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  • La Constitution en vaudevilles suivie des Droits de l’homme, de la femme & de plusieurs autres vaudevilles constitutionnels. by MARCHANT, [François]. MARCHANT, [François]. ~ La Constitution en vaudevilles suivie des Droits de l’homme, de la femme & de plusieurs autres vaudevilles constitutionnels. Paris: Maradan, 1792.
    A satirical song collection, in the form of an almanac, lampooning the new Revolutionary institutions. The frontispiece (here in rare colour-printed state) is probably the… (more)

    A satirical song collection, in the form of an almanac, lampooning the new Revolutionary institutions. The frontispiece (here in rare colour-printed state) is probably the first book illustration to depict a yo-yo, a toy which became a craze in France in the 1790s under the name of the émigrette, reflecting its popularity among the French nobility at precisely the time they were forced to flee their country. A 1789 painting of the future King Louis XVII now in the Louvre shows him with a yo-yo, while in a revival of the Mariage de Figaro of 1792 Beaumarchais brings his hero on stage playing with his émigrette.

    Several issues are known from 1792. An issue with identical pagination and the same plate but with the imprint ‘chez les libraires royalistes’ is usually cited as the first. In this issue Maradan has put his own name on the title. cf. Martin & Walter, 22975; cf. Cohen-de Ricci, p. 677 (’Frontispice non signé, attribué par Mehl à Debaucourt. Ce frontispice existe en couleurs (avant la lettre) en bistre et à la sanguine’).

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  • Chambre à air. by BOURNAZEL, Diane de. BOURNAZEL, Diane de. ~ Chambre à air. [Marliac, 2022].
    One of Diane de Bournazel’s magical optical ‘peepshows’ with a window opening onto a mysterious three-dimensional scene within. It features some of the distinctive features… (more)

    One of Diane de Bournazel’s magical optical ‘peepshows’ with a window opening onto a mysterious three-dimensional scene within. It features some of the distinctive features of the artist’s much-admired artist’s books, but makes use of the peepshow form to bring added depth and perspective to her enchanted world. The paper peepshow was popularised by publishers such as Martin Engelbrecht in Munich from the middle of the eighteenth century, evidently inspired by baroque stage sets, but reached the peak of their elaboration in the Victorian era. They were either sold as toys or souvenirs or, in expanded form, were popular fairground attractions. Each of Diane de Bournazel’s peepshows is a unique creation.

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  • Ann’s Book... by PARSONS, Jacynth and Karl. PARSONS, Jacynth and Karl. ~ Ann’s Book... London: [William Brendon & Son, Plymouth for] The Medici Society, 1929.
    First edition of this attractive book illustrated by Jacynth Parsons. Parsons was a child prodigy, contributing superb illustrations to Ann’s Book by her father, the… (more)

    First edition of this attractive book illustrated by Jacynth Parsons. Parsons was a child prodigy, contributing superb illustrations to Ann’s Book by her father, the Arts and Crafts designer Karl Parsons, in 1929. In 1927 the Medici Society put on an exhibition of her ‘Pictures from the age of 3 to 16’ which met with considerable success. She later illustrated an edition of Blake under the patronage of W.B. Yeats, and several other works.

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  • The Child’s Journal. Journal des enfans. Par une société de littérateurs Anglais... by (JUVENILE). MURPHY-BYRNE, [G.-D], editor. (JUVENILE). MURPHY-BYRNE, [G.-D], editor. ~ The Child’s Journal. Journal des enfans. Par une société de littérateurs Anglais... Vol. 1 [Le] Havre: [J. Morlent for] Bureau Central de la Direction; Vol. 2. Paris: Bureau Central de la Direction 1834-6.
    First edition of all the published issues of this rare French journal for English learners, published monthly, first at Le Havre and then in Paris.… (more)

    First edition of all the published issues of this rare French journal for English learners, published monthly, first at Le Havre and then in Paris. Besides the article titles in French the text is almost entirely in English, with frequent bracketed interpolations in French explaining difficult or idiomatic phrases. The editor was professor of languages at the Collége du Havre and published The Seine, an historical Tour from Havre to Rouen in 1836. We can locate no other copy of The Child’s Journal save the Bibliothèque nationale copy.
    The choice of texts is broad, with a special emphasis on tales of history, travel and adventure, with some concerning natural history. Among the adventures are shipwreck and captivity narratives abridged from their original sources, quite frequently set in North America, Russia and the South Seas. They include: ‘Cinque jours de résidence dans une ile déserte, Aventures extraordinaires d’un jeune marin de quatorze ans’; ‘La Femme Indienne, ou la victime de la superstition’ [set beside in the Mississipi, from Percy’s Anecdotes]; ‘Le Prisonnier et les anthropophages’ [from The Wonderful Magazine]; Cook; ‘Voyage du Capitaine Ross au Pôle nord’; ‘Aventure d’un officier Américain’ [General Putnam]; ‘Sept Mois dans le désert’ [derived from Hearne’s Journey to the Northern Ocean]; ‘Chasse aux chevaux sauvages’ [abridged from Washington Irving’s Tour on the Prairies]; ‘Naufrage du Navire The Harpooner’; ‘Balboa et la Mer Pacifique’ and ‘Le Voyageur et le Cayman’ and excets from Walter Scott, Joseph Flood, Carver’s History of Boston and Chamber’s Edinburgh Journal.

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  • Matériel scolaire. by (EDUCATION). H. & C[ompagn]ie. (EDUCATION). H. & C[ompagn]ie. ~ Matériel scolaire. Paris: Lahure, c. 1878.
    A large advertisement for a supplier of educational materials for schools, including maps, globes, gym equipment, easels, desks, benches and geometry instruments. (more)

    A large advertisement for a supplier of educational materials for schools, including maps, globes, gym equipment, easels, desks, benches and geometry instruments.

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  • Le Cook de l’enfance et de la jeunesse, ou Choix des particularités les plus intéressantes, des détails les plus instructifs et les plus curieux contenus dans les relations des trois voyages de ce célèbre navigateur autour du monde; précédé d’une notice sur sa vie... avec quatre jolies gravures. by (COOK, Captain). CHAMPAGNAC, J. -B. -J. (COOK, Captain). CHAMPAGNAC, J. -B. -J. ~ Le Cook de l’enfance et de la jeunesse, ou Choix des particularités les plus intéressantes, des détails les plus instructifs et les plus curieux contenus dans les relations des trois voyages de ce célèbre navigateur autour du monde; précédé d’une notice sur sa vie... avec quatre jolies gravures. Paris: [Cosson] Fruger et Brunet, 1836.
    First edition. A juvenile Cook in French, describing his voyages to the Pacific, including New Zealand, Batavia (Jakarta), Tahiti and the Sandwich Islands. the plates… (more)

    First edition. A juvenile Cook in French, describing his voyages to the Pacific, including New Zealand, Batavia (Jakarta), Tahiti and the Sandwich Islands. the plates being: Mort de Capitaine Cook (frontispiece); Indien courant un Muck; Habitans de l’Ile Mallicalo and Débarquement du Capitaine Cook dans la baie de Karakakooka. The appendix contains an interesting ethnographic essay ‘Des deux variétés de l’espèce humaine recnnues dans l’Océanie’, two others on the geography of Oceania and on previous voyages to the region followed by biographies of participants in Cook’s voyages (Cook, Banks, Solander, the Forsters, Clark and Bligh). Worldcat and Library Hub locate no UK or North American copies (though there is one at the University of Hawaii)

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  • La Princesse lumière Conte de fées. by BARTEL, Jehan [pseudonym of Jehannette or Jeanette BARTEL]. BARTEL, Jehan [pseudonym of Jehannette or Jeanette BARTEL]. ~ La Princesse lumière Conte de fées. [Toulouse: Imprimerie du Centre], June 1905.
    A privately-published fairy tale by a young girl, of which we can find no copy in any public collection, nor any obvious trace of the… (more)

    A privately-published fairy tale by a young girl, of which we can find no copy in any public collection, nor any obvious trace of the work or its author elsewhere. The book is printed on a handsome glazed paper and incorporates three illustrations, presumably the work of the author. It was almost certainly her who also decorated the smooth calf binding with a whimsical design depicting an owl in a tree by moonlight. The printed dedication is to ‘ma chère petite Cousine Renée’, with this copy of what was presumably a very small edition inscribed to the author’s mother.

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  • Bibliothèque in miniature [spine title]. by (MINIATURE BOOKS). (MINIATURE BOOKS). ~ Bibliothèque in miniature [spine title]. Paris: [Didot frères] chez Marcilly, [c. 1835].
    A delightful miniature library in its original publisher’s box, comprising: 1. Berquine, Variétés; 2. Démoustier, Mythologie; 3. Florian, Mélanges; 4. La Fontaine, Fables; 5. Millevoye;… (more)

    A delightful miniature library in its original publisher’s box, comprising: 1. Berquine, Variétés; 2. Démoustier, Mythologie; 3. Florian, Mélanges; 4. La Fontaine, Fables; 5. Millevoye; 6. Poésies, Voltaire. The set was issued in various forms, sometime with wrappers of green and pink and sometimes in a variant box. Bondy, p. 75; Gumuchian, 4062; Welsh, Miniature books, 1250

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  • [A bound collection of 54 plates] by MOTZ, Johann Michael, heirs of; and Albrecht SCHMIDT. MOTZ, Johann Michael, heirs of; and Albrecht SCHMIDT. ~ [A bound collection of 54 plates] Augsburg [n.d. but soon after 1750].
    An interesting collection of 54 rare hand coloured plates by Augsburg publishers Johann Michael Motz and Albrecht Schmidt, very much in the style of the… (more)

    An interesting collection of 54 rare hand coloured plates by Augsburg publishers Johann Michael Motz and Albrecht Schmidt, very much in the style of the recreational and educational prints of the slightly earlier Augsburg engraver-publisher Martin Engelbrecht. Like Engelbrecht’s these prints were intended for popular consumption and were often cut up for albums or other decoupage projects. All are very rare, notably the fine 4-plate suite of the continents here (Europe, Asia, Africa and America) and a very substantial part of the biblical sequence by Schmidt. There are also plates for the four, two hunting plates and another after Boucher. The album was evidently put together c. 1800 from two or more constituent parts, perhaps already quite well used to judge by the variation in condition across the collection and by the various patterns of previous stab holes. An early owner/user has added some amusing pencil drawings to the rear endpapers.

    Comprising:

    1. Les Amans Surpris (after Boucher, c, 1750), Motz.
    2. Les Plaisirs au jardin & La musique, 2 plates, Motz.
    3. Europa, Asia, Africa, America, 4 plates, lower lines of verses and imprint cropped, but Motz after I. Waxmuth.
    4. Der Frühling, Der Sommer, Der Herbst, Der Winter, 4 plates, Motz.
    5. Das Feuer, Das Wasser, Die Lufft, Die Erde, 4 plates, Motz.
    6. Der Morgen, Der Mittag, Der Abend, Die Nacht, 4 plates, Motz after Stockhman[n].
    7. [Hunting], 2 untitled prints, Motz after Stockhman[n].
    8. [Old Testament. Genesis] 14 plates, numbered 5-12, 37, 40, 45-48 each with gold borders, Albrecht Schmidt. [of 56?]
    9. [Old Testament, Genesis, the story of Joseph]. 13 plates, numbered 1-5, 7-14. Motz.
    10. [The Prodigal Son]. 6 plates, numbered 1-2, 5-8, Motz after C. Vogt (stubs of plates 3 & 4, evidently cut out).

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  • Grand Equestrian Feat, called the Peasant Frolic. As performed at Astley’s Amphitheatre. Price 4d 1/2 Plain. by (CIRCUS). (TOY THEATRE). (CIRCUS). (TOY THEATRE). ~ Grand Equestrian Feat, called the Peasant Frolic. As performed at Astley’s Amphitheatre. Price 4d 1/2 Plain. [London]: W[illiam]. West at his Theatrical Warehouse, Exeter Street, Strand, Apr[i]l 14, 1821.
    A rare large-format toy theatre print with figures for cutting out and mounting from a performance at Astley’s Amphitheatre, which was then managed by Andrew… (more)

    A rare large-format toy theatre print with figures for cutting out and mounting from a performance at Astley’s Amphitheatre, which was then managed by Andrew Ducrow, the father of circus equestrianism. The plate is unsigned other than by the publisher William West and is unattributed in the British Museum print catalogue, but it is of high quality. The BM copy was acquired with the nineteenth-century collection of toy theatre prints assembled by Ralph Thomas, who had made a tentative attribution to William Blake in Notes and Queries in 1898 (June 4th, p. 455). The British Museum did not adopt the attribution, though there is certainly something of Blake’s style in the print. William West was the pioneer of the Regency toy theatre print, commissioning work from both Cruickshank brothers, Flaxman, Dighton and Brooke.

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  • Die Jugend in den Erholungstagen auf dem Lande... mit 6 kupfern begleitet mit deutsch-französisch-italineisch und böhmischen text. by GRÜNER, V. R. GRÜNER, V. R. ~ Die Jugend in den Erholungstagen auf dem Lande... mit 6 kupfern begleitet mit deutsch-französisch-italineisch und böhmischen text. Vienna: [J. P. Sollinger for] Friedrich Wihelm Pfautsch, [n.d., c. 1830].
    First (and presumably only) edition of a rare and delightful large format illustrated children’s book depicting boys and girls enjoying country life, including gardening and… (more)

    First (and presumably only) edition of a rare and delightful large format illustrated children’s book depicting boys and girls enjoying country life, including gardening and open air reading. The text is quadrilingual: German, French, Italian and Czech. This exceptionally well preserved copy bears a contemporary prize label, recording it as a prize to one Anna Kalser at the Pilsner Kreishhaupt-Schule (Bohemia). Very rare: no copy found in Worldcat. KVK records a single copy (Austrian National Library) of a variant issue (also undated) in 8vo format (paginated pp. 33, not 15 as in our oblong 4to, with the plates folded uncoloured).

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  • A Morning Ride mid Country Scenes. by (PANORAMA). (PANORAMA). ~ A Morning Ride mid Country Scenes. London: [G. Barclay for] George Rourledge & Co, 1852.
    Sole edition, very rare, and a remarkable survival, of this pioneering and original children’s panorama. The eight joined plates present a single sequential narrative —… (more)

    Sole edition, very rare, and a remarkable survival, of this pioneering and original children’s panorama. The eight joined plates present a single sequential narrative — cleverly seen from different vantage points — of a morning ride across several miles of rolling English countryside some thirty miles from London (as the milestone in the first image indicates). The two young riders (Edward and Walter) leave their large county house, pass through lanes with green fields on either side, an imaginary village with church, inn and shops, passing windmills, a watermill, bridges and (in the last 2 images) the newly-built railway with steam-trains. A good-natured and simple story, the panorama and accompanying text presents a telling microcosm of genteel English Victorian society, the participants all acting in their proper place in an ordered society. The gamekeeper’s daughter opens a gate for the boys, a family acquaintance of rank rides by in her carriage, a wagonner supplying the village shops is given a tip for ale, the father rides to hounds, while a ‘loutish’ farm boy mentioned in the text is silently omitted in the panorama. The text, printed in regular letterpress was evidently intended to be read by an adult to a child.
    The use and presentation of the panorama for narrative is striking, quite unlike most contemporary British panoramas or children’s books of this date or earlier. The title page indicates that it was to form part of a series: ‘Stories told in Pictures’ of which the advert leaf mentions two further titles ‘nearly ready’: A Noon-Day Ramble and An Evening Walk. Neither appears to have survived, or perhaps were never published. A Morning Ride is exceptionally rare, with only the Opie Collection (Bodleian Library) and Rhode Island School of Design copies located. Opie EE 190. Described in detail in Hannah Field in an essay in the 2015 collection Space and Place in Children’s Literature, 1789 to the Present entitled ‘The Story unfolds: intertwined Space and Time in the Victorian Children’s Panorama’

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  • Alphabet des Métiers. by (JIGSAW). (JIGSAW). ~ Alphabet des Métiers. Paris: Becquet for Huet [and sold by] Clochez et Sevette, [c. 1860s].
    A rare French jigsaw set in three parts — a wonderful and complete alphabet illustrated with trades and crafts (male and female) including the: an… (more)

    A rare French jigsaw set in three parts — a wonderful and complete alphabet illustrated with trades and crafts (male and female) including the: an armourer, laundrywoman, gilder, epicier, florist, glovemaker, herbalist, printer, gardener, ‘kiosque’ vendor, milkwoman, blacksmith, fancy goods seller (’nouveautés’), goldsmith, pavier, ironmonger, restaurateur, sculptor, dyer, factoryworker, tailor, wood engraver (’xylographes’ —a good solution for the letter ‘X’) and zincworker.

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  • When we were very young. by MILNE, A. A. MILNE, A. A. ~ When we were very young. London: [Jarrold for] Methuen & Co. Ltd, 1927.
    Sixteenth edition (the first was November 1924). Avery presentable copy. (more)

    Sixteenth edition (the first was November 1924). Avery presentable copy.

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  • [The Game of ‘Bis-bis’ or ‘48’]. by (GAME). (GAME). ~ [The Game of ‘Bis-bis’ or ‘48’]. [?Basque region, Saint Sébastien, c. 1865].
    Manuscript and watercolour maquettes for an apparently unpublished game, including a portion of a folding game mat (on linen), a sheet of counters (uncut, on… (more)

    Manuscript and watercolour maquettes for an apparently unpublished game, including a portion of a folding game mat (on linen), a sheet of counters (uncut, on parchment), numerous drawings and sketches as trials for the game positions (on paper and tracing paper, some coloured) and several sheets of manuscript instructions in French and Spanish. The game seems to have been a type of lotto, with parchment counters (corresponding to game positions) which were to be placed in a spherical wooden ‘bank’ for shuffling, before being drawn by the players.
    The game’s origin in a French household at Saint Sébastien is indicated by the use of numerous scraps of waste paper from the French Consul’s office there ― perhaps it was made by a member of his own family or staff. The sketches are highly accomplished and carefully rendered, often with several preliminary sketches before reduction in gouache to the size of the parchment game counters.

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  • [Embroidered sampler. by FULTON, Anna. FULTON, Anna. ~ [Embroidered sampler. British Isles. [ 1827].
    Alphabet (upper and lower case), several decorative lines and two verses: ‘Is there ambition in my heart / search gracious God and see...’ [Isaac Watts]… (more)

    Alphabet (upper and lower case), several decorative lines and two verses: ‘Is there ambition in my heart / search gracious God and see...’ [Isaac Watts] and ‘Teach me to live / that I may dread/ the grave as little / as my bed // Teach me to die ‘ that so I may / with joy behold /the judgement day’ [Thomas Ken, and later sued by Thomas Hardy in Jude the Obscure]. Needlework samplers remain one of the most widespread manifestations of the teaching and learning of basic literacy among girls and young women and, as here, reflect a strongly moralistic background.

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  • Procession]. by [GREENAWAY, Kate. [GREENAWAY, Kate. ~ Procession]. [London:] Marcus Ward & Co, [ 1881].
    Greenaway’s ‘Procession’ greetings card set consisted of just two cards, but with each produced with variant verses.

    This set includes all four variants of each.

    Card 1… (more)

    Greenaway’s ‘Procession’ greetings card set consisted of just two cards, but with each produced with variant verses.

    This set includes all four variants of each.

    Card 1 (Blue border):
    (a) ‘A garland fair for Christmas day...’
    (b) ‘My Valentine in every rose discern...’
    (c) ‘Well we love our roses sweet...’
    (d) ‘Thro the Year that dawns...’

    Card 2 (Pink border):
    (a) ‘A garland fair for Christmas day...’
    (b) ‘Let’s love and live together, dear...’
    (c) ‘Well we love our roses sweet...’
    (d) ‘Thro the Year that dawns...’ Schuster & Engen, Kate Greenaway, 284.

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  • Party Girl]. by [GREENAWAY, Kate. [GREENAWAY, Kate. ~ Party Girl]. [London: Marcus Ward & Co, 1880s].
    The three greetings cards comprising the larger version of Greenaway’s Party Girl set, each present here in several variants, listed below according to Schuster &… (more)

    The three greetings cards comprising the larger version of Greenaway’s Party Girl set, each present here in several variants, listed below according to Schuster & Engen 282.

    Card 1 Girl with Badminton set
    a) recto ‘Christmas’ verso ‘I wish you all the joy that you can wish’.
    b) recto ‘Christmas’ verso ‘May the day be as happy as you could wish’.
    c) recto ‘New Year’ verso ‘Thy own wish, wish I thee in every place!’.
    d) recto ‘Valentine’ verso ‘To bear my love to you to-day’.
    e) recto ‘Greeting’ verso ‘Thy own wish, wish I thee in every place’.

    Card 2 Girl in rust coat and beaver hat
    b) recto ‘Christmas’ verso ‘Wishing you every happiness and blessing’.
    d) recto ‘New Year’ verso ‘May the day be as happy as you could wish’.
    d variant) recto ‘New Year’ verso ‘Wishing you every happiness and blessing’.
    e) recto ‘Valentine’ verso ‘From one who loves you dearly’.
    g) recto ‘Greeting’ verso ‘Thy own wish, wish I thee in every place’.
    h) recto ‘Greeting’ verso ‘May the day be as happy as you could wish’.

    Card 3 Girl in green dress
    a) recto ‘Christmas’ verso ‘Thy own wish, wish I thee in every place’.
    b) recto ‘Christmas’ verso ‘Wishing you every happiness and blessing’.
    c variant) recto ‘New Year’ verso ‘I wish you all the joy that you can wish’.
    d) recto ‘Valentine’ verso ‘I bring you some flowers from your Valentine’.
    e) recto ‘Greeting’ verso ‘Wishing you every happiness and blessing’.
    f) recto ‘Greeting’ verso ‘May the day be as happy as you could wish’. Schuster & Engen, Kate Greenaway, 282.

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  • The Story of Little Red Riding Hood’s Christmas]. by [GREENAWAY, Kate [GREENAWAY, Kate ~ The Story of Little Red Riding Hood’s Christmas]. [London:] Marcus Ward & Co, [before 1868].
    One of two versions of this early set, this one apparently issued as Christmas cards. Schuster & Engen, Kate Greenaway, 291. (more)

    One of two versions of this early set, this one apparently issued as Christmas cards. Schuster & Engen, Kate Greenaway, 291.

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  • Loto. by (MINIATURE). (MINIATURE). ~ Loto. [France, c. 1910].
    A miniature lotto set, rare complete with all the printed cards and counters. (more)

    A miniature lotto set, rare complete with all the printed cards and counters.

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