A collection of 5 illustrated chanson manuscripts, of a type…

A collection of 5 illustrated chanson manuscripts, of a type popular in France in the first quarter of the twentieth century, particularly among servicemen. The texts are usually composed of popular songs of the day; the illustrations, often derived (sometimes traced) from popular journals and are brightly, even luridly, coloured. Artistic ability is variable, but the images are frequently romantic and suggestive. While not uncommon, when gathered together these notebooks make an interesting study in contemporary popular culture. by CHANSONS
  • Another image of A collection of 5 illustrated chanson manuscripts, of a type popular in France in the first quarter of the twentieth century, particularly among servicemen. The texts are usually composed of popular songs of the day; the illustrations, often derived (sometimes traced) from popular journals and are brightly, even luridly, coloured. Artistic ability is variable, but the images are frequently romantic and suggestive. While not uncommon, when gathered together these notebooks make an interesting study in contemporary popular culture. by CHANSONS
  • Another image of A collection of 5 illustrated chanson manuscripts, of a type popular in France in the first quarter of the twentieth century, particularly among servicemen. The texts are usually composed of popular songs of the day; the illustrations, often derived (sometimes traced) from popular journals and are brightly, even luridly, coloured. Artistic ability is variable, but the images are frequently romantic and suggestive. While not uncommon, when gathered together these notebooks make an interesting study in contemporary popular culture. by CHANSONS
  • Another image of A collection of 5 illustrated chanson manuscripts, of a type popular in France in the first quarter of the twentieth century, particularly among servicemen. The texts are usually composed of popular songs of the day; the illustrations, often derived (sometimes traced) from popular journals and are brightly, even luridly, coloured. Artistic ability is variable, but the images are frequently romantic and suggestive. While not uncommon, when gathered together these notebooks make an interesting study in contemporary popular culture. by CHANSONS
  • Another image of A collection of 5 illustrated chanson manuscripts, of a type popular in France in the first quarter of the twentieth century, particularly among servicemen. The texts are usually composed of popular songs of the day; the illustrations, often derived (sometimes traced) from popular journals and are brightly, even luridly, coloured. Artistic ability is variable, but the images are frequently romantic and suggestive. While not uncommon, when gathered together these notebooks make an interesting study in contemporary popular culture. by CHANSONS
  • Another image of A collection of 5 illustrated chanson manuscripts, of a type popular in France in the first quarter of the twentieth century, particularly among servicemen. The texts are usually composed of popular songs of the day; the illustrations, often derived (sometimes traced) from popular journals and are brightly, even luridly, coloured. Artistic ability is variable, but the images are frequently romantic and suggestive. While not uncommon, when gathered together these notebooks make an interesting study in contemporary popular culture. by CHANSONS
  • Another image of A collection of 5 illustrated chanson manuscripts, of a type popular in France in the first quarter of the twentieth century, particularly among servicemen. The texts are usually composed of popular songs of the day; the illustrations, often derived (sometimes traced) from popular journals and are brightly, even luridly, coloured. Artistic ability is variable, but the images are frequently romantic and suggestive. While not uncommon, when gathered together these notebooks make an interesting study in contemporary popular culture. by CHANSONS
  • Another image of A collection of 5 illustrated chanson manuscripts, of a type popular in France in the first quarter of the twentieth century, particularly among servicemen. The texts are usually composed of popular songs of the day; the illustrations, often derived (sometimes traced) from popular journals and are brightly, even luridly, coloured. Artistic ability is variable, but the images are frequently romantic and suggestive. While not uncommon, when gathered together these notebooks make an interesting study in contemporary popular culture. by CHANSONS
  • Another image of A collection of 5 illustrated chanson manuscripts, of a type popular in France in the first quarter of the twentieth century, particularly among servicemen. The texts are usually composed of popular songs of the day; the illustrations, often derived (sometimes traced) from popular journals and are brightly, even luridly, coloured. Artistic ability is variable, but the images are frequently romantic and suggestive. While not uncommon, when gathered together these notebooks make an interesting study in contemporary popular culture. by CHANSONS
  • Another image of A collection of 5 illustrated chanson manuscripts, of a type popular in France in the first quarter of the twentieth century, particularly among servicemen. The texts are usually composed of popular songs of the day; the illustrations, often derived (sometimes traced) from popular journals and are brightly, even luridly, coloured. Artistic ability is variable, but the images are frequently romantic and suggestive. While not uncommon, when gathered together these notebooks make an interesting study in contemporary popular culture. by CHANSONS
  • Another image of A collection of 5 illustrated chanson manuscripts, of a type popular in France in the first quarter of the twentieth century, particularly among servicemen. The texts are usually composed of popular songs of the day; the illustrations, often derived (sometimes traced) from popular journals and are brightly, even luridly, coloured. Artistic ability is variable, but the images are frequently romantic and suggestive. While not uncommon, when gathered together these notebooks make an interesting study in contemporary popular culture. by CHANSONS

~ A collection of 5 illustrated chanson manuscripts, of a type popular in France in the first quarter of the twentieth century, particularly among servicemen. The texts are usually composed of popular songs of the day; the illustrations, often derived (sometimes traced) from popular journals and are brightly, even luridly, coloured. Artistic ability is variable, but the images are frequently romantic and suggestive. While not uncommon, when gathered together these notebooks make an interesting study in contemporary popular culture. 1900

I. 'J.B'. France, c. 1900.

Folio (335 × 210 mm), pp. [98], plus several blank leaves at end. Text in manuscript, full-page illustrations in crayon or pastel. Lightly browned throughout, fragile at edges with minor fraying, all the result of poor quality paper. In original cloth backed notebook. Binding rather worn. A handsome chanson manuscript, anonymous but for the decorative initials 'J.B'. The songs include: 'Le Pigeon blessé', 'Sous les Platanes', 'Carmen', 'Chagrins d'Amour', 'Juanita', 'La Femme est un jouette' and 'Mort pour la France'.

II. Émile LEBLOND. Dijon, c. 1904.

Manuscript, 4to (214 × 170 mm), pp. 1-12, 17-98, 101-102, 105-270, 280-320, several blanks at rear. Evidence of 3 leaves removed, perhaps by the maker. Numerous drawings in ink and crayon, decorative headings. Original cloth notebook. Rather rubbed. An illustrated chansonnier made by a soldier of the First Artillery, stationed at Dijon. This is an especially full example which gives some unusual details as to its making: Leblond occasionally records the number of weeks he has been in service and there is evidence of carbon tracing, demonstrating the use of illustrations from popular journals in making these chansonniers. The songs include: 'Berceuse militaire', 'L'Africaine', 'Chapeai bas devant la Marseillais', 'Vous êtes si jolie', 'Four frou' and 'Ma Ninette'.

III. Yvan LOREAU. Chemillé-sur-Seine, c. 1909.

Manuscript, small 4to (216 × 175 mm), pp. [2], 88, ruled paper. Drawings in ink and crayon. Original limp wrappers. Yvan Loreau writes on his title-page that this manuscript was made 'Sur le tour de France' and begun on 11th December 1909. Songs include: 'Voila la Parisienne', 'Le petit coeur de Ninon', 'Ah! Ma p'tit Lili', 'Le ruban bleu de l'hirondelle' and 'Pas sur la bouche'.

IV. Alexandre MOULLET, 'le gros bâtarde'. Valence, 1913-14.

Manuscript (on squared paper), 4to (222 × 170 mm), pp. [152]. Drawings in ink and crayon, partially unfinished. Some thumbing and fraying, one leaf loose. Original half cloth notebook. An illustrated chansonnier made on the eve of the Great War for one Alexandre Moullet, picturesquely nicknamed 'le gros bâtarde', of the 5eme Régiment d'Artillerie lourde, 8ème batterie, at Valence (Drôme). Songs include: 'Les petites Toulonnaises'; 'Soldat vierge', 'Marins de Marseille', 'Coeur Crise', 'Sur la Riviera' and 'Le dernier Tango'.

V. REDON. Valbonne (Ain), 1921.

Manuscript on paper, small 4to (216 × 170 mm), pp. [117], plus numerous blanks at rear, numerous drawings in pencil, ink and crayon (a couple cut from newspapers or journals, decorative headings. Original half cloth notebook. Songs include: 'Tu voudrais me voir pleurer', 'La vals du pastis', 'Vous rendez tous les hommes fou' and 'Le train fatale'. One verse is subscribed 'Fait a la Valbonne le 12-12-21 une soiré de grand froid'.

Print this page View basket Price: £2,250.00