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A delightful edition in ‘petit format’ by Valade, who pioneered the format before it was made ubiquitous by his successor Cazin. The Londres and Liège imprints, of course, are false (Le petit format, Paris, 1878). The Contes moraux had first appeared individually in the Mercure, with a collected edition of 1761. The plates in our Valade edition are well-executed reductions of the Gravelot plates found in the first illustrated edition of 1763. Gay I, 709-10.

First edition. A rare novel for young readers, in the form of a fairy tale set in India, with a full complement of the requisite genies and magical occurrences; a preface by the ‘translator’ explains the origins of the text and tells of its discovery in Delhi in an Arabic manuscript from the library of the Grand Mogul. Saurin (1706-1781) was a dramatist and poet with a particular interest in contemporary English writing; he published translations and imitations of Pope, Thomson, Lillo, etc. He was very friendly with Helvétius, who secured him a pension which enabled him to abandon law and dedicate himself to writing.
The novel appeared in English as Mirza and Fatima in the same year. Cioranescu 59517; Gay III, 240; Dufrenoy, L’Orient Romanesque en France 1704-1789, 181.

First edition, rare. A French-language guide to the culture and rules of bull-fighting, published in the Basque city of San Sebastián (long before it was immortalised as the centre of bull fighting by Hemingway). The book is undated, but Worldcat lists other works printed by Aréas in the period 1885-1896. At least four editions followed, all undated.

First published in 1761 and also published in English in 1762. “Politique et social. Réflexions sur l’intolérance, qui est parfois nécessaire (mais dommages causés par l’émigration des protestants); les impôts, qui sont moins lourds que mal répartis; la néfaste célibat des prêtres; la nécessité des lois somptuaires, bien que ‘le luxe qui perd un petit état en enrichit un grand’; le duel, qui peut mener à la destruction de l’espèce humaine; l’exemption d’impôts des pères de famille qui favoriserait la population...” (INED).

Smith’s popular historical romance set at Glastonbury in the time of Henry VIII and the Reformation. This edition was printed for Galignani’s popular foreign language bookshop in Paris in the year following the first English edition. It was also published in French in 1827. Though printed in Paris, this copy seems to have soon found a German home: the handsome contemporary binding uses German marbled paper and beneath the pastedowns are visible sheets of printer’s waste bearing bold black-letter text. COPAC gives BL only for this edition.

First edition of this much-cited work on the history of hair-styling, grooming, beards and wigs. Cioranescu 45793; Colas 1449

First editions. A dramatic adaptation of Fielding’s Tom Jones for the French stage by Choudard-Desforges, with its sequel. The plays were written for performance by the Comédie-Italienne, of which the playwright Desforges had been a member. Cioranescu 23412; 23418.

A comic picaresque novel and an anti-Jesuit satire recounting the life and adventures of Rozelli in a series of fanciful catastrophes and disasters, in the course of which he becomes a Catholic clergyman and then converts to Judaism. The title was first published in 1708 and went on to be republished a number of times during the eighteenth century, with translations into English, German and Dutch. The illustrations appeared first in an edition of 1729.

A finely-illustrated history of France in the sixteenth and early-seventeenth century. The second part (1589-1611) is printed here for the first time; the first part originally having been published in 1621 as Journal des choses memorables advenues durant tout le regne de Henry III (Cioranesco 13602).

The imprint is certainly false, and Brussels is the more likely origin, though the woodcut device on the first title is that of Antoine Vincent of Lyon. The frontispiece is notable and is a violent allegory of this turbulent century, the female personification of France is beset by a crowd of petitioners in the form of vagrants, a monk, nobles and merchants while in the background several brutal excutions are enacted, with the city of Paris and the towers of Notre Dame in the distance. It is the work of Richard van Orley (1663-1732), a Brussels painter and engraver, and engraved by François Harrewijn (1700-1764), also a Brussels engraver, pupil of Romeyn de Hooghe, known primarily for his portraits of historical figures. Harrewijn also supplied the excellent suite of 33 portraits of kings and queens (including Mary Stuart) and leading members of church and state.

First editions. Tiphaigne de la Roche’s L’Amour Dévoilé is a notable attempt to explain love and sexual attraction in mechanistic terms. The author considers the role of ‘la matière Sympathique’, which he believed to be a type of vapour exhaled by both animals and humans, and its action upon the senses of a member of the opposite sex. This rational approach to the subject makes overt reference to Leeuwenhoek who had explained the action of skin pores and appears to prefigure modern research into pheromones.

The author studied medicine at the University of Caen and practised as a physician. L’Amour Dévoilé is his first published work preceding several speculative and utopian novels, notably Giphantie (1760, the title an anagram of his name) in which he anticipated several modern developments including photography and synthetic food.

Pernetti, author of the moral romance Histoire de Favoride was a canon of the cathedral at Lyon and a prominent antiquary of that city. He was also a freemason and wrote a short treatise on that subject. Gay I, 115 (L’Amour Dévoilé).

First edition of this comprehensive study of the sociology of gambling by French writer and self-confessed ex-gambler Jean Dusaulx (1728-1799). Gambling was deeply-rooted in French society, especially in Paris, where all classes (including the court) were obsessed with card games and lotteries. Dusaulx sought to analyse this craze and to point out the moral depravity which it both reflected and encouraged. He includes numerous anecdotes to illustrate the irrationality of the gambler, making De la Passion du Jeu an important account of this aspect of the social history of pre-Revolutionary France.

First edition. While Dionis’s consideration of the tape worm is fascinating enough (with its refutation of the theories of Nicolas Andry de Boisregard) the work is principally interesting for its larger part: Dionis’s edition of Sir Kenelm Digby’s account of the “Powder of Sympathy”, an alchemical preparation purported to cure wounds at a distance. Made from dried green vitriol, this was a variant of the well-known Paracelsian ‘weapon salve’ which cured wounds by being applied, not to the patient, but to the offending weapon. It is a measure of the endurance of belief in this cure that Dionis entered into a contemporary dispute concerning its use and provides a recipe for it. Pp. 65-266 here are occupied by Dionis’s introduction and by Digby’s text, first published in 1658. Wellcome II 471, Blake 121.

First edition of this anonymous translation of the third century Greek romance Aethiopica, a work highly prized in seventeenth- and eighteenth-century Europe as perhaps the earliest prose adventure. It was admired and imitated by European authors such as Racine, Mme de Scudéry, Marin le Roy de Gomberville, Cervantes, and Aphra Behn and exercised a profound influence on the development of the European novel. This translation is sometimes ascribed to Louis-François de Fontenu. Cioranescu 29097; Quérard, La France littéraire IV, 57; Cohen/de Ricci 478; Lewine 236; Gay I, 160; Hoefer XXIII, 822.

A rare early edition of the French translation of The History of Charlotte Summers; the author’s imitation of Henry Fielding’s Tom Jones (1749) and translated by Fielding’s own French translator. L’Orpheline angloise had first appeared the previous year also with a (false) Londres imprint. Rochedieu p. 109.

An attractive polyglot New Testament. Arranged in three columns of miniature type throughout, the French text is the Geneva version, the English text the Authorized version, and the Dutch text the States-General version. The engraved title is followed by the Estates General’s privilege leaf, dated 1683. This copy is from the collection of Quaker mathematician and teacher John Jackson of Warrington (1793-1875) bequeathed to the town of Warrington. British and Foreign Bible Society Library, Historical Catalogue of printed Editions of the Bible, 1450 (Polyglot), 626 (English), 3329 (Dutch), 3768 (French).

First edition in French, bearing an obviously false ‘Londres’ imprint, of History of the Origin of Medicine (London, 1778). Lettsom, the physician and Quaker philanthropist was a prolific author on medical subjects and his name is especially associated with the foundation of the Medical Society of London (as a Quaker, he was excluded from the Royal College of Physicians). Wellcome III, 508; Blake 268; Rochedieu, p. 187.

First edition in French of Baker’s popular Reflections upon Learning (1699), a work designed to display the inadequacies of human knowledge and reason and to emphasise the ultimate need for belief in revelation. It proved controversial (provoking an angry response from geologist and physician John Woodward) and was widely reprinted in England. Bacon and Descartes, the twin pillars of scientific civilisation, raised on either side of the English Channel, are closely considered, though the spirit of scientific enquiry is frequently disparaged. The work of a conservative Anglican antiquary, its reception in France is perhaps surprising. The French translation was reprinted at Amsterdam the following year. Rochedieu, p. 15.

One of numerous foreign-language editions published at this time by the British and Foreign Bible Society.This copy preserves the original British and Foreign Bible Society binding with elaborate panels stamped from a single plate.

A rare and celebrated courtly collection of amatory letters and verses. Le Pays’ post as a government official at Grenoble apparently left him ample leisure for literary composition, and this, his best-known work was much admired by the duchesse de Nemours, who became his patron. Le Pays seems to have found special favour among female readers, though the author of many of the letters here portrays himself rather as a high-class sex tourist --a curious letter from London extols the splendour of English women’s breasts and their visibility.

It was reprinted numerous times (several editions appeared in the same year). The first edition (also 1664) bears a Grenoble imprint, Gay denotes ours, with the Paris Sercy imprint, the second. Despite the number of early editions, legitimate or pirated, printed in the same year all appear rare outside France. Gay I, 99.

Inscribed by the author. Pierret was curator of the Musée Égyptien at the Louvre. His essay on the cults of the sun-god was issued in this 48-page version and in a larger, simultaneous, edition with lithograph hieroglyphic apparatus. Pierret is best-known for his Vocabulaire hiéroglyphique.