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First edition. A rare novel for young readers, in the form of a fairy tale set in India, with a full complement of the requisite genies and magical occurrences; a preface by the ‘translator’ explains the origins of the text and tells of its discovery in Delhi in an Arabic manuscript from the library of the Grand Mogul. Saurin (1706-1781) was a dramatist and poet with a particular interest in contemporary English writing; he published translations and imitations of Pope, Thomson, Lillo, etc. He was very friendly with Helvétius, who secured him a pension which enabled him to abandon law and dedicate himself to writing.

The novel appeared in English as Mirza and Fatima in the same year. Cioranescu 59517; Gay III, 240; Dufrenoy, L’Orient Romanesque en France 1704-1789, 181.

First edition of this play, copy on large and thick paper. Marescalchi was born in Bologna, then in the Papal States, on 26 February 1754, into a noble family, he became a hereditary member of the Senate of that town. He later supported Napoleon in Italy and prospered under his patronage.

Smith’s popular historical romance set at Glastonbury in the time of Henry VIII and the Reformation. This edition was printed for Galignani’s popular foreign language bookshop in Paris in the year following the first English edition. It was also published in French in 1827. Though printed in Paris, this copy seems to have soon found a German home: the handsome contemporary binding uses German marbled paper and beneath the pastedowns are visible sheets of printer’s waste bearing bold black-letter text. COPAC gives BL only for this edition.

Quinto Sectani was the pseudonym used by Sienese born poet and papal official Lodovico Sergardi. His fourteen Latin satires mocked contemporary Roman society and, more particularly, the poet and jurist Giovanni Vincenzo Gravina. In 1690 Gravina was instrumental in creating the Accademia degli Arcadi, founded with the intention of reforming Italian poetry. Gravina’s writing was steeped in influences from the classical past, resulting from his researches into Roman law and history, which was an attitude quite in tune with his fellow Arcadians early attempts to return to classical perfection in poetry. The Academy, however, soon found itself reverting to fashionable baroque style, a tendency deplored by Gravina, who tried to suppress any such decadent backsliding. He alienated many of his former friends and colleagues and was the butt of frequent satires.

Despite the claim of the title page (‘nunc primum in lucem editae’) the Satyrae first appeated at Rome, with the same false imprint, in 1696 There seem to have been several early pirated editions, as might be expected for a scurrilous work, which accused Gravina of both pedantry and paedophilia (Susan Dixon, Between the real and the ideal: the Accademia degli Arcadi and its garden in eighteenth-century Rome, 2006). Worldcat lists a single copy of this edition (Wake Forest University, NC).

One of 330 numbered copies. An eccentric poem about the nine lives of a cat, written and illustrated by the radical liberal wood-engraver and poet William James Linton, an Englishman who later emigrated to the United States. Linton invents a nostalgic biography of the fictional young author, "a young lady of colour", whose humbled origins as the uneducated daughter of field-hands are left behind as her literary genius emerges, before her untimely and premature death. COPAC lists just one copy of this edition, at V&A Libraries. 35 numbered copies printed on Japanese vellum and an unlimited edition were also published by Lawrence and Bullen in the same year; COPAC records an edition printed at the Appledore U.S. Press, Hamden, Connecticut, 188-? (the press owned and run by Linton).

First editions. A dramatic adaptation of Fielding’s Tom Jones for the French stage by Choudard-Desforges, with its sequel. The plays were written for performance by the Comédie-Italienne, of which the playwright Desforges had been a member. Cioranescu 23412; 23418.

A comic picaresque novel and an anti-Jesuit satire recounting the life and adventures of Rozelli in a series of fanciful catastrophes and disasters, in the course of which he becomes a Catholic clergyman and then converts to Judaism. The title was first published in 1708 and went on to be republished a number of times during the eighteenth century, with translations into English, German and Dutch. The illustrations appeared first in an edition of 1729.

First edition of D’Urfey’s anonymously published satire on William Sherlock, lampooning his notorious abandonment of nonjuror principles and satirising the reputed influence of his much-reviled wife. A Church of England clergyman and religious controversialist, Sherlock had allied himself with the nonjurors in 1689 by conspicuously refusing to take the oath to the newly crowned William and Mary. Onlookers were stunned Sherlock subsequently performed a complete about-face and very publicly prayed for the King and Queen as de facto sovereigns in 1690, a move which inevitably provoked much scorn from all sides.

D’Urfey himself was a popular comic playwright whose career had flourished under the patronage of Charles II. Briefly left in the political wilderness during the more sober reign of James II, the coronation of William III in 1689 offered new opportunities which D’Urfey was quick to exploit. Having pledged himself to the whigs, he wrote birthday songs and odes for the king and queen and further curried favour by producing a series of anonymous poems in which he satirised those opposed to the new regime. Wing D2790B

A scarce early edition. Three editions had previously been published, the first in 1709, and this popular title went on to be republished numerous times during the eighteenth century. The translators are identified in the text as John Dryden, Nahum Tate and William Congreve. 'The history of love' is by Charles Hopkins and 'The court of love' is a metrical paraphrase by Arthur Maynwaring. ESTC gives 7 locations: BL (2 copies), John Rylands, Manchester (2 copies). McMaster University and Universities of Illinois and Waterloo.

First edition of this Jesuit missionary Hindustani-Portuguese grammar.

First edition of this anonymous translation of the third century Greek romance Aethiopica, a work highly prized in seventeenth- and eighteenth-century Europe as perhaps the earliest prose adventure. It was admired and imitated by European authors such as Racine, Mme de Scudéry, Marin le Roy de Gomberville, Cervantes, and Aphra Behn and exercised a profound influence on the development of the European novel. This translation is sometimes ascribed to Louis-François de Fontenu. Cioranescu 29097; Quérard, La France littéraire IV, 57; Cohen/de Ricci 478; Lewine 236; Gay I, 160; Hoefer XXIII, 822.

A rare early edition of the French translation of The History of Charlotte Summers; the author’s imitation of Henry Fielding’s Tom Jones (1749) and translated by Fielding’s own French translator. L’Orpheline angloise had first appeared the previous year also with a (false) Londres imprint. Rochedieu p. 109.

First edition. Considered to be the best play the author wrote in the traditional medium, a landmark in the history of the Italian theatre. The author was later the first Italian playwright to be awarded the Nobel Prize for Literature.

A rare and celebrated courtly collection of amatory letters and verses. Le Pays’ post as a government official at Grenoble apparently left him ample leisure for literary composition, and this, his best-known work was much admired by the duchesse de Nemours, who became his patron. Le Pays seems to have found special favour among female readers, though the author of many of the letters here portrays himself rather as a high-class sex tourist --a curious letter from London extols the splendour of English women’s breasts and their visibility.

It was reprinted numerous times (several editions appeared in the same year). The first edition (also 1664) bears a Grenoble imprint, Gay denotes ours, with the Paris Sercy imprint, the second. Despite the number of early editions, legitimate or pirated, printed in the same year all appear rare outside France. Gay I, 99.