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  • Keywords = juvenile
  • Winnie-the-Pooh... with decorations by Ernest H. Shepard. by MILNE, A. A. MILNE, A. A. ~ Winnie-the-Pooh... with decorations by Ernest H. Shepard. London: Methuen & Co Ltd, [ 1926].
    First edition, trade issue, complete with dustjacket. (more)

    First edition, trade issue, complete with dustjacket.

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  • Now we are Six... with decorations by Ernest H. Shepard. by MILNE, A. A. MILNE, A. A. ~ Now we are Six... with decorations by Ernest H. Shepard. London: Methuen & Co Ltd, 1927].
    Second edition (swiftly following the first edition published on October 13th 1927). (more)

    Second edition (swiftly following the first edition published on October 13th 1927).

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  • Matériel scolaire. by (EDUCATION). H. & C[ompagn]ie. (EDUCATION). H. & C[ompagn]ie. ~ Matériel scolaire. Paris: Lahure, c. 1878.
    A large advertisement for a supplier of educational materials for schools, including maps, globes, gym equipment, easels, desks, benches and geometry instruments. (more)

    A large advertisement for a supplier of educational materials for schools, including maps, globes, gym equipment, easels, desks, benches and geometry instruments.

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  • Le Cook de l’enfance et de la jeunesse, ou Choix des particularités les plus intéressantes, des détails les plus instructifs et les plus curieux contenus dans les relations des trois voyages de ce célèbre navigateur autour du monde; précédé d’une notice sur sa vie... avec quatre jolies gravures. by (COOK, Captain). CHAMPAGNAC, J. -B. -J. (COOK, Captain). CHAMPAGNAC, J. -B. -J. ~ Le Cook de l’enfance et de la jeunesse, ou Choix des particularités les plus intéressantes, des détails les plus instructifs et les plus curieux contenus dans les relations des trois voyages de ce célèbre navigateur autour du monde; précédé d’une notice sur sa vie... avec quatre jolies gravures. Paris: [Cosson] Fruger et Brunet, 1836.
    First edition. A juvenile Cook in French, describing his voyages to the Pacific, including New Zealand, Batavia (Jakarta), Tahiti and the Sandwich Islands. the plates… (more)

    First edition. A juvenile Cook in French, describing his voyages to the Pacific, including New Zealand, Batavia (Jakarta), Tahiti and the Sandwich Islands. the plates being: Mort de Capitaine Cook (frontispiece); Indien courant un Muck; Habitans de l’Ile Mallicalo and Débarquement du Capitaine Cook dans la baie de Karakakooka. The appendix contains an interesting ethnographic essay ‘Des deux variétés de l’espèce humaine recnnues dans l’Océanie’, two others on the geography of Oceania and on previous voyages to the region followed by biographies of participants in Cook’s voyages (Cook, Banks, Solander, the Forsters, Clark and Bligh). Worldcat and Library Hub locate no UK or North American copies (though there is one at the University of Hawaii)

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  • La Princesse lumière Conte de fées. by BARTEL, Jehan [pseudonym of Jehannette or Jeanette BARTEL]. BARTEL, Jehan [pseudonym of Jehannette or Jeanette BARTEL]. ~ La Princesse lumière Conte de fées. [Toulouse: Imprimerie du Centre], June 1905.
    A privately-published fairy tale by a young girl, of which we can find no copy in any public collection, nor any obvious trace of the… (more)

    A privately-published fairy tale by a young girl, of which we can find no copy in any public collection, nor any obvious trace of the work or its author elsewhere. The book is printed on a handsome glazed paper and incorporates three illustrations, presumably the work of the author. It was almost certainly her who also decorated the smooth calf binding with a whimsical design depicting an owl in a tree by moonlight. The printed dedication is to ‘ma chère petite Cousine Renée’, with this copy of what was presumably a very small edition inscribed to the author’s mother.

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  • Bibliothèque in miniature [spine title]. by (MINIATURE BOOKS). (MINIATURE BOOKS). ~ Bibliothèque in miniature [spine title]. Paris: [Didot frères] chez Marcilly, [c. 1835].
    A delightful miniature library in its original publisher’s box, comprising: 1. Berquine, Variétés; 2. Démoustier, Mythologie; 3. Florian, Mélanges; 4. La Fontaine, Fables; 5. Millevoye;… (more)

    A delightful miniature library in its original publisher’s box, comprising: 1. Berquine, Variétés; 2. Démoustier, Mythologie; 3. Florian, Mélanges; 4. La Fontaine, Fables; 5. Millevoye; 6. Poésies, Voltaire. The set was issued in various forms, sometime with wrappers of green and pink and sometimes in a variant box. Bondy, p. 75; Gumuchian, 4062; Welsh, Miniature books, 1250

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  • [A bound collection of 54 plates] by MOTZ, Johann Michael, heirs of; and Albrecht SCHMIDT. MOTZ, Johann Michael, heirs of; and Albrecht SCHMIDT. ~ [A bound collection of 54 plates] Augsburg [n.d. but soon after 1750].
    An interesting collection of 54 rare hand coloured plates by Augsburg publishers Johann Michael Motz and Albrecht Schmidt, very much in the style of the… (more)

    An interesting collection of 54 rare hand coloured plates by Augsburg publishers Johann Michael Motz and Albrecht Schmidt, very much in the style of the recreational and educational prints of the slightly earlier Augsburg engraver-publisher Martin Engelbrecht. Like Engelbrecht’s these prints were intended for popular consumption and were often cut up for albums or other decoupage projects. All are very rare, notably the fine 4-plate suite of the continents here and a part of the biblical sequence by Schmidt. The album was evidently put together c. 1800 from two or more constituent parts, perhaps already quite well used to judge by the variation in condition across the collection and by the various patterns of previous stab holes. An early owner/user has added some amusing pencil drawings to the rear endpapers.

    Comprising:

    1. Les Amans Surpris (after Boucher, c, 1750), Motz.
    2. Les Plaisirs au jardin & La musique, 2 plates, Motz.
    3. Europa, Asia, Africa, America, 4 plates, lower lines of verses and imprint cropped, but Motz after I. Waxmuth.
    4. Der Frühling, Der Sommer, Der Herbst, Der Winter, 4 plates, Motz.
    5. Das Feuer, Das Wasser, Die Lufft, Die Erde, 4 plates, Motz.
    6. Der Morgen, Der Mittag, Der Abend, Die Nacht, 4 plates, Motz after Stockhman[n].
    7. [Hunting], 2 untitled prints, Motz after Stockhman[n].
    8. [Old Testament. Genesis] 14 plates, numbered 5-12, 37, 40, 45-48 each with gold borders, Albrecht Schmidt. [of 56?]
    9. [Old Testament, Genesis, the story of Joseph]. 13 plates, numbered 1-5, 7-14. Motz.
    10. [The Prodigal Son]. 6 plates, numbered 1-2, 5-8, Motz after C. Vogt (stubs of plates 3 & 4, evidently cut out).

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  • Grand Equestrian Feat, called the Peasant Frolic. As performed at Astley’s Amphitheatre. Price 4d 1/2 Plain. by (CIRCUS). (TOY THEATRE). (CIRCUS). (TOY THEATRE). ~ Grand Equestrian Feat, called the Peasant Frolic. As performed at Astley’s Amphitheatre. Price 4d 1/2 Plain. [London]: W[illiam]. West at his Theatrical Warehouse, Exeter Street, Strand, Apr[i]l 14, 1821.
    A rare large-format toy theatre print with figures for cutting out and mounting from a performance at Astley’s Amphitheatre, which was then managed by Andrew… (more)

    A rare large-format toy theatre print with figures for cutting out and mounting from a performance at Astley’s Amphitheatre, which was then managed by Andrew Ducrow, the father of circus equestrianism. The plate is unsigned other than by the publisher William West and is unattributed in the British Museum print catalogue, but it is of high quality. The BM copy was acquired with the nineteenth-century collection of toy theatre prints assembled by Ralph Thomas, who had made a tentative attribution to William Blake in Notes and Queries in 1898 (June 4th, p. 455). The British Museum did not adopt the attribution, though there is certainly something of Blake’s style in the print. William West was the pioneer of the Regency toy theatre print, commissioning work from both Cruickshank brothers, Flaxman, Dighton and Brooke.

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  • Die Jugend in den Erholungstagen auf dem Lande... mit 6 kupfern begleitet mit deutsch-französisch-italineisch und böhmischen text. by GRÜNER, V. R. GRÜNER, V. R. ~ Die Jugend in den Erholungstagen auf dem Lande... mit 6 kupfern begleitet mit deutsch-französisch-italineisch und böhmischen text. Vienna: [J. P. Sollinger for] Friedrich Wihelm Pfautsch, [n.d., c. 1830].
    First (and presumably only) edition of a rare and delightful large format illustrated children’s book depicting boys and girls enjoying country life, including gardening and… (more)

    First (and presumably only) edition of a rare and delightful large format illustrated children’s book depicting boys and girls enjoying country life, including gardening and open air reading. The text is quadrilingual: German, French, Italian and Czech. This exceptionally well preserved copy bears a contemporary prize label, recording it as a prize to one Anna Kalser at the Pilsner Kreishhaupt-Schule (Bohemia). Very rare: no copy found in Worldcat. KVK records a single copy (Austrian National Library) of a variant issue (also undated) in 8vo format (paginated pp. 33, not 15 as in our oblong 4to, with the plates folded uncoloured).

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  • A Morning Ride mid Country Scenes. by (PANORAMA). (PANORAMA). ~ A Morning Ride mid Country Scenes. London: [G. Barclay for] George Rourledge & Co, 1852.
    Sole edition, very rare, and a remarkable survival, of this pioneering and original children’s panorama. The eight joined plates present a single sequential narrative —… (more)

    Sole edition, very rare, and a remarkable survival, of this pioneering and original children’s panorama. The eight joined plates present a single sequential narrative — cleverly seen from different vantage points — of a morning ride across several miles of rolling English countryside some thirty miles from London (as the milestone in the first image indicates). The two young riders (Edward and Walter) leave their large county house, pass through lanes with green fields on either side, an imaginary village with church, inn and shops, passing windmills, a watermill, bridges and (in the last 2 images) the newly-built railway with steam-trains. A good-natured and simple story, the panorama and accompanying text presents a telling microcosm of genteel English Victorian society, the participants all acting in their proper place in an ordered society. The gamekeeper’s daughter opens a gate for the boys, a family acquaintance of rank rides by in her carriage, a wagonner supplying the village shops is given a tip for ale, the father rides to hounds, while a ‘loutish’ farm boy mentioned in the text is silently omitted in the panorama. The text, printed in regular letterpress was evidently intended to be read by an adult to a child.
    The use and presentation of the panorama for narrative is striking, quite unlike most contemporary British panoramas or children’s books of this date or earlier. The title page indicates that it was to form part of a series: ‘Stories told in Pictures’ of which the advert leaf mentions two further titles ‘nearly ready’: A Noon-Day Ramble and An Evening Walk. Neither appears to have survived, or perhaps were never published. A Morning Ride is exceptionally rare, with only the Opie Collection (Bodleian Library) and Rhode Island School of Design copies located. Opie EE 190. Described in detail in Hannah Field in an essay in the 2015 collection Space and Place in Children’s Literature, 1789 to the Present entitled ‘The Story unfolds: intertwined Space and Time in the Victorian Children’s Panorama’

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  • Alphabet des Métiers. by (JIGSAW). (JIGSAW). ~ Alphabet des Métiers. Paris: Becquet for Huet [and sold by] Clochez et Sevette, [c. 1860s].
    A rare French jigsaw set in three parts — a wonderful and complete alphabet illustrated with trades and crafts (male and female) including the: an… (more)

    A rare French jigsaw set in three parts — a wonderful and complete alphabet illustrated with trades and crafts (male and female) including the: an armourer, laundrywoman, gilder, epicier, florist, glovemaker, herbalist, printer, gardener, ‘kiosque’ vendor, milkwoman, blacksmith, fancy goods seller (’nouveautés’), goldsmith, pavier, ironmonger, restaurateur, sculptor, dyer, factoryworker, tailor, wood engraver (’xylographes’ —a good solution for the letter ‘X’) and zincworker.

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  • When we were very young. by MILNE, A. A. MILNE, A. A. ~ When we were very young. London: [Jarrold for] Methuen & Co. Ltd, 1927.
    Sixteenth edition (the first was November 1924). Avery presentable copy. (more)

    Sixteenth edition (the first was November 1924). Avery presentable copy.

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  • The Magic Fruit Garden. by DUNLOP, Marion Wallace. DUNLOP, Marion Wallace. ~ The Magic Fruit Garden. London: [Ernest Nister in Bavaria for] Ernest Nister in London and E.P. Dutton & Co. in New York. 1899.
    First edition of this children’s allegory of female education by one of the most prominent early British suffragists. Marion Wallace-Dunlop was involved in the suffrage… (more)

    First edition of this children’s allegory of female education by one of the most prominent early British suffragists. Marion Wallace-Dunlop was involved in the suffrage movement from 1900 (the year after this book appeared) and was thrice imprisoned at Holloway: first in 1908 for obstruction and second in 1909 for stencilling an extract from the Bill of Rights onto the wall of St. Stephen’s Hall, Westminster. During her second incarceration she was the first suffragist to go on a hunger strike. In November 1911 she helped to organise a window-smashing campaign and was imprisoned once more. In 1928 she was a pallbearer at Emmeline Pankhurst’s funeral.

    The Magic Fruit Garden is a “fairy tale about a girl struggling to write an essay on ‘Perseverance’. In her quest for wisdom, Doc finds a magic fruit garden where knowledge-fruit grows on bushes and trees. Here she picks ‘geography-plums and history-apples and grammar-pears and all the time her knowledge of everything kept growing bigger and bigger’. In a glass conservatory, Doc encounters piles of sweets ‘made from mixtures of the various fruits in the garden boiled in a syrup called Research. There was botany-sugar, zoology-candy, geology-toffee, and sugar-plums of every kind and colour’. When she gets home, her brother tells Doc it was only a dream and remarks that it’s ‘just like a girl to think that a dream is real. However, he then embarks on an adventure of his own which forces him to admit the magic garden is real.” (from the website of the University College London Exhibition, Disrupters and Innovators, 2018). Dunlop’s printed dedication reads simply: ‘To my Mother’.

    ‘Marion Wallace-Dunlop studied at the Slade School of Fine Art and exhibited at the Royal Academy in 1903 (when she also exhibited a painting at the Royal Glasgow Institute of the Fine Arts), and in 1905 and 1906. Her paintings were also exhibited in Paris. She illustrated in art nouveau style two books, Fairies, Elves, and Flower Babies and The Magic Fruit Garden, both published in 1899’ (Oxford DNB). The Magic Fruit Garden was issued by Anglo-German publisher Ernest Nister, best known for his colourful moveable and popup books. Very scarce in both commerce and libraries. In the US, Worldcat lists copies at: Purdue, Princeton, Dartmouth and Universities of Rochester and Connecticut only.

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  • [The Game of ‘Bis-bis’ or ‘48’]. by (GAME). (GAME). ~ [The Game of ‘Bis-bis’ or ‘48’]. [?Basque region, Saint Sébastien, c. 1865].
    Manuscript and watercolour maquettes for an apparently unpublished game, including a portion of a folding game mat (on linen), a sheet of counters (uncut, on… (more)

    Manuscript and watercolour maquettes for an apparently unpublished game, including a portion of a folding game mat (on linen), a sheet of counters (uncut, on parchment), numerous drawings and sketches as trials for the game positions (on paper and tracing paper, some coloured) and several sheets of manuscript instructions in French and Spanish. The game seems to have been a type of lotto, with parchment counters (corresponding to game positions) which were to be placed in a spherical wooden ‘bank’ for shuffling, before being drawn by the players.
    The game’s origin in a French household at Saint Sébastien is indicated by the use of numerous scraps of waste paper from the French Consul’s office there ― perhaps it was made by a member of his own family or staff. The sketches are highly accomplished and carefully rendered, often with several preliminary sketches before reduction in gouache to the size of the parchment game counters.

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  • Album de la jeunesse, des amateurs, et des artistes composé de vingt-cinq sujets divers, arts et métiers, chevaux, chasses, scènes militaires, vues et paysages ornés de fabriques et d’animaux etc. by DUPLESSI-BERTAUX, Jean. DUPLESSI-BERTAUX, Jean. ~ Album de la jeunesse, des amateurs, et des artistes composé de vingt-cinq sujets divers, arts et métiers, chevaux, chasses, scènes militaires, vues et paysages ornés de fabriques et d’animaux etc. Paris: chez Joubert, 1823.
    First edition of a very scarce picture book. There is a portrait of the author and the finely-rendered miniature scenes include boys of the Lycée… (more)

    First edition of a very scarce picture book. There is a portrait of the author and the finely-rendered miniature scenes include boys of the Lycée royale, a group of convent girls (’pension de demoiselles’), the Battle of Waterloo, English and Scots troops, various trades and crafts and several landscapes. Duplessi-Bertaux had died in 1818 and his miniatures owe something to Callot. This posthumous collection is preceded by a useful history of the art of etching in France. Worldcat lists the Getty copy only outside continental Europe.

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  • [Embroidered sampler. by FULTON, Anna. FULTON, Anna. ~ [Embroidered sampler. British Isles. [ 1827].
    Alphabet (upper and lower case), several decorative lines and two verses: ‘Is there ambition in my heart / search gracious God and see...’ [Isaac Watts]… (more)

    Alphabet (upper and lower case), several decorative lines and two verses: ‘Is there ambition in my heart / search gracious God and see...’ [Isaac Watts] and ‘Teach me to live / that I may dread/ the grave as little / as my bed // Teach me to die ‘ that so I may / with joy behold /the judgement day’ [Thomas Ken, and later sued by Thomas Hardy in Jude the Obscure]. Needlework samplers remain one of the most widespread manifestations of the teaching and learning of basic literacy among girls and young women and, as here, reflect a strongly moralistic background.

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  • Procession]. by [GREENAWAY, Kate. [GREENAWAY, Kate. ~ Procession]. [London:] Marcus Ward & Co, [ 1881].
    Greenaway’s ‘Procession’ greetings card set consisted of just two cards, but with each produced with variant verses.

    This set includes all four variants of each.

    Card 1… (more)

    Greenaway’s ‘Procession’ greetings card set consisted of just two cards, but with each produced with variant verses.

    This set includes all four variants of each.

    Card 1 (Blue border):
    (a) ‘A garland fair for Christmas day...’
    (b) ‘My Valentine in every rose discern...’
    (c) ‘Well we love our roses sweet...’
    (d) ‘Thro the Year that dawns...’

    Card 2 (Pink border):
    (a) ‘A garland fair for Christmas day...’
    (b) ‘Let’s love and live together, dear...’
    (c) ‘Well we love our roses sweet...’
    (d) ‘Thro the Year that dawns...’ Schuster & Engen, Kate Greenaway, 284.

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  • Party Girl]. by [GREENAWAY, Kate. [GREENAWAY, Kate. ~ Party Girl]. [London: Marcus Ward & Co, 1880s].
    The three greetings cards comprising the larger version of Greenaway’s Party Girl set, each present here in several variants, listed below according to Schuster &… (more)

    The three greetings cards comprising the larger version of Greenaway’s Party Girl set, each present here in several variants, listed below according to Schuster & Engen 282.

    Card 1 Girl with Badminton set
    a) recto ‘Christmas’ verso ‘I wish you all the joy that you can wish’.
    b) recto ‘Christmas’ verso ‘May the day be as happy as you could wish’.
    c) recto ‘New Year’ verso ‘Thy own wish, wish I thee in every place!’.
    d) recto ‘Valentine’ verso ‘To bear my love to you to-day’.
    e) recto ‘Greeting’ verso ‘Thy own wish, wish I thee in every place’.

    Card 2 Girl in rust coat and beaver hat
    b) recto ‘Christmas’ verso ‘Wishing you every happiness and blessing’.
    d) recto ‘New Year’ verso ‘May the day be as happy as you could wish’.
    d variant) recto ‘New Year’ verso ‘Wishing you every happiness and blessing’.
    e) recto ‘Valentine’ verso ‘From one who loves you dearly’.
    g) recto ‘Greeting’ verso ‘Thy own wish, wish I thee in every place’.
    h) recto ‘Greeting’ verso ‘May the day be as happy as you could wish’.

    Card 3 Girl in green dress
    a) recto ‘Christmas’ verso ‘Thy own wish, wish I thee in every place’.
    b) recto ‘Christmas’ verso ‘Wishing you every happiness and blessing’.
    c variant) recto ‘New Year’ verso ‘I wish you all the joy that you can wish’.
    d) recto ‘Valentine’ verso ‘I bring you some flowers from your Valentine’.
    e) recto ‘Greeting’ verso ‘Wishing you every happiness and blessing’.
    f) recto ‘Greeting’ verso ‘May the day be as happy as you could wish’. Schuster & Engen, Kate Greenaway, 282.

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  • The Story of Little Red Riding Hood’s Christmas]. by [GREENAWAY, Kate [GREENAWAY, Kate ~ The Story of Little Red Riding Hood’s Christmas]. [London:] Marcus Ward & Co, [before 1868].
    One of two versions of this early set, this one apparently issued as Christmas cards. Schuster & Engen, Kate Greenaway, 291. (more)

    One of two versions of this early set, this one apparently issued as Christmas cards. Schuster & Engen, Kate Greenaway, 291.

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  • ... Ecoûte beaucoup, parle peu...
    Maximes du sage. by (PRINTING ON VELLUM). (PRINTING ON VELLUM). ~ Maximes du sage. [France, c. 1700].
    A large and striking broadside printed on vellum by an unknown press, presumably in France around the year 1700. The text is of 20 ‘Maximes… (more)

    A large and striking broadside printed on vellum by an unknown press, presumably in France around the year 1700. The text is of 20 ‘Maximes du sage’ ― wise and stoic counsels for the government of the mind, spirit and body. The typography is competent but occasionally irregular, reflecting the difficulty of handling such a large sheet of vellum in the press, but also suggesting the possibility of a private press. The floral borders are stylised, with decorative swags and ribbons at the head, but with recognisable lilies, roses, carnations and iris on either side, and blue china bowl with tulips, fritillaries and other flowers at the foot.
    No other example of the broadside has been located, though the text is almost identical to that of a fine manuscript on vellum probably made at the behest of Louis XIV (1638-1715) for the philosophical education of his son Louis, the Grand Dauphin (1661-1711) (sold at Sotheby’s Paris, 6 July 2017, collection of Mme Djahanguir Riahi, lot 28). A quotation of a fragment of the text appears in the Clef du cabinet des princes de l’Europe, 21, October 1714, p. 237, appearing also as advice to princes, but we have not found any other printed version of the text.

    ‘Adore le Createur de l’Univers, & l’aïme de toute ton Ame: Honore ceux qui t’ont mis au monde; obeïs aux loix; revere les Puissances: Faits à autruy comme tu voudrois qu’on te fît à ton mesme. Sois humain, civil & bien faisant à tous les hommes. Aïme tes proches, aïme tes amis; mais plus que tour aime ta Patrie, & procure le bien public. Respecte les gens de bien, fuy les méchans, & ne hante que ceux à qui tu veux ressembler, Reconnois les biensfairs, n’attire pas les injures, Connois-toy toy-mesme, mesure tes desseins à tes forces, ta dépense à ton bien, & l’un & l’autre à la raison. Exerce moderement ton corps, applique fortement ton esprit: Ecoûte beaucoup, parle peu, regle tes pensées & pese tes paroles. Abhorre le menteur & le mensonage, mais souviens-toy que toutes vertitez ne sont pas toûjours bonnes à dire, Pardonne beucoup aux autres, rien à toy, & sois plûtost ennemy de tes vices. Que censeur de ceux d’autruy, Songe que le repentir suit de pres la faute, & que le premier fruit des bonnes actions est la plaisir qu’il y a de les faire. Ne prens jamais de mauvaises voyes pour arriver a une bonne fin. Tiens les flateurs pour tes plus grands ennemis, pour tes meilleurs amis ceux qui te voyent plutost à cause de toy qu’à cause d’eux-mesmes. Prens conseil, mais forme tes resolutions toy-mesme. Sois ferme non pas opiniâtre, & si tu as à changer d’avis, que ce soit par raison, non par legereté. Desire ce que t’est propre, supporte ce qui t’arrive. Sois le maître non pas l’esclave de tes passions, qu’elles servent à t’avancer, non pas à t’égarer. Modere tes desirs, tu augmenteras tes biens, il est assés riche qui est content, & il est content qui est sage’.

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