were also published as a collection in London by J. Debrett in 1793. The identical title pages of the first two Russian treaties make it impossible to identify which edition is held at each of the 5 libraries listed on ESTC. The final treaty, published by A. Strahan, is particularly scarce, with only one copy recorded on ESTC (Cambridge).

First German edition of Charnock’s biography of Nelson. First published in English in 1806, the work is notable for Charnock's use of Nelson's original letters and first-hand accounts of his life. The engraved plates appear to have been specifically prepared for this rare German edition, of which there appear to be no institutional copies in the UK or US. COPAC/OCLC list no copies in British Libraries (and none outside continental Europe).

First edition of Marin’s accomplished Middle Eastern history, a work which was widely-read and influential in the emerging orientalism in French culture. This was Marin’s first truly succesful work and provided him with a literary reputation strong enough for him to be appointed Royal censor. The title was also published in the same year in the Hague by N. van Daalen. The maps depict Jerusalem, the crusader city of Acre (taken by Saladin in 1187) and the region of Acre. Atabey 768.

A comic picaresque novel and an anti-Jesuit satire recounting the life and adventures of Rozelli in a series of fanciful catastrophes and disasters, in the course of which he becomes a Catholic clergyman and then converts to Judaism. The title was first published in 1708 and went on to be republished a number of times during the eighteenth century, with translations into English, German and Dutch. The illustrations appeared first in an edition of 1729.

First published 1903.

Oxberry’s edition. Moore’s play opened in 1753 with a run of 10 nights at the Drury Lane with Garrick in the lead role and remained popular until the middle of the nineteenth century. Only three copies listed on COPAC, at Oxford, Manchester and Birmingham.

First edition of D’Urfey’s anonymously published satire on William Sherlock, lampooning his notorious abandonment of nonjuror principles and satirising the reputed influence of his much-reviled wife. A Church of England clergyman and religious controversialist, Sherlock had allied himself with the nonjurors in 1689 by conspicuously refusing to take the oath to the newly crowned William and Mary. Onlookers were stunned Sherlock subsequently performed a complete about-face and very publicly prayed for the King and Queen as de facto sovereigns in 1690, a move which inevitably provoked much scorn from all sides.

D’Urfey himself was a popular comic playwright whose career had flourished under the patronage of Charles II. Briefly left in the political wilderness during the more sober reign of James II, the coronation of William III in 1689 offered new opportunities which D’Urfey was quick to exploit. Having pledged himself to the whigs, he wrote birthday songs and odes for the king and queen and further curried favour by producing a series of anonymous poems in which he satirised those opposed to the new regime. Wing D2790B

A scarce early edition. Three editions had previously been published, the first in 1709, and this popular title went on to be republished numerous times during the eighteenth century. The translators are identified in the text as John Dryden, Nahum Tate and William Congreve. 'The history of love' is by Charles Hopkins and 'The court of love' is a metrical paraphrase by Arthur Maynwaring. ESTC gives 7 locations: BL (2 copies), John Rylands, Manchester (2 copies). McMaster University and Universities of Illinois and Waterloo.

Scarce first edition of this work on the medieval Scottish church, inscribed by the author: ‘James T. Gibson Craig esqe with the author’s compliments.’ Nineteenth-century author and historian, Joseph Robertson (1810-66) wrote widely on the history of Scotland; this pamphlet preceded by some years his seminal work on medieval ecclesiastical history, Concilia Scotiae (1866), a two-volume edition of the pre-Reformation Scottish church’s canon law and constitutions.

Sole edition. A dissertation on the physiology of the male erection, submitted to the medical school at Montpellier. Belou cites Ruysh, Albinus, Eustachius, Lametrie and others as authorities while the celebrated physicians Paul Joseph Barthez and Jean-François Imbert are listed as chancellors and examiners at the school. OCLC lists the National Library of Medicine copy only.

A finely-illustrated history of France in the sixteenth and early-seventeenth century. The second part (1589-1611) is printed here for the first time; the first part originally having been published in 1621 as Journal des choses memorables advenues durant tout le regne de Henry III (Cioranesco 13602).

The imprint is certainly false, and Brussels is the more likely origin, though the woodcut device on the first title is that of Antoine Vincent of Lyon. The frontispiece is notable and is a violent allegory of this turbulent century, the female personification of France is beset by a crowd of petitioners in the form of vagrants, a monk, nobles and merchants while in the background several brutal excutions are enacted, with the city of Paris and the towers of Notre Dame in the distance. It is the work of Richard van Orley (1663-1732), a Brussels painter and engraver, and engraved by François Harrewijn (1700-1764), also a Brussels engraver, pupil of Romeyn de Hooghe, known primarily for his portraits of historical figures. Harrewijn also supplied the excellent suite of 33 portraits of kings and queens (including Mary Stuart) and leading members of church and state.

First editions. Tiphaigne de la Roche’s L’Amour Dévoilé is a notable attempt to explain love and sexual attraction in mechanistic terms. The author considers the role of ‘la matière Sympathique’, which he believed to be a type of vapour exhaled by both animals and humans, and its action upon the senses of a member of the opposite sex. This rational approach to the subject makes overt reference to Leeuwenhoek who had explained the action of skin pores and appears to prefigure modern research into pheromones.

The author studied medicine at the University of Caen and practised as a physician. L’Amour Dévoilé is his first published work preceding several speculative and utopian novels, notably Giphantie (1760, the title an anagram of his name) in which he anticipated several modern developments including photography and synthetic food.

Pernetti, author of the moral romance Histoire de Favoride was a canon of the cathedral at Lyon and a prominent antiquary of that city. He was also a freemason and wrote a short treatise on that subject. Gay I, 115 (L’Amour Dévoilé).

First edition of this comprehensive study of the sociology of gambling by French writer and self-confessed ex-gambler Jean Dusaulx (1728-1799). Gambling was deeply-rooted in French society, especially in Paris, where all classes (including the court) were obsessed with card games and lotteries. Dusaulx sought to analyse this craze and to point out the moral depravity which it both reflected and encouraged. He includes numerous anecdotes to illustrate the irrationality of the gambler, making De la Passion du Jeu an important account of this aspect of the social history of pre-Revolutionary France.

First edition. The Subterranean Voyage of Nicolas Klim is one of the classics of speculative and utopian fiction, written fifteen years after Swift's Gulliver's Travels and often compared favourably with that work. It is the first fully developed novel to be set in the earth's interior, a setting which has been utilised countless times in later science fiction. Klim, a poor student, falls through a hole in the earth just outside the Norwegian town of Bergen and finds himself on the inside of the earth's crust. He lands on the planet Nazar (which orbits a sun at the centre of the earth's cavity) where he finds a nation that lives according to the laws of reason and nature. The peasantry are considered very highly and therefore are the most distinguished class in the state; many of the highest offices are held by women, who are in every way equal to the men. Nazar presents an enlightened utopia, very much in the mould of the ideals of Montesquieu and Voltaire (who Holberg admired enormously) but Klim also travels to other states where the perfect state of society is not so fully developed or is perhaps degenerate, allowing a vivid comparison of political, social and philosophical systems.Holberg (like his hero Klim) was a native of Bergen at a time when Norway and Denmark existed as a twin kingdom. He saw himself as a fully European writer and the equal of the French philosophes. The majority of his works, including the present, first appeared in Latin, the universal language. The adventures of Nicolas Klim were immediately popular and were rapidly translated into all the major European languages.