- Keywords = latin
INDAGINE, Johannes ab. [or Johannes ROSENBACH].
Introductiones apotelesmaticae elegantes, in chyromantiam, physiognomiam, astrologiam naturalem, complexiones hominum, naturas planetarum, cum periaxiomatibus de faciebus signorum, & canonibus de aegritudinibus, nusquam ferè simili tractata compendio.
[Strasbourg: Johannes Scott for the author],
First edition of this copiously illustrated treatise on chiromancy, physiognomy and astrology, which includes three fine woodcuts by Hans Baldung, former apprentice to Albrecht Dürer.… (more)
First edition of this copiously illustrated treatise on chiromancy, physiognomy and astrology, which includes three fine woodcuts by Hans Baldung, former apprentice to Albrecht Dürer. They are: the large title portrait of the author, the final full-page decorative arms and one physiognomical diagram of a man and a woman (p. 5 in the second part) — all three show clear echoes of Dürer’s style. The book was printed for the author, who was an adviser to Cardinal Albert of Brandenburg, Archbishop of Mainz and Magdeburg, the dedicatee (it was to Cardinal Albert that Martin Luther had addressed his 95 Theses in 1517).(see full details)
Indagine (1467-1537) was a Carthusian prior and humanist theologian who saw no conflict between orthodox faith and the occult sciences. The book was widely read across Europe and frequently reprinted, with a small format octavo edition from Frankfurt in the same year, a vernacular German edition appearing the following year, and an English translation in 1558 (with at least 12 more editions in English before 1700). It was placed on the Index Librorum Prohibitorum in 1559.
Though we have been unable to identify the early owner of this copy, whose monogram appears on each cover, the early inscription is from Rainold, Marquis of Canhilac (Languedoc). Adams I 88; VD16 R 3108; Mende, Hans Baldung Grien, 458-460. Worldcat: Cambridge, Leeds, Folger (portrait mostly lacking), Duke, Princeton (2 copies, one lacking a leaf), Philadelphia College of Physicians, UCLA outside continental Europe.More details Price: £9,500.00
CHASSENEUZ, Barthélemy de.
Catalogus gloriae mundi... In quo multa praeclara de praerogatiuis, praeeminentijs, maioritate, praestantijs, & excellentijs, continentur... Opus ad omnes publicas et quotidianas actiones dirigendas, controuersiasq́ue grauissimas dissoluendas, perquàm vtilissimum : in XII. libros diuisum. Nunc denuo accuratissime emendatum, ac nouis figuris elegantissime illustratum: ita vt facilè omnes caeteras editiones antecellere possit.
Frankfurt: Sigmund Feyerabend,
A spectacular renaissance illustrated book, the first edition with the detailed and dramatic double-page etched plates by Jost Amman. First published at Lyon in 1529… (more)
A spectacular renaissance illustrated book, the first edition with the detailed and dramatic double-page etched plates by Jost Amman. First published at Lyon in 1529 with single-page woodcuts (reprinted with the same woodcuts in 1546) there were also Venice editions of 1569, 1571 and 1576 with quarter-page woodcuts.
A vast encyclopaedic work, the Catalogus gloriae mundi sought to set out the hierarchy of creation —animate and inanimate, from the heavens themselves to the governments, laws and sciences of humanity. Its particular value was in setting out orders of precedency and protocol in law and ceremony, which probably accounts for its interest to publisher Sigmund Feyerabend, who enlisted Amman to create large emblematic plates for this edition, derived from the earlier woodcut illustrations. They are:
1. A genealogy with insignia of royal houses (including European houses and those of Persia, Egypt, Israel etc); 2. Adam and Eve in the Garden of Eden; 3. a mandala depicting the ranks of the hierarchy of the heavens; 4. a sitting of the papal court; 5. an imperial council; 6. a regal council; 7. a judicial court; 8. the nobility; 9. the military ranks; 10. The liberal arts and sciences (14 female personifications); 11. the mechanical arts (7 female personifications); 12. a geocentric cosmography. Andresen, A. Jost Amman, 32-43; The New Hollstein: German Engravings, Etchings and Woodcuts 1400-1700, 1998, VI.144. A very scarce book. Worldcat lists non-European copies at Folger, Getty and Huntington libraries only.(see full details)More details Price: £5,000.00
BOS, Lambertus van den.
Florus Anglicus, Sive Rerum Anglicarum Ab ipso exordio, usque ad Caroli primi mortem deductarum Compendium...
Amsterdam: Johannes van Ravesteyn,
Second edition (first, 1651) of this history of England up to the death of Charles I. It was translated into English as Florus Anglicus: or… (more)
Second edition (first, 1651) of this history of England up to the death of Charles I. It was translated into English as Florus Anglicus: or An exact history of England, from the raign of William the Conqueror to the death of Charles the I. By Lambert Wood gent (1656).(see full details)More details Price: £150.00
Novum Testamentum Domini nostri Jesu Christi Vulgate editionis...
Paris & Leyden, Mequignon and Perisse brothers,
More details Price: £200.00
‘SECTANI, Q[uinto]’ [pseudonym of Lodovico SERGARDI].
Satyrae... nunc primum in lucem editae.
‘Apud Trifonem Bibliopolam in foro Palladio’ [?Rome],
Quinto Sectani was the pseudonym used by Sienese born poet and papal official Lodovico Sergardi. His fourteen Latin satires mocked contemporary Roman society and, more… (more)
Quinto Sectani was the pseudonym used by Sienese born poet and papal official Lodovico Sergardi. His fourteen Latin satires mocked contemporary Roman society and, more particularly, the poet and jurist Giovanni Vincenzo Gravina. In 1690 Gravina was instrumental in creating the Accademia degli Arcadi, founded with the intention of reforming Italian poetry. Gravina’s writing was steeped in influences from the classical past, resulting from his researches into Roman law and history, which was an attitude quite in tune with his fellow Arcadians early attempts to return to classical perfection in poetry. The Academy, however, soon found itself reverting to fashionable baroque style, a tendency deplored by Gravina, who tried to suppress any such decadent backsliding. He alienated many of his former friends and colleagues and was the butt of frequent satires.
Despite the claim of the title page (‘nunc primum in lucem editae’) the Satyrae first appeated at Rome, with the same false imprint, in 1696 There seem to have been several early pirated editions, as might be expected for a scurrilous work, which accused Gravina of both pedantry and paedophilia (Susan Dixon, Between the real and the ideal: the Accademia degli Arcadi and its garden in eighteenth-century Rome, 2006). Worldcat lists a single copy of this edition (Wake Forest University, NC).(see full details)More details Price: £200.00
WEBER, Friedrich August.
Opuscula semiologica. I. De signis ex sputo.
Ulm: August Lebrecht Stettin,
First edition. Blake, 483; Waller 10136. (more)
First edition. Blake, 483; Waller 10136.(see full details)More details Price: £375.00