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First edition of Lydis’s astrological dream dictionary, complete with the moveable volvelle horoscope and striking plates printed in colours and gold. Among the numerous dream motifs interpreted in brief, Lydis chooses the for full-page miniatures: the whore, the angel, flight, locusts, insects (she actually depicts a spider), sea creatures, suicide and the devil. A fragile book, this is among the early works by Austrian born Lydis (1887-1970) who settled in Paris in 1926. She became known for her daring prints celebrating same-sex and bisexual love (notably her 1926 portfolio, Lesbiennes) and she later illustrated numerous deluxe editions of Boccaccio, Louÿs, Baudelaire, Mirbeau and Valéry. Lydis had no formal artistic training (or at least her education is obscure) but her work was no doubt inspired by the freedom of twentieth-century Paris. She escaped the Nazis during the occupation, living briefly with her partner Erica Marx in England, before the couple emigrated to Buenos Aires.

This is a variant among several we have noted among copies of this book. The unnumbered preliminaries include only the title page and an astrological diagram, and not the decorative half-title with text on the verso. It is also without the final leaf giving a Berlin imprint found in other copies. The text on the title verso headed ‘Aus den Geheimkammern...’ is also different to the equivalent text found on the verso of the half-titles (headed ‘Widmung’) in other copies. There is also text to the back of the volvelle plate advertising copies bound in light card, like this one, at 6 marks and copies in ‘Eselshaut vielfarbig’ at 7.50 Marks, together with some further astrological explanations and the Müller imprint.

An attractive Venetian edition by Johannes Tacuinus de Tridino, which, like the first edition of 1499 consists of the first three books on the ‘origin of things’. In this encyclopaedic work, Vergil addresses questions of origins, from the origin of the gods, man and languages to the origin of wine and liqueurs, marriage, magic, medicine, poetry, drama, geography and law. It notably includes an account of the invention of printing, attributing its birth to Peter Schoeffer, rather than Gutenberg.

A Greek edition of the magical oracles of Zoroaster, which includes commentaries of Pletho and Psellus in Latin, together with a separate collection of metrical oracles, both edited by Johannes Opsopaeus (1556-1596, physician and philologist, professor of medicine at Heidelberg, whose principal literary activity related mainly to the Sibylline Oracles and Hippocrates). The two volumes, though separately bound together here, were also issued as the second and third parts of a three-volume collection, the first being of the Sybylline oracles. Both titles bear the fine woodcut Lutetian ship device of the so-called ‘Compagnie de la Grand-Navire’, which in 1599 comprised the printers Abel l’Angelier, Barthélmy Macé, Ambroise Drouart, Michel II and Laurent and Jean Sonnius (Répertoire d’imprimeurs 1265). Their individual devices can be seen on the ship’s pennants. Adams lists each volume both separately and as part of the three volume collection. Brunet V, 370. Caillet 8135. Ebert 21171. Adams O 208-209.

First edition of this translation and with the striking large engraved plates by Lady Diana Beauclerk. The artist was the eldest daughter of Charles Spencer, third duke of Marlborough. ‘Lady Di, as she was familiarly known, grew up at Langley Park, Buckinghamshire... There she enjoyed a happy upbringing, her taste for drawing developing early under the influence of Sir Joshua Reynolds’ (Oxford DNB). Her second marriage to Topham Beauclerk brought her into the orbit of Edward Gibbon, David Garrick, Charles Fox, Edmund Burke, and others. Her work — often in the gothic taste — was admired by Horace Walpole who commissioned seven large panels in black wash illustrating his tragedy, The Mysterious Mother, which he hung in a special hexagonal closet at Strawberry Hill (six of them are now at the Lewis Walpole Library, Farmington, CT). She also produced designs for Josiah Wedgwood.

First edition of this copiously illustrated treatise on chiromancy, physiognomy and astrology, which includes three fine woodcuts by Hans Baldung, former apprentice to Albrecht Dürer. They are: the large title portrait of the author, the final full-page decorative arms and one physiognomical diagram of a man and a woman (p. 5 in the second part) — all three show clear echoes of Dürer’s style. The book was printed for the author, who was an adviser to Cardinal Albert of Brandenburg, Archbishop of Mainz and Magdeburg, the dedicatee (it was to Cardinal Albert that Martin Luther had addressed his 95 Theses in 1517).
Indagine (1467-1537) was a Carthusian prior and humanist theologian who saw no conflict between orthodox faith and the occult sciences. The book was widely read across Europe and frequently reprinted, with a small format octavo edition from Frankfurt in the same year, a vernacular German edition appearing the following year, and an English translation in 1558 (with at least 12 more editions in English before 1700). It was placed on the Index Librorum Prohibitorum in 1559.
Though we have been unable to identify the early owner of this copy, whose monogram appears on each cover, the early inscription is from Rainold, Marquis of Canhilac (Languedoc). Adams I 88; VD16 R 3108; Mende, Hans Baldung Grien, 458-460. Worldcat: Cambridge, Leeds, Folger (portrait mostly lacking), Duke, Princeton (2 copies, one lacking a leaf), Philadelphia College of Physicians, UCLA outside continental Europe.

First edition of Le Normand’s panegyric for Alexander I and her prophecies for the state of Russia following the Emperor’s death in 1825. Marie-Anne Lenormand (1772–1843) was a celebrated (or notorious) clairvoyant, publisher, and self-publicist Famed throughout Europe for her exclusive clientele, she popularised cartomancy and spawned an enormous wave of imitators. At the height of her career she claimed to have advised the likes of Robespierre, Talleyrand, Metternich, the Empress Josephine and Emperor Alexander himself; others argued that the whole thing was a sham, and she was frequently arrested, spending several weeks in prison.

The title verso here gives a list of Le Normand’s other prophesies, both published and forthcoming. Though the half-title verso bears an author’s statement, requiring authorised copies to be signed by her, this copy is unsigned (though genuine).

A very rare satirical print depicting two blood-sucking landlords expelling a bewildered tenant. In the hand of one of the ‘vampires’ a note reads ‘eviction’ [congé], ‘end of lease’ [fin de bail] and ‘increase’ [augmentation] and all the notes scattered on the ground make reference to the real estate business. The caption reads ‘We promise, no reduction’. Paris (like London) was in the throes of a vampire craze in the 1820s, following the publication of Polidori’s The Vampyre in 1819. Charles Nodier’s melodrama Le Vampire was performed in Paris in June 1820, and spawned a host of spinoffs in popular culture and the press.�

The Supernatural Philosopher is a reissue of The History of the Life and Adventures of Mr. Duncan Campbell (1720) with the addition of ‘Verses to Mr. Campbell. On the History of his Life and Adventures’ and ‘A remarkable passage of an apparition. 1665’.
The author evidently lodged for a while in the same London house as the Scots-born soothsayer Duncan Campbell (d. 1730), who was a well-known figure in the city. Deaf and mute, he was probably educated at Glasgow using the finger system devised by John Wallis in the seventeenth century. The History of the Life was persistently attributed until relatively recently to Defoe even though it was reissued here under Bond’s name.

A rare Tudor edition in English of this celebrated treatise on inventions and origins, which includes some of the earliest accounts in English of the invention of printing, theatre, mathematics, medicine, magic, religion, law, government (as well as wine, prostitution and warm baths). First published in Latin in 1499 (Venice) and augmented in 1521, De inventoribus rerum digested a huge mass of classical, biblical and contemporary learning and became a Renaissance bestseller. As many as 30 Latin editions alone appeared before the author’s death in 1555. The English translation, an abridgement by Thomas Langley, did not appear until 1546, by which time the Urbino-born Polydore had been resident in England for several decades. A diplomat, scholar, historian an humanist, Vergil counted Desiderius Erasmus, Thomas More, Cuthbert Tunstall, Thomas Linacre and Baldessare Castiglione among his acquaintances and correspondents.

Printed three times in 1546, the first English editions are remarkably rare. Though ours is dated 25 January 1546 and is listed first by STC, it was perhaps preceded by the edition dated 16 April 1546, given that a new year began on Lady Day (25 March) in old style dating. The work is divided into eight books, from which Langley makes succinct abridgements, of which a selection of chapter headings gives a flavour:

I. 9. ‘The begynnyng of Tragedies, Comedies, Satyres, and newe Comedies; 11. ‘Who founde Musyke’; 12. ‘Who found Musicall instruments’; 14. ‘Astrologie’; 15. ‘Who founde Geometrie, Artihmetike’; 16. ‘Physike’; 17. ‘The inventours of herbes medicinable’; 18. ‘The beginnyng of Magike’; 19. ‘Two kyndes of divination’. II. 1. ‘The originall of lawes’; 2. ‘Who ordeyned the first gouvernaunces’; 6. ‘Who set furth books fyrst, or made a library, Printyng, paper, parchement, arte of memory’ (which includes the observation: ’Truely the com[m]odite of liberaries is right profitable & necessary, but in co[m]parison of the crafte of printyng it is nothyng, both because one ma[n] may printe more in one day, then many men in many years could wryte: And also it preserveth both Greke & Latine auctours fro the dau[n]ger of corruption. It was found in Germany at Mogunce [Mainz] by one J. Guthenbergus a knight, he found moreover the Inke by his devise that printers used...)’

Among other entries we find treatments of: war, Olympiades, plays, metals, coins, painting, ‘wyne, oyle, honye, chese, and strange trees broughte into Italy’, labyrinths, theatres, prostitution and brothels, and Christian and Moslem origins and customs.

Provenance: Sotheby’s, June 14th, 1965, lot 231 (Traylen, £55); Blackwell, Centenary Catalogue, 1979, item 27, £450; private collection. STC 24654. STC lists two other printings of 1546: 24655 (also Grafton, dated 16 April) and 24656 (another issue of the same, portions reset, with both title and colophon dated 16 April). In an article of 1888, John Ferguson suggested that these 16 April editions/issues preceded the 25 January edition (though this was not adopted by the editors of STC); John Ferguson, ‘Bibliographical Notes on the English Translation of Polydore Vergil’s work, De Inventoribus Rerum’, 1888, pp. 17 et seq.

An apparently unrecorded issue of this anonymous anti-freemasonry sermon, probably a piracy of the incendiary pamphlet printed in the same year as Masonry the Way to Hell. The Sermon provoked a response from John Thompson, freemason, entitled Remarks on a sermon lately published; entitled, Masonry the way to hell. Being a defence of that antient and honourable order, against the Jesuitical sophistry and false calumny of the author.
The sermon takes as its text Revelation XVII, 5 ‘And upon her forehead was a name written, Mystery, Babylon the Great, the Mother of Harlots, and Abominations of the Earth’ and gives a detailed consideration of the supposed ceremonies of the masons. Four other editions/issues dated 1768 under the slightly different titles with different paginations, but all four are recorded by ESTC in single copies only.
Not found in ESTC or Worldcat.

First edition. Essays on the Superstitions of the Highlanders found favour among readers with a taste for the poetry of Burns and Scot, as well as among Romantics who looked to the Scottish Highlands for evidence of a society uncorrupted by the vices of modern society. Anne Grant was born in Glasgow, but spent her childhood in America and is best known for her Memoirs of an American Lady (1808).