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  • The Brook.Tennyson’s Brook, illustrated... with photographic Views taken at Saltburn-by-the-Sea, Yorkshire. by (TENNYSON). BROWN, Arthur, photographer. (TENNYSON). BROWN, Arthur, photographer. ~ The Brook.Tennyson’s Brook, illustrated... with photographic Views taken at Saltburn-by-the-Sea, Yorkshire. [Newcastle upon Tyne: Arthur Brown, 1879].
    First edition. The inserted text records the acceptance of Brown’s photographs by both Tennyson himself (’a most pleasant illustration of my Poem’) and Queen Victoria,… (more)

    First edition. The inserted text records the acceptance of Brown’s photographs by both Tennyson himself (’a most pleasant illustration of my Poem’) and Queen Victoria, while the advert leaf reproduces and article from the Newcastle Daily Chronicle, December 16th, 1879 describing their publication as ‘a work which ought to take the lead amongst books designed for Christmas Presents’. Gernsheim, Incunabula of British Photographic Literature, 241.

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  • English Sea Side Cottages photographed by Albert Levy at Hastings, Margate, Birchington, etc. by LÉVY, Albert. LÉVY, Albert. ~ English Sea Side Cottages photographed by Albert Levy at Hastings, Margate, Birchington, etc. [Paris], 1902.
    A superb survey of turn-of-the century British domestic architecture by an important French photographer who used cyanotype to notable effect. These examples of seaside ‘cottages’… (more)

    A superb survey of turn-of-the century British domestic architecture by an important French photographer who used cyanotype to notable effect. These examples of seaside ‘cottages’ in East Kent and Sussex depicts an array of then recently constructed high quality houses, a good number of which survive. Broadly within the Arts and Crafts tradition, the houses fuse a variety of older English vernacular styles with modern innovations, notably in the range of moulded and cut bricks and tiles.

    Albert Lévy (1847-1931) was both a pioneering and prolific architectural photographer, unusual for his time in working on both sides of the Atlantic, with studios in Paris and New York. Characteristically, his collections were issued as cyanotypes printed directly from the original glass negatives. His collections included numerous sequences of French, British and American buildings of the Gilded Age, but are now very rare indeed. Jisc locates no UK copies. FirstSearch locates US copies at Columbia, Princeton and Lawrence Technological University only.

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  • Stereoskopischer gerichtsärztlicher Atlas. by LESSER, Adolf. LESSER, Adolf. ~ Stereoskopischer gerichtsärztlicher Atlas. Breslau: Schlesische Verlags-Anstalt v. S. Schottlaender, 1903-5.
    First edition of a pioneering work in the field of forensic medicine, the graphic images depict numerous conditions resulting from homicidal and suicidal injuries. The… (more)

    First edition of a pioneering work in the field of forensic medicine, the graphic images depict numerous conditions resulting from homicidal and suicidal injuries. The grisly and powerful photographs show skull and bone fractures, the impact of gunshot wounds, burns, injuries caused by stabbings, the effects of hanging and so on. Each set of 50 plates is accompanied by a booklet providing details of each image and the important features from the legal-medico cases from which the photographs have been obtained. Heidtmann, Bibliographie der Photographie: Deutschsprachige Publikationen, 14062. OCLC locates 4 US copies and no UK copies.

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  • [Souvenir album of photographs and photographic postcards compiled by a federation of Bulgarian temperance societies]. by (WINE & TEMPERANCE). (WINE & TEMPERANCE). ~ [Souvenir album of photographs and photographic postcards compiled by a federation of Bulgarian temperance societies]. Popovo (Bulgaria), November 1929.
    Compiled in the town of Popovo in the wine-growing region of North Eastern Bulgaria, this souvenir album was compiled by a federation of three local… (more)

    Compiled in the town of Popovo in the wine-growing region of North Eastern Bulgaria, this souvenir album was compiled by a federation of three local temperance societies and given to one ‘Monsieur Dr. P. Legrain’. Most of the photographic postcards depict society outings, with large groups of men, women and children usually in outdoor settings in all seasons (including what appear to be very harsh winters). Several of the photographs were taken at harvest time, with copious bunches of grapes in evidence. The context of the presentation is not immediately obvious, though may be apparent in the three long inscriptions in Bulgarian accompanied by the purple inkstamps of each of the societies.

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