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First edition in French of the Italianate gothic novel Angelo Guicciardini, or, The Bandit of the Alps: a Romance (London, Colburn 1809). Rare. Sophia Francis’ other novels include: Constance de Lindensdorf, Vivonia and The Nun of Misericordia. They were all popular circulating and subscription library titles. No British copies in Jisc/Library Hub (formerly COPAC), Worldcat: University of Virginia only in US. cf. The Novel in English: a bibliographical Addition to Andrew Block’s The English Novel, 263, a.

A Napeoleonic-era manuscript course in classical and modern French history made for a woman or girl, Caroline Hémart. Probably prepared by a tutor, the texts are enthusiastically neo-classical in tone: the opening ‘Élements de chronologie’ serve as a grounding in ancient history (with definitions of terms such as ‘Olympiade’) of Europe and the near East, based on the text of Napoleonic scholar, Luc de Lancival. The manuscript concludes with 27 stanzas of a heroic poem, ‘Ode à Clio’ by M. Le Comte François de Neufchateau (published c. 1807), which is, again, a glorious version of history seen through still-rosy Napoleonic lenses.

An unusual New Years’ gift from an unnamed compiler ‘for my dearly beloved Isabella Sophia Ochando de la Vanda. January one, 1830’; a manuscript compilation of patriotic verse and pious texts by hymnodist Edmeston, Shepherd, Southey (’The Victory’), Millman, Bowring, Burden, Emmerson, and Carlyle’s ‘Hymn before public worship translated from the Arabic’. Most of the texts are in English but a couple, by the Mechitarian cleric Nerses Clajense, are in Spanish and French respectively.

The two fine watercolours show HMS Victory in battle and a fallen arab horseman.

Gay describes this Le Passe partout as a “recueil de pièces satiriques, dirigées pour la plupart contre la clergé”, with the Jesuites du College de Louis le Grand and Louis XIV's great general, the Maréchal de Villars singled out for special attention. The anonymous author satirically describes himself as “Chevalier de l’Ordre de l’Industrie & de la Gibeciere” (‘chevalier d'industrie’ means swindler in French and ‘gibecièr’ is a gamebag or satchel), but his real identity remains a mystery. This is the second edition. A more common issue with the imprint 'la présente année' is considered variously to have been printed from 1700 to 1708. The BL catalogue suggests Holland as the place of publication for our edition. No source hazards a guess at the author.

First published in 1674, this edition of Traité de la jalousie contains a fine and detailed allegorical frontispiece juxtaposing a family with an image of adultery and an emblem of heart in a vice or press. De Courtin’s work purports to be an early self-help manual which offers practical advice on dealing with jealousy in marriage, which, as the advertisement proclaims: ‘De toutes les maladies de l’esprit, La Jalousie est assurément la plus dangereuse, & la plus difficile à guerir’. It is, in effect, a profoundly misogynistic work insisting on the subordiation of the woman, just as certain members of society must necessarily be subject to the state. Despite being described by Gay as an ‘ouvrage ennuyeux et mal ecrit’, the frequency with which the title was reprinted after its first publication in 1674 is testament to its contemporary popularity. It appeared in English as A Treatise of Jealousie, or, a Means to preserve Peace in Marriage in 1684�

The final work Octavie ou l'Epouse fidelle was first published in 1683; this imprint is not dated, but other undated copies are suggested to have been published c.1700. Passe Partout: Gay, III, 659; Courton: Gay, III, 236; Chavigny: not found in Gay.

An interesting selection of watercolours, drawings and lithographs by a Victorian woman. Some are typical, if very accomplished, holiday or genre scenes, but there is an interesting scattering of domestic scenes: a women sewing, another at a substantial treadle sewing machine, making mincemeat, crocheting, picking peas, and drawing in an album. Of special interest are 5 original and probably unique lithographs, evidently the work of the same artist, nicely demonstrating the contemporary enthusiasm for amateur lithography among women. Some are trials for letterheads, giving the address: ‘The Rookery, George Lane, Parish of Woodford’ [Essex]. Among the travel watercolours are some really lovely seaside scenes and a finely observed interior of a railway sleeping compartment on the Geneva-Paris line.

Probable first edition in French of Sheridan’s best novel, dedicated to Richardson (1761). Two French translations appeared in 1762, Robinet’s, and another by the Abbé Prévost entitled Mémoires pour servir à l'histoire de la vertu. Rochedieu lists only Robinet’s which is probably the first. Rochedieu p. 299.

First edition in French of Life and Adventures of Joe Thompson (1750), a very popular ‘ramble’ narrative capitalising on the contemporary appetite for books of genuine voyages. Joe Thompson traverses the globe, and portions of the novel are set in America, where the author had travelled between 1742 and 1744. Of Kimber, the old DNB provides this comment: ‘Novelist and compiler, born in 1719, was son of Isaac Kimber... He gained a scanty subsistence by compiling for booksellers, and died, worn out with such drudgery, in 1769.’ Rochedieu, 177.

One of several early French editions of James’ Letters of Charlotte (1786) a novel giving Werther’s Charlotte a voice of her own. The first French edition appeared the previous year, and another (besides ours) appeared also in 1787. All are rare: Rochedieu lists neither the 1786 French edition or ours. cf. Rochedieu, 168 (1787, ‘Londres’ Paris: Royez, 18mo).

First edition in French of Dunallan; or, Know what you judge (1825); the last published (but first written) work of this once much-read Presbyterian Scottish novelist (1782-1825). ‘Grace Kennedy's novels (at least eight) were all published anonymously and rapidly in the early 1820s, and met with considerable success, being reissued late into the nineteenth century...’ (Oxford DNB). Worldcat: NLS, Queen’s Public Library (NY) and Penn only outside continental Europe.

Four rare perfume labels, colour printed ‘à la poupée’ with floral designs: Extrait de Rose et de Pois de senteur, Extrait de Jonquille, Extrait d’Oranges de Portugal, Extrait suave. The largest (Extrait de Rose includes a space below for a text or legend, uninked or cancelled in this example, but with traces of the engraved text visible. A charming and rare example of this colour printing technique in which each impression contains all the colours at once, with inks carefully applied to the plate with a cushion-headed tool (the ‘poupée’ or doll). The technique is immediately recognisable from the gentle gradations between the various colours of the resulting imprint.

A complete autograph manuscript of one of De Kock’s acutely observed novels of gritty Parisian life. In Le Tourlourou (1837) Marie, a young barmaid, is the object of a strange case of mistaken identity when a letter arrives from a countess seeking ‘l’objet de mes plus chères affections’. Marie assumes the letter refers to her and is thrilled with the possibility of a secret admirer, but when she finds out the Countess is merely asking after an item of lost property, she is distraught and throws herself into the Canal Saint-Martin. She is saved by a young man who has previously tried to gain her affections, and the two are married.
The Oxford Companion to French Literature describes De Kock (1794-1871) as ‘the prolific and immensely popular author of rollicking, risky, or more often frankly coarse, frequently sentimental and fundamentally good-natured novels.’ Certainly prolific, De Kock published over 100 novels, which attained celebrity in translation, especially in American and British editions (of which it has been wryly noted that the prose was much improved by translation). This manuscript certainly gives the impression of rollicking speed in composition — this is not a fair copy, and while there are many deletions and emendations, these seem not to have detained the author for long.

First published in 1747; Madame de Graffigny’s epistolary novel was a best-seller in numerous early editions. This illustrated version, with the addition of the suite entitled Lettres d’Aza (first published 1748), by Ignace Hugary de Lamache-Courmont, bears an approbation dated 14 September 1759 but was first published in 1752. cf. Cohen-De Ricci 447 (1752 edition).

Second edition (printed in the same year as the first) of her historical novel on the reign of Louis XIII, who she revered for his piety and whose reputation she sought to rehabilitate in France. Cioranescu 30670.

First printed in 1678, with numerous reprints, a milestone in the history of European fiction, generally considered the first historical novel and the first psychological novel. Eschewing the fantastic rhetoric of other seventeenth-century authors such as Madeleine de Scudéry, and the excesses of heroic romance, La Fayette preferred to explore the realities of human emotion when exposed to love and jealousy and told a remarkably modern story of a virtuous young wife who suppressed her passion for a nobleman in the name of honour and duty. In so doing, La Fayette launched the ‘novel of character’ as a genre, in which the character of the protagonists is more important than the events of the plot. Set in the previous century during the reign of Henri II and with carefully researched historical detail, the novel nevertheless pursues themes of individuality and public expectation absolutely contemporary to its author’s times. After La Fayette, writers of French novels continued to be preoccupied with the realistic analysis of love, but none of their productions can compare with Princesse de Clèves until perhaps Laclos’ Les Liaisons Dangereuses (1782).

First edition of Genlis’ historical novel, full of overt analogies to the upheavals of the Revolution, written during Genlis’ exile and offered as a sequel to Les Veillées du Château. It appeared in English in a translation by James Beresford as The Knights of the Swan in 1796 (printed for J. Johnson). A measure of its remarkable currency in the literature of the following century is provided by its cameo appearance in Tolstoy’s War and Peace. On an occasion when Prince Andrew visited General Kutuzof, ‘He found him reclining in an armchair, still in the same unbuttoned overcoat. He had in his hand a French book which he closed as Prince Andrew entered, marking the place with a knife. Prince Andrew saw by the cover that it was Les Chevaliers du Cygne by Madame de Genlis’ (X, chapter 16). Cioranescu, 30617; Martin, Mylne & Frautschi, Bibliographie du genre romanesque français, 1751-1800, 95.20.

First edition. An educational epistolary novel about the life of young emigrés during the French Revolution — written the with first-hand experience of exile: Madame Genlis having lived a peripatetic life outside France since 1791. Dedicated to her grandchildren and aimed both at children and older readers, the novel opens with epigrams from Irish-born actor-playwright Arthur Murphy (‘There are three things highly pernicious to the endearments of beauty...... gaming, scandal and politics’.) and Voltaire (‘C’est être un monstre, que de ne pas aimer ceux qui ont cultivé notre ame’). A ‘Hambourg’ edition appeared in the same year, and the book was published in English as The Young Exiles, or, Correspondence of some juvenile Emigrants the following year. Cioranescu, 30621; Martin, Mylne & Frautschi, Bibliographie du genre romanesque français, 1751-1800, 98.44. Worldcat: University of Southern Mississippi

First edition, dedicated to Pauline Brady, an admirer of Madame Genlis who had withdrawn to her estate outside Orléans to devote herself to the education of her children according to the author’s methods. cf. Cioranescu, 30660 (edition of 1808, in 12mo).

Sole edition, privately printed, of this collection of a group of letters between the famous beauty and literary patron and the Gordon family accountant. Despite Jane Gordon’s early success in society at Edinburgh and London (she was an important early patron of Burns), her estrangement from her husband 1805 brought financial distress. Forced to live in hotel rooms in London she was in constant dispute with her husband over money. These rather pitiful letters, berating her husband for his excesses and pleading for money, were published here for the first time, prefixed by an attractive photographic reproduction of the portrait of the Duchess by Reynolds. OCLC: no US copies.

One of 100 copies, this example one of 65 on Whatman paper, of Uzanne’s influential edition of de Sade’s most important and enduring critical essay. It had first appeared as a preface to Les crimes de l’amour (1799) and sought to trace the origins and development of the modern or psychological novel from classical literature to the eighteenth-century works of Rousseau, Voltaire, De Graffigny, Marivaux and Crébillon fils and in de Sade’s own Aline et Valcourt. De Sade identifies Richardson and Fielding as the masters of the genre (‘C’est Richardson, c’est Fielding qui nous ont appris que l’étude profonde du coeur de l’homme, véritable dédale de la nature, peut seul inspirer le romancier...’) and he prefers Lewis to Radcliffe among gothic novelists. He also denies his authorship of Justine, attributed to him by contemporaries, writing ‘jamais je n’ai fait de tels ouvrages, et je n’en ferai sûrement jamais.’

Uzanne adds a bio-bibliographical preface, the latter portion providing a checklist of de Sade’s works and a critical overview of nineteenth-century studies.

An almanac for the year 1820. Engraved throughout with text and images. A delightful miniature almanac, which is preceded by several popular songs (‘Aux Dames’, ‘le Portraits’, ‘le Banquet’, ‘la Barque à Caron’ etc.) Though without imprint, this is characteristic of the popular miniature books produced by Marcilly. Not in Worldcat (which locates only an 1821 issue, described as in ‘128mo’). It is probable that it was issued in these two years only. Grand-Carteret 1908 (citing a copy in the collection of Georges Salomons).