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A grant of arms to Richard Eaton, rector of Eaton (Norfolk), giving the right to bear the arms of Thomas Browne (formerly Lord of the Manor of Elsing. Signed by Sir Charles George Young, Knight Garter and Joseph Hawker, Clarenceaux. The arms had been granted by Queen Victoria on January 29, 1845.

John Waryng of Toneworth (Tanworth) grants land in Yardley (now a suburb of Birmingham) to Edmund (?)Middchurch and Richard (?)Crake in the presence of several named witnesses. Complete with the remains of a very good personal seal (presumably John Waryng’s) with an ox’s head and text around the circumference.

Extensive antiquarian transcripts from manuscript armorials and visitation documents (mainly sixteenth- and seventeenth-century) in the British Museum. Including Harleian MSS 1174, 1397, 1561, 4756, 7565, 1045, 1301 and Sloane MSS 4972-3. Evidently once part of a larger sequence, the volumes are marked VIII and IX respectively.

A beguiling anonymous illustrated manuscript with painted miniatures on vellum. The text is a poem by French poet of Greek and Franco-Levantine origin, Chénier (1762-94) who perished under the guillotine during the Terror. Praised as a precursor of the Romantics, his work was rediscovered and published during the nineteeth century. His exotic subjects, coupled with his tragic end made him a favourite among devotees of the decadent.

An attractive manuscript, apparently executed by Jermyn Moorsom (d.1951), brother of Raisley Stuart Moorsom (1892–1981, a member of the Bloomsbury set), and comprising two foxhunting poems by the Victorian MP William Bromley-Davenport.

‘Lowesby Hall’—after Tennyson’s Locksley Hall—is, according to the sporting novelist George Whyte-Melville, ‘the best parody in the English language’.

The personal account book of an English provincial bobby posted in Northamptonshire (variously at Northampton, Kettering, Oundle, Paulerspury, Daventry, East Haddon and Naseby) recording every arrest he made in the course of a 32-year career.

After early stints in Northampton and Kettering, Clarke’s experience was based in smaller villages and his notebook is a valuable and grimly fascinating account of English rural life at the opening of the twentieth century. The crimes here records include drunkenness, obscenity, vagrancy, poaching, gambling, begging, petty theft, domestic abuse, animal cruelty, unlicensed use of firearms, bicycle and motoring offences and playing football on the highway. Clarke was an assiduous recorder, itemising every arrest and its outcome, then, at the end of the year making a final reckoning. So, for the year 1911 he sums up, in red ink: ‘24 proceeded against. 15 fined £10,18.0. 5 sent to prison 16 months 21 days. 1 dismissed. 2 warned of reward. I bound over for 12 months’. The hundreds of arrests made over the course of his career is totalled in pencil at the end: ‘32 years service, Cases 523, Fines £359.15.5. Sent to Prison 53 years 6 months 0 weeks 5 days. Pay £5272. 5 [shillings]. 7 1/2 [pence].

One interesting development charted here is, of course, the rise of motor transport and its attendant offences. In the early years Clarke apprehends very few motorists (but rather more cyclists), while towards 1930 the vast majority of his successes (and revenue) involve reckless and speeding drivers from all over England. A few excerpts give a flavour:

‘October 30th [1900] Danile Bailey John Abrahams Edward Smith & Jim Mallard charged with stealing Fruit valued 5/- the property of Jethro Johnson Fine and Costs 7/6 each.’

‘Dec 16th [1900] Frederick Albert Coe, scholar, age 13 Abbey St Daventry Charged with stealing a Dutch Cheese Valued 2/6 the property of Messrs Bayley Brothers & was ordered to receive 6 strokes with Birch’.

‘March 3d [1901] Richard Clarke Cycle Maker Coventry charged with being a wandering Lunatic at Daventry committed to Berrywood Asylum’.

‘19 August [1909] Fred[eric]k Juggings... Commercial Traveller charged with Indecently assaulting Mollie Simpson age 5 yrs at Weston Favell. Fine £2.10.0 costs 6/-’

‘June 17 [1914] Lady Mabel Gore Langton Cosgrove Hall charged with keeping 5 male servants with 3 licences. Cautioned.’

‘Jan 27 [1917] William Lee, Cold Ashby, charge with supplying to [sic] wounded soldiers with whisky. Fined £10.’

A typical Victorian handwriting copybook, devoting a page to each letter of the alphabet, with a single sentence, phrase or word repeated over several lines, the text of varying size. ‘All thy commandments are righteousness’; ‘Be ye angry and sin not’; ‘Fulminate’; ‘Knowledge is Power’, ‘Mathematician’; ‘Obrometer’, ‘Vice is attended with sorrow’; ‘X begins no word in the English language’. The sequence is broken in two places, with 2 pages of elementary mathematical exercises, and the last page is signed ‘William Blundell June 29th 1868 in Sussex’.

An attractive Bohemian daily prayer book, evidently made for a girl, with simple illumination depicting the Virgin and Child, the Crucifixion and St John in the wilderness. The format and decoration are of a type familiar in Southern Germany at this date, but Bohemian examples are less common.

British and German aircraft drawn by an accomplished amateur during the first year of the German occupation of France. The aircraft include a Vickers Wellington, Miles Magister, Westland Lysander, Short Sunderland seaplane, Fairey Battle, Messerschmidt 109 and Heinkel He. 112.

I. 'J.B'. France, c. 1900.

Folio (335 × 210 mm), pp. [98], plus several blank leaves at end. Text in manuscript, full-page illustrations in crayon or pastel. Lightly browned throughout, fragile at edges with minor fraying, all the result of poor quality paper. In original cloth backed notebook. Binding rather worn. A handsome chanson manuscript, anonymous but for the decorative initials 'J.B'. The songs include: 'Le Pigeon blessé', 'Sous les Platanes', 'Carmen', 'Chagrins d'Amour', 'Juanita', 'La Femme est un jouette' and 'Mort pour la France'.

II. Émile LEBLOND. Dijon, c. 1904.

Manuscript, 4to (214 × 170 mm), pp. 1-12, 17-98, 101-102, 105-270, 280-320, several blanks at rear. Evidence of 3 leaves removed, perhaps by the maker. Numerous drawings in ink and crayon, decorative headings. Original cloth notebook. Rather rubbed. An illustrated chansonnier made by a soldier of the First Artillery, stationed at Dijon. This is an especially full example which gives some unusual details as to its making: Leblond occasionally records the number of weeks he has been in service and there is evidence of carbon tracing, demonstrating the use of illustrations from popular journals in making these chansonniers. The songs include: 'Berceuse militaire', 'L'Africaine', 'Chapeai bas devant la Marseillais', 'Vous êtes si jolie', 'Four frou' and 'Ma Ninette'.

III. Yvan LOREAU. Chemillé-sur-Seine, c. 1909.

Manuscript, small 4to (216 × 175 mm), pp. [2], 88, ruled paper. Drawings in ink and crayon. Original limp wrappers. Yvan Loreau writes on his title-page that this manuscript was made 'Sur le tour de France' and begun on 11th December 1909. Songs include: 'Voila la Parisienne', 'Le petit coeur de Ninon', 'Ah! Ma p'tit Lili', 'Le ruban bleu de l'hirondelle' and 'Pas sur la bouche'.

IV. Alexandre MOULLET, 'le gros bâtarde'. Valence, 1913-14.

Manuscript (on squared paper), 4to (222 × 170 mm), pp. [152]. Drawings in ink and crayon, partially unfinished. Some thumbing and fraying, one leaf loose. Original half cloth notebook. An illustrated chansonnier made on the eve of the Great War for one Alexandre Moullet, picturesquely nicknamed 'le gros bâtarde', of the 5eme Régiment d'Artillerie lourde, 8ème batterie, at Valence (Drôme). Songs include: 'Les petites Toulonnaises'; 'Soldat vierge', 'Marins de Marseille', 'Coeur Crise', 'Sur la Riviera' and 'Le dernier Tango'.

V. REDON. Valbonne (Ain), 1921.

Manuscript on paper, small 4to (216 × 170 mm), pp. [117], plus numerous blanks at rear, numerous drawings in pencil, ink and crayon (a couple cut from newspapers or journals, decorative headings. Original half cloth notebook. Songs include: 'Tu voudrais me voir pleurer', 'La vals du pastis', 'Vous rendez tous les hommes fou' and 'Le train fatale'. One verse is subscribed 'Fait a la Valbonne le 12-12-21 une soiré de grand froid'.

A remarkable manuscript account of a French campaign in Bavaria and Bohemia during the first Silesian War, in the form of extracts from (unpublished) letters from an artillery major. It is subtitled: ‘Extrait des lettres ecrittes par Mr. Du Gravier surtout ce qui s’est passé depuis le depart des Trouppes de France pour la Bavière, jusqu’au retour de celles que Mr. Le M[arécha]l de Belisle a ramenée de Prague.’ The campaign was led by the Maréchals de Broglie and de Belle Isle and the detailed extracts cover the march to Prague, its storming by French troops in 26 November 1741, the subsequent siege at the hands of the Austrian army and the escape of some 14,000 French troops from the city in December 1742.

An idiosyncratic personal index of useful and curious facts, mainly geographical, in part forming an index to the Encyclopédie Méthodique (which had been issued in print without an index), a gazetteer to its Atlas, and an index to various other books, such as Valmont de Bomare’s Histoire Naturelle and Lacroix’s Géographie. A homespun affair, the volume is rather haphazardly arranged and presented in homemade boards covered in rather fine contemporary wallpaper. It includes references to regions, cities and landmarks in Europe, Asia, Africa and America (the latter including mentions of Cabot, Columbus and Penn) and several ingenious diagrams of the rivers of France.

The manuscript comprises 95 vignettes of London signs, often dated, including street signs dating from as early as 1623 and inn and shop signs. The key provides their original location.

The fine bookplate by William P. Barrett is of Herbert John Gladstone, 1st Viscount Gladstone, youngest son of the British Prime Minister.

A charming and accomplished series of diminutive watercolours of views in Ireland, including rugged landscapes, seascapes, woodland and buildings. Most are captioned and denote locations in Wicklow and Kerry. The owner has added initials ‘F.P.C. and an address in Hackney to the upper cover, and another inscription ‘Miss Collis’ gives an address in Harlesden.

The naive but elegant watercolours here include ginger, eggplant, hot pepper, strawberry, mulberry, lily, carnation, marigold, vetch, hypericum and orchid.

A complete autograph manuscript of one of De Kock’s acutely observed novels of gritty Parisian life. In Le Tourlourou (1837) Marie, a young barmaid, is the object of a strange case of mistaken identity when a letter arrives from a countess seeking ‘l’objet de mes plus chères affections’. Marie assumes the letter refers to her and is thrilled with the possibility of a secret admirer, but when she finds out the Countess is merely asking after an item of lost property, she is distraught and throws herself into the Canal Saint-Martin. She is saved by a young man who has previously tried to gain her affections, and the two are married.
The Oxford Companion to French Literature describes De Kock (1794-1871) as ‘the prolific and immensely popular author of rollicking, risky, or more often frankly coarse, frequently sentimental and fundamentally good-natured novels.’ Certainly prolific, De Kock published over 100 novels, which attained celebrity in translation, especially in American and British editions (of which it has been wryly noted that the prose was much improved by translation). This manuscript certainly gives the impression of rollicking speed in composition — this is not a fair copy, and while there are many deletions and emendations, these seem not to have detained the author for long.

A handsome Romantic reinterpretation of Vignola’s classic Renaissance manual of perspective, Due regole della prospettiva pratica (1582, with many later editions). Elements of Vignola’s diagrams are adapted for the oblong format of the book and often updated with figures and buildings in contemporary style. Bossi, about who we have been able to discover almost nothing beyond this manuscript, also adds a fine sequence of 4 coloured illustrations depicting furniture designs in the French Empire style by Percier and 17 superb monochrome views and interiors, 13 of which are in a sequence with their own decorative title-page ‘Aggiunta di alcune prospettive ricavae da classici autori.’

An elegantly produced autograph manuscript in gold ink of Mesnage’s satire in hexasyllables denouncing the arrivistes of the Second Republic. It is apparently unpublished. Born in 1821 at Evron (Mayenne), Mesnage claimed direct descent from Racine and published several poetical works, including Les Fleurs d’Avril (Laval, 1854 of which a copy is included here).

This portrait is a naive interpretation of the classic image of Ramon Llull (c. 1232- c. 1315), Catalan mystic and mathematician. It is derived from the engraved portrait which first appeared in the seventeenth century Bibliotheca Chalcographia published by Jacques Boissard and Theodor de Bry in 1664.

A contemporary sketch of the dedicatee of The Lark Ascending, signed by her at the Glastonbury Festival, 1919. Marie Hall (1884-1956) was the outstanding violinist of her generation and it was for her that Vaughan Williams wrote this most popular piece of English music. First written in 1914, performance of The Lark was delayed by Williams’ service in the Great War. He and Hall revised it together in 1920 for a piano and violin performance that year, before she performed it for the first time in a full orchestral version (under Sir Adrian Boult) later that year. Hill played a famous Stradivarius which later took her name.