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  • Jeu instructif des peuples et costumes des quatre parties du monde et des terres australes. by (GAME). (GAME). ~ Jeu instructif des peuples et costumes des quatre parties du monde et des terres australes. Paris: Basset, [n.d., 1815].
    A superb ‘game of goose’ on the theme of the peoples of the known world, with fine engraved corner vignettes representing Africa, America, Europe and… (more)

    A superb ‘game of goose’ on the theme of the peoples of the known world, with fine engraved corner vignettes representing Africa, America, Europe and Asia and 63 vignettes representing different peoples. They include native Americans (of California, Mexico, the Amazon, Iroquois, Brazil, Chile, Tierra del Fuego, Paraguay and Nootka Island), inhabitants of Java, Sumatra, China, Japan, Tahiti, Australia (Nouvelle Hollande) and New Zealand, as well as Africa, the Middle East and Europe. In common with other games of this type, the cultural attitudes represented by the symbolism and mode of play is worthy of decoding. With dice and counters, the players are to navigate (culturally, not geographically) from China (evidently still at the furthest reaches of the European geographical imagination) to France, via the 63 numbered squares, with their various characteristics, advantages and disadvantages. Mexico (square 6) is shown as a bridge and players landing there jump straight to square 12 (the Amazon); at 19 (Tahiti) the islanders’ hospitality detains players for two turns; at 31 (Siberia) the players waits in exile until another player reaches the same square and rescues them, at square 42, traditionally the ‘puzzle’ square (Japan) the player is refused landing and goes back to 30 (Abyssinia) and just before the end, square 58 (New Zealand) the player encounters the reputed anthrophages (man-eaters) and returns to the start. Ciompi/Seville Collection 32; Adrian Seville, ‘The geographical Jeux de l'Oie of Europe. Les Jeux de l’Oie géographiques de l’Europe’, Belgeo, 3-4, 2008, 427-444 (56).

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  • Neuf pas autour de ma chambre. Tournée sentimentale, dédiée aux amateurs d’un exercice modéré. by [CARON or CHARLES] ‘H.R.C’. [CARON or CHARLES] ‘H.R.C’. ~ Neuf pas autour de ma chambre. Tournée sentimentale, dédiée aux amateurs d’un exercice modéré. Stockholm: Charles Deleen, 1816.
    First edition, presentation copy. A witty imaginary Voyage autor de ma chambre in the spirit of Le Maistre. In just nine steps the author circumnavigates… (more)

    First edition, presentation copy. A witty imaginary Voyage autor de ma chambre in the spirit of Le Maistre. In just nine steps the author circumnavigates his room, bumping into Napoleon and traversing Europe. There are verses, riddles, enigmas and an acrostic on the Swedish succession: ‘Charles Jean Prince Royal de Suede’. The ninth step is a long verse dedicated to the elderly British King George III. The allegorical plate depicts voyagers in an elegant state of undress on the back of a flying horse. The dedicatee of this presentation copy is Maria Juliana Wahrendorff von Rosen (1763-1820). Worldcat locates the Yale copy only in the US. JISC/Copac lists no UK copies.

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  • Fragments sur les corps celestes du système solaire... avec les planches. by BEER, Wilhelm and Johann Heinrich MÄDLER. BEER, Wilhelm and Johann Heinrich MÄDLER. ~ Fragments sur les corps celestes du système solaire... avec les planches. Paris: Bachelier, 1840.
    First edition of this observational survey of the solar system, including the earliest accurate maps of the surface of Mars, establishing the discipline of aerography… (more)

    First edition of this observational survey of the solar system, including the earliest accurate maps of the surface of Mars, establishing the discipline of aerography (a derivation form ‘Ares’ the Greek god of Mars). Wilhelm Beer and Johan Mädler made systematic telescopic observations of Mars from 1830, the year in which the planet passed closest to earth. Their goal was to refine Herschel’s calculations of its period of rotation — just over 24 hours — which had prompted speculation about the red planet’s similarities to our own. In doing so they made a close survey of spots and other markings, trying to understand those which might give clues to the composition of the Martian surface and those which were atmospheric and created the drawings on which the Mars plates in the Fragments were prepared. They were accurate enough to plainly ‘distinguish the two most notable features of Mars Syrtis Major (looking like India), and Lacus Solis (looking like a large eye)’ (Ashworth, Linda Hall website https://www.lindahall.org/about/news/scientist-of-the-day/wilhelm-beer/). The multiple small diagrams of Mars on 6 plates appear for the first time, while the larger double-hemisphere plate had previously appeared in a journal article in Astronomische Nachrichten of 1838. The book was published in German in 1841 as Beiträge zur physischen Kenntniss der himmlischen Körper im Sonnensysteme. Both authors contributions are commemorated with Martian craters named after them.
    Houzeau and Lancaster 1332.

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  • Album de l’artiste en cheveux. Répertoire de Hanssen. by HANSSEN. HANSSEN. ~ Album de l’artiste en cheveux. Répertoire de Hanssen. [Paris: Becquet, Boultemier, n.d. c. 1841].
    [bound with:] [CORNÉ, J. J.]. Album du dessinateur en cheveux, [Paris, n.d., c. 1840s]. ff. 8 lithographed plates. Soiled, some old repairs to versos. One… (more)

    [bound with:] [CORNÉ, J. J.]. Album du dessinateur en cheveux, [Paris, n.d., c. 1840s]. ff. 8 lithographed plates. Soiled, some old repairs to versos. One further additional lithograph design (smaller) bound in at end. Contemporary quarter roan (worn). Evidently well used, but still good copies.

    Two exceptionally rare albums of designs by Parisian hair artists — not hairdressers but creators of popular memorial and funerary pictures created from the cut hair of the deceased of which numerous examples are depicted here. The Hanssen album has an additional price list (including prices for frames); the Corné album is without a title-page (it is unclear if it was issued thus). Both artists are mentioned by André Chanlot in Les Ouvrages en cheveux; leurs secrets, p. 36. Chanlot dates the Corné album to c. 1845 and records the death of Hanssen in 1846. Exceptionally Rare. Worlcat lists three copies of the Hanssen album (all in France) and none of the Corné.

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  • Le Emportemens amoureux de la Religieuse etrangère. Nouvelle galante & historique. [Lettres Portuguaises avec les réponses traduites en françois]. by (LETTRES PORTUGAISES). (LETTRES PORTUGAISES). ~ Le Emportemens amoureux de la Religieuse etrangère. Nouvelle galante & historique. [Lettres Portuguaises avec les réponses traduites en françois]. ‘A la Haye’ [?Rouen] [and Lyon: Sebastien Roux], 1707 [1696].
    First edition with this title and introductory part, a very rare opportunistic edition of Lettres Portuguaises, which found itself onto the Index librorum prohibitorum in… (more)

    First edition with this title and introductory part, a very rare opportunistic edition of Lettres Portuguaises, which found itself onto the Index librorum prohibitorum in 1727. The epistolary novel Lettres Portugaises was one of the publishing sensations of the late seventeenth century and beyond, first published in Paris in 1669, purporting to be the genuine letters between a Portugese nun, Mariana Alcoforado, and the French nobleman, the Marquis de Chamilly. Despite its passionate tone it was not outlawed and indeed it was widely reprinted and set the tone for much of the sentimental and epistolary fiction of the eighteenth century. Though the letters have been proved to be fictional, both parties were real.

    This edition, probably clandestine, seems to have been a step too far in the eyes of the censors. Apparently a reissue of the sheets of a 1696 Lyon edition, it was augmented with a 48-page prequel in which the first encounters between Maria and the Marquis in Portugal are recounted. This text was cast as a seduction scene, in which the young nun entertained the Marquis in a private apartment beside her cloister, dressed in a pale blue nightgown adorned with red ribbons. Suppression seems to have been effective and it is unrecorded in public collections, as far as we can tell, besides a single copy in the library at Bourg-en-Bresse. Gay mentions it among the reprints of Lettres Portugaises, citing a copy offered for sale in Paris in 1869. Gay II, 847. Not found in Worldcat.

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  • Les Aventures de Senneville et Guillaume Delorme, écrites par Eugène en 1787... by PICARD, Louis-Benoît. PICARD, Louis-Benoît. ~ Les Aventures de Senneville et Guillaume Delorme, écrites par Eugène en 1787... Paris: Mame frères, 1813.
    First edition, preserved in original wrappers, of this popular and critically-acclaimed roman de moeurs. It was widely-read around Europe and, interestingly, appeared on the advert… (more)

    First edition, preserved in original wrappers, of this popular and critically-acclaimed roman de moeurs. It was widely-read around Europe and, interestingly, appeared on the advert leaves of numerous English books (in its original French). The Quarterly Review commented: ‘M. Picard is well known to be the most celebrated dramatic writer in France. The French Critics have pronounced this to be one of the best novels that has appeared since Gil Blas’ (1815). Picard was variously a playwright, actor, novelist, poet and musical director in Paris.

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  • Calendrier perpétuel ou Almanach journalier; avec une table chronologique de calculs faite depuis l’an mil un de Jesus-Christ, jusqu’a l’an deux mil, pour l'Ancien & le Nouveau Calendrier. Ouvrage très-utile & nécessaire aux magistrats, gens de justice, hommes de lettres, chronologistes, navigateurs, curieux & a toutes sortes de personnes. by DUPLESSIS, [Pierre-Alexandre GRATET-]. DUPLESSIS, [Pierre-Alexandre GRATET-]. ~ Calendrier perpétuel ou Almanach journalier; avec une table chronologique de calculs faite depuis l’an mil un de Jesus-Christ, jusqu’a l’an deux mil, pour l'Ancien & le Nouveau Calendrier. Ouvrage très-utile & nécessaire aux magistrats, gens de justice, hommes de lettres, chronologistes, navigateurs, curieux & a toutes sortes de personnes. Paris: Grangé, veuve Duchesne, ‘et chez l’Auteur’, 1767.
    First edition of an ingenious perpetual calendar, serviceable to the year 2000. and including a folding engraved lunar chart. The preface suggests its utility to… (more)

    First edition of an ingenious perpetual calendar, serviceable to the year 2000. and including a folding engraved lunar chart. The preface suggests its utility to ‘l’Homme d’État, le Magistrat, l’Homme de Lettres, le Particulier même’. Duplessis was a map publisher, who also issued a variety of calendars. The advert after the preface offers geographical and historical maps and charts, a large map of France on 175 sheets but also calendar mounted on card with elaborate engraved borders which could be supplied glazed in gilt frames. No US or UK copies in Worldcat.

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  • [Illuminated manuscript. by [MALLET, Sophie]. [MALLET, Sophie]. ~ [Illuminated manuscript. France, 1875].
    A delightful, accomplished and idsiosyncratic illuminated manuscript in neo-gothic style by a French woman, one Sophie Mallet, probably as a wedding gift for a female… (more)

    A delightful, accomplished and idsiosyncratic illuminated manuscript in neo-gothic style by a French woman, one Sophie Mallet, probably as a wedding gift for a female friend or relation: Jeanne or ‘JMN’. The texts include familiar words of advice for a young wife, scriptural and otherwise, while a section titled ‘Vie du monde’ includes personal and original advice addressed to ‘ma Jeanne’. Among the texts are: ‘Qui trouvera une femme forte?...’ (Proverbs 31 [incorrectly given as Ecclesiasticus here], ‘Who can find a virtuous woman? for her price is far above rubies’); ‘Bienheureux les pauvres d’esprit...’ (Matthew 5, Blessed are the poor in spirit, for theirs is the kingdom of heaven); ‘Faites comme les petits enfants qui de l’une des mains se tiennent à leur père’ (St Francis of Assisi, ‘Suffer Little Children to Come Unto Me’), and there are excerpts from the Imitation of Christ and from St Bernard.

    The real pleasure of the manuscript lies in its illumination, expertly done with unusual and quirky details. The borders include numerous recognisable birds, insects and flowers rendered in impressive detail. Colours are applied very skilfully as are metallic highlights, including burnished and liquid gold, often on raised or otherwise textured grounds. Best of all is the colophon or tailpiece, which includes an entwined pair of longtailed dragons looking more like dinosaurs than medieval beasts.

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  • Des Suites de la Contre-Révolution de 1660 en Angleterre. by CONSTANT, Benjamin. CONSTANT, Benjamin. ~ Des Suites de la Contre-Révolution de 1660 en Angleterre. Paris: ‘se vend chez F. Buisson... An VII’ [1799].
    First edition. In this polemical work the Republican, Constant warned the French people of the consequences of a potential restoration of the monarchy in France.… (more)

    First edition. In this polemical work the Republican, Constant warned the French people of the consequences of a potential restoration of the monarchy in France. He considers the undesirable consequences of the British Restoration and cites the histories of Clarendon, Hume, Burnet and Ludlow, often giving footnote excerpts in English. It was published shortly before the events of the 18th Brumaire and in the year Constant was also translating Godwin. The manuscript corrections in this copy appear to be editorial. Cioranescu 20698. Worldcat gives US copies at the University of Connecticut, Harvard, Michigan State, Missouri and American Philosophical Society.

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  • Le Chant des Amazones. by LYDIS, Mariette, illustrator. MONTHERLANT, Henry de. LYDIS, Mariette, illustrator. MONTHERLANT, Henry de. ~ Le Chant des Amazones. Paris: [Aulard and Dorfinant for] Govone, 1931.
    First edition of this collection with the Lydis illustrations. Number 152 of 165 copies. Chant des Amazones is a celebration of female athleticism in verse,… (more)

    First edition of this collection with the Lydis illustrations. Number 152 of 165 copies. Chant des Amazones is a celebration of female athleticism in verse, prose and image, Chant des Amazones is a celebration of female athleticism in verse, prose and image and is dedicated to ‘une jeune fille victorieuse dans la course des 1,000 mètres’. The texts are drawn from Montherlant’s Les Onze devant la porte dorée (1924) which he had written against the background of preparations for the 1924 Paris Olympics. Women’s participation in Olympic athletics was then extremely limited, but the decade after 1924 witnessed its rapid expansion and a general enthusiasm for women’s sport, reflected in this book. Well-known as a writer, Montherlant was an important contact for Lydis throughout her career though his posthumous reputation has revealed him as a serial pederast and dabbler in right-wing politics. His later works were marked by distinct anti-feminism and misogyny. Lydis’ illustrations are fresh and well-meaning, but her evident sexualisation of pubescent girls is troubling to the modern eye. The book was issued in handsome silver, green and turquoise lithographed wrappers.

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  • Les Litanies de la Vierge. 48 lithographies enluminées... by GODOY, Armand. Mariette LYDIS, illustrator. GODOY, Armand. Mariette LYDIS, illustrator. ~ Les Litanies de la Vierge. 48 lithographies enluminées... Paris: [printed by Audin in Lyon and Dorfinant in Paris for] A. Blaizot et fils, 1934.
    One of a total edition of 131 copies, this one of the 115 on papier de Rives). The illustrations, many in the style of illuminated… (more)

    One of a total edition of 131 copies, this one of the 115 on papier de Rives). The illustrations, many in the style of illuminated miniatures or icons are transformed through brilliant pochoir colouring executed in the workshop of master colourist Jean Saude, reproducing the artist’s signature on each.

    These verse litanies, after the traditional catholic Marian litany, are entirely the creation of Armand Godoy and were first published (unillustrated) in 1930. Symbolist poet Godoy was born in Havana in 1880 and spent the first part of his life in Cuba and Peru, working in banking and the tobacco trade, before emigrating to France in 1919 with the express intention of becoming a poet ‘dans la langue de Baudelaire’. Much influenced by the Parnassians and the symbolists he was also a major collector of books, manuscripts and prints, amassing an unrivalled collection of Baudelaireiana. Among his numerous small-scale published works in French is his translation of Poe’s RavenLe Corbeau d’Edgar Poe (Émile-Paul frères, 1929, with a frontispiece by Lydis. Worldcat lists copies at Princeton and Bridwell only outside continental Europe.

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  • Les deux bonne soeurs [illustration for Les Fleurs du Mal]. by LYDIS, Mariette, illustrator. Charles BAUDELAIRE. LYDIS, Mariette, illustrator. Charles BAUDELAIRE. ~ Les deux bonne soeurs [illustration for Les Fleurs du Mal]. [Paris, 1928].
    One of 125 copies only of this original print from Dix Eaux-fortes pour illustrer Les Fleurs du Mal, Paris, 1928. (more)

    One of 125 copies only of this original print from Dix Eaux-fortes pour illustrer Les Fleurs du Mal, Paris, 1928.

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  • Femmes damnées [illustration for Les Fleurs du Mal]. by LYDIS, Mariette, illustrator. Charles BAUDELAIRE. LYDIS, Mariette, illustrator. Charles BAUDELAIRE. ~ Femmes damnées [illustration for Les Fleurs du Mal]. [Paris, 1928].
    One of 125 copies only of this original print from Dix Eaux-fortes pour illustrer Les Fleurs du Mal, Paris, 1928. (more)

    One of 125 copies only of this original print from Dix Eaux-fortes pour illustrer Les Fleurs du Mal, Paris, 1928.

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  • Lesbos [illustration for Les Fleurs du Mal]. by LYDIS, Mariette, illustrator. Charles BAUDELAIRE. LYDIS, Mariette, illustrator. Charles BAUDELAIRE. ~ Lesbos [illustration for Les Fleurs du Mal]. [Paris, 1928].
    One of 125 copies only of this original print from Dix Eaux-fortes pour illustrer Les Fleurs du Mal, Paris, 1928. (more)

    One of 125 copies only of this original print from Dix Eaux-fortes pour illustrer Les Fleurs du Mal, Paris, 1928.

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  • À une mendiante rousse [illustration for Les Fleurs du Mal]. by LYDIS, Mariette, illustrator. Charles BAUDELAIRE. LYDIS, Mariette, illustrator. Charles BAUDELAIRE. ~ À une mendiante rousse [illustration for Les Fleurs du Mal]. [Paris, 1928].
    One of 125 copies only of this original print from Dix Eaux-fortes pour illustrer Les Fleurs du Mal, Paris, 1928. (more)

    One of 125 copies only of this original print from Dix Eaux-fortes pour illustrer Les Fleurs du Mal, Paris, 1928.

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  • À une Malabaraise [illustration for Les Fleurs du Mal]. by LYDIS, Mariette, illustrator. Charles BAUDELAIRE. LYDIS, Mariette, illustrator. Charles BAUDELAIRE. ~ À une Malabaraise [illustration for Les Fleurs du Mal]. [Paris, 1928].
    One of 125 copies only of this original print from Dix Eaux-fortes pour illustrer Les Fleurs du Mal, Paris, 1928. (more)

    One of 125 copies only of this original print from Dix Eaux-fortes pour illustrer Les Fleurs du Mal, Paris, 1928.

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  • Horreur sympathique [illustration for Les Fleurs du Mal]. by LYDIS, Mariette, illustrator. Charles BAUDELAIRE. LYDIS, Mariette, illustrator. Charles BAUDELAIRE. ~ Horreur sympathique [illustration for Les Fleurs du Mal]. [Paris, 1928].
    One of 125 copies only of this original print from Dix Eaux-fortes pour illustrer Les Fleurs du Mal, Paris, 1928. (more)

    One of 125 copies only of this original print from Dix Eaux-fortes pour illustrer Les Fleurs du Mal, Paris, 1928.

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  • Chanson d’après midi [illustration for Les Fleurs du Mal]. by LYDIS, Mariette, illustrator. Charles BAUDELAIRE. LYDIS, Mariette, illustrator. Charles BAUDELAIRE. ~ Chanson d’après midi [illustration for Les Fleurs du Mal]. [Paris, 1928].
    One of 125 copies only of this original print from Dix Eaux-fortes pour illustrer Les Fleurs du Mal, Paris, 1928. (more)

    One of 125 copies only of this original print from Dix Eaux-fortes pour illustrer Les Fleurs du Mal, Paris, 1928.

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  • À une Madone [illustration for Les Fleurs du Mal]. by LYDIS, Mariette, illustrator. Charles BAUDELAIRE. LYDIS, Mariette, illustrator. Charles BAUDELAIRE. ~ À une Madone [illustration for Les Fleurs du Mal]. [Paris, 1928].
    One of 125 copies only of this original print from Dix Eaux-fortes pour illustrer Les Fleurs du Mal, Paris, 1928. (more)

    One of 125 copies only of this original print from Dix Eaux-fortes pour illustrer Les Fleurs du Mal, Paris, 1928.

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  • Le Chat [illustration for Les Fleurs du Mal]. by LYDIS, Mariette, illustrator. Charles BAUDELAIRE. LYDIS, Mariette, illustrator. Charles BAUDELAIRE. ~ Le Chat [illustration for Les Fleurs du Mal]. [Paris, 1928].
    One of 125 copies only of this original print from Dix Eaux-fortes pour illustrer Les Fleurs du Mal, Paris, 1928. (more)

    One of 125 copies only of this original print from Dix Eaux-fortes pour illustrer Les Fleurs du Mal, Paris, 1928.

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