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George Woodward, affectionately dubbed ‘Mustard George’ by his contemporaries, was one of the pioneers of English caricature. Like his drinking-partner Thomas Rowlandson, Woodward absorbed high and low culture omnivorously and paid keen attention to contemporary politics.

A Political Fair is ‘a fantastic survey of the international situation’ in 1807 and is considered one of Woodward’s finest images, the print catalogue of the British Museum devoting two full pages to its complex allegories. At the heart of the fair is a large booth (‘The Best-Booth in the Fair’) representing Great Britain holding aloft on its platform images of Britannia, John Bull, together with an Irishman, Scotsman and Welsh harpist gathered convivially around a punchbowl, while a waiter sweeps into the chamber below with a vast joint of roast beef on his platter. All this was typical of Woodward’s patriotism and was intended to portray the essential unity of the nation amidst the host of clamouring figures in the neighbouring booths representing the other nations. Napoleon, in tricorn and feathers, rebuffs a disgruntled Dutchman complaining about his King with the words ‘I never change Mynheer after the goods are taken out of the Shop’. High up on the right, the American booth displays a placard advertising ‘Much ado about Nothing with the Deserter’, a reference to the friction between Britain and the United States over recent defections from British to American ships and the ban on armed British ships in American ports. The Danish booth on the left advertises ‘The English Fleet and The Devil to Pay’ in reference to the hideous bombardment of Copenhagen by the British fleet in September that year.

Musical and theatrical references abound, with many of the placards punning on the titles of plays and musical performances then showing in London: Much ado about Nothing, All’s well that ends well (Shakespeare), The Padlock (Bickerstaffe), The Deserter (Dibdin), The Double Dealer (on the Russian booth, by Congreve) and The English Fleet (Dibdin again). BM Satires, 10763

An attractive vernacular mass and prayer book, characteristic of German Catholic devotion of this period, with decorative calligraphic headings and vignettes. The title translates loosely as Little Catholic Prayer Book in which the best morning, evening, mass confession [and] communion prayers as well as the best litanies have been put together with other different prayers, written by me....’

An attractive juvenile broadside, illustrating players of 16 different instruments, including guitar, flute harp, keyboard, trumpet, hurdy-gurdy and percussion.

First edition. A rare little collection for animal-lovers, with over 60 anecdotes illustrating the characteristics of dogs (mainly) and cats, with titles such as ‘The faithful poodle’, ‘Siberian sledge-dogs’, ‘The surgeon and the dog’, ‘Strange punishment by a poodle’, ‘Remarkable rescue by a dog’, ‘The hunting dog’, ‘The life and times of a pomeranian’. For cat lovers, there are stories such as ‘The amusing education of a cat’ (from Campe’s Kinderbibliothek) and ‘The prisoner and the cat’. Worldcat locates copies at College of William & Mary (VA) and Staatsbibliothek only.

Second edition (first 1724) of Hoffmann’s “Complete Instruction for a safe, sensible and medically respected practice of medicine”: a very extensive baroque medical compendium.

Friedrich Hoffmann (1660-1742), a German physician, practised and taught medicine, chemistry and physics in Halle from 1693. He studied and wrote on such varied topics as paediatrics, mineral waters and meteorology and introduced many new drugs into medical practice (such as a compound spirit of ether branded “Anodyne” and “Hoffmanns-Tropfen” still today known as a household remedy). Hoffmann was among the first to describe several diseases, including appendicitis and German measles, and to recognize the regulatory role of the nervous system.

The work contains examinations of common ailments such as fever, infections, haemorrhaging, cramps, spasms and convulsions, consideration of the cerebral and nervous system, lymph and glands, female complaints and childhood illnesses. It also includes numerous medicinal recipes and cures. Not in Wellcome (the catalogue lists the first edition only); the NLM online catalogue lists the first edition of 1724 and another of 1743 only.

First German edition of Charnock’s biography of Nelson. First published in English in 1806, the work is notable for Charnock's use of Nelson's original letters and first-hand accounts of his life. The engraved plates appear to have been specifically prepared for this rare German edition, of which there appear to be no institutional copies in the UK or US. No copies located in British Libraries (and none outside continental Europe).

First edition of one of Carus’s pioneering works in the emerging science of psychology. The author’s major contribution was in exploring the psychology of the unconscious and he is considered the precursor of Jung (who acknowleged his debt to Carus) in this field. The author was a prolific figure who wrote on many aspects of psychology, medicine and philosophy. He was an accomplished landscape artist in the Romantic tradition and had studied under Caspar David Friedrich. He was also a friend of Nietzsche, Humboldt and Goethe.

The Vorlesungen über Psychologie is especially notable for its wide frame of reference outside the discipline of medicine. Many of Carus’s examples are drawn from literature, with a special emphasis on the works of Shakespeare: in the course of his argument he refers variously to Hamlet, Macbeth, Henry IV, Romeo and Juliet and Othello. OCLC lists the National Library of Medicine copy only outside Europe.

First edition. Blake, 483; Waller 10136.