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First edition in English of one of the most influential technical painting manuals of the seventeenth and eighteenth centuries: Traité de mignature (also École de la mignature), 1673. First printed by Christophe Ballard in 1673, the publisher’s initials perhaps giving rise to an unproven attribution to one ‘Claude Boutet’, it appeared in over 30 editions in a variety of European languages over the next 200 years, often with additions and alterations by anonymous authors.

The English edition is dedicated to John Montagu, second duke of Montagu (1690–1749) by its anonymous translator. After an exposition of the available colours and materials, the chapters consider in turn: Draperies; Of Carnations [flesh], or the Naked Parts of Painting; Landskips and Flowers; followed by a short treatise on the advantages of miniature painting over other techniques. The section devoted to flowers is extensive, with detailed instructions on the painting of roses, tulips, anemones (’wind-flower’), carnations, lilies, hyacinths, peonies, crocuses, irises, jasmine, tuberoses, hellebores, daffodils, passion-flowers, pinks, pomegranate, indian bean flower and crown imperial, among others. ESTC: BL, Cambridge, Glasgow, Huntington and Clark Library only. OCLC adds Yale and National Art Library (Victoria and Albert Museum).

A very rare spurious edition of these erotic and bawdy poems by Burns and his circle, first published in 1799 (of which edition only 2 copies are known to survive). The title-page is headed ‘Not for maids, ministers or striplings’. The Roy collection of Robert Burns contains several similar reprints to ours (including our issue) each with differing title-pages giving ‘1827’.

‘Shepherds I have got the clap,
Stroking of my Anna;
My time’s filled up, oh sad mishap,
With taking salts and senna.
I for her King’s Place forsook,
Where girls I had past telling;
But now my pipe’s turned to a crook,
My b—, how they’re hanging...’ Roy collection of Robert Burns, p. 141 b.

First edition in English, very scarce, a portion of Sinistrari’s De Delictis et Poenis Tractatus Absolutissimus (1700). The English title here finds an echo the following year with ’The love that dare not speak its name’ in Lord Alfred Douglas’s poem ‘Two Loves’ (1894), later discussed at length in the Wilde trial. Liseux was a pioneering figure in the publication of clandestine literature in English, working from Paris, but evidently supplying an English market. His publications were frequently scholarly texts in the history of sexuality and found their way onto the shelves of bibliophiles and collectors of erotica.

Ludovico Maria Sinistrari (26 February 1622 – 1701) was an Italian Franciscan priest, author, and member of the Inquisition tasked with the investigation of sexuality. Worldcat: Cornell, NYPL, UC Davis, Trinity College Oxford, Bibliothèque nationale.

Other issues of the same year with various paginations. This one very rare.

A charming and accomplished series of diminutive watercolours of views in Ireland, including rugged landscapes, seascapes, woodland and buildings. Most are captioned and denote locations in Wicklow and Kerry. The owner has added initials ‘F.P.C. and an address in Hackney to the upper cover, and another inscription ‘Miss Collis’ gives an address in Harlesden.

A commemorative volume (‘Not for Publication’) issued to accompany the Nepalese Prime Minister’s visit to HMS Dreadnought on exercise in the English Channel. The superb photographs depict: the Dreadnought, a submarine (4 plates), a torpedo boat destroyer (2 plates). The Nepalese deputation witnessed a demonstration of firing and of the deflection of torpedoes with safety nets. Launched in 1906, Dreadnought was a revolutionary battleship which stimulated the Anglo-German arms race and gave its name to an entire class of heavily armoured craft. It was widely publicised as part of British naval propaganda and shown-off to numerous foreign visitors. The Nepalese Prime Minister was the Maharaja Sri Teen Chandra Shamsher Jang Bahadur Rana (1863–1929), one of three nephews who had ordered the assassination of their uncle Maharaja Ranodip Singh Kunwar in the Nepali coup of 1885. Worldcat lists the Texas A&M copy only, and there is another in the Imperial War Museum.

Two provincial handbills, from Bedford and Sleaford, advertising ascents by pioneering balloonist Richard Gypson, who toured Britain and the Europe with his balloon.

First separate edition of the extract from the Mémoires de la Société royale et central d’agriculture. A report on the newly-invented English system of cambered road building pioneered by John Loudon McAdam. It includes a short description of new road-building and paving in London (Saint James, Regent Street and Guildhall). Rare: Worldcat lists the Michigan copy only outside France. No UK copies located by Jisc/Library Hub (formerly COPAC). Not in Kress or Goldmsiths’.

Second edition (first, 1651) of this history of England up to the death of Charles I. It was translated into English as Florus Anglicus: or An exact history of England, from the raign of William the Conqueror to the death of Charles the I. By Lambert Wood gent (1656).

First edition of the official report of Curzon’s administration of Indian home affairs during his period as Viceroy. Curzon’s office was contentious and was concluded following a bitter feud with Kitchener. His belief in traditional sovereignty was frequently at odds with emergent Indian nationalism but many of his achievements have been long lasting, especially in the field of law, education and cultural heritage. Nearly 100 pages of the Home Department report are devoted to his judicial reforms with a further hundred concern policing and penal policies. His work reforming the University system is recounted in detail and there are interesting accounts of the merger between the Calcutta City Library and the Imperial Library to form what became the Indian National Library. Medical, sanitary and plague issues also occupy a full part.

This is one of several official reports on aspects of Curzon’s administration, subtitled: Public Works; Department of Commerce and Industry; Department of Revenue and Agriculture and Railway Board. All are very scarce. COPAC and OCLC between them list copies of the Home Department report at Bodley and Syracuse only.

With Cobbett’s autograph dedication addressed to Pope Pius VIII: ‘To His Holiness Pope Pius the Eighth. The present head of that holy church under the influence of which England enjoyed so many ages of plenty freedom happiness and renown this new edition of the history of the Protestant Reformation is dedicated by and in the handwriting of His Holinesses Most Humble Servant William Cobbett. Kensington [1?]0 May 182.’

A History of the Protestant Reformation describes at great length the means employed by the state to dispossess the English poor, beginning with the crown’s appropriation of church lands during the Reformation. It first appeared in two parts (1824–7) was a bestseller and was several times reprinted, including in this second edition (preceded by at least one stereotyped reprint). Cobbett had enthusiastically espoused the cause of Catholic emancipation; his autograph dedication to the Pope apparently appears in more than one copy.

First editions in French of the two novels Old Mortality and The Black Dwarf (1816) from Scott’s Tales of my Landlord, only the second volume of Scott’s fictional works to appear in France (after Guy Mannering). Pseudonymously issued, both in Britain and France, it was listed under the pseudonym ‘Cleisbotham’ in the Bibliographie de France. This is the first of Auguste-Jean-Baptiste Defauconpret’s translations and marks the beginning of Scott’s celebrity in France: ‘the first considerable success’ (Dargan). It is also one of the most influential of Scott’s works in France. ‘Defauconpret’s Les Puritains d’Ecosse gave Scott his first French success and first major European breakthrough. Although partially obscured by Ivanhoe and Quentin Durward, it remained for many Frenchmen the Scott novel Par excellence. Stendhal is among many to call Scott not ‘the author of Waverly’ but ‘the author of Old Mortality’ Often critical of Scott, Stendhal remained an unswerving admirer of Old Mortality’ (Barnaby). It was also frequently alluded to by Balzac throughout La Comédie Humaine.

On the strength of its immediate success, the publisher, Nicolle (the predecessor of Gosselin) engaged Defauconpret to translate subsequent novels as they appeared. Bearing in mind its tremendous influence on French European literature, the French edition is remarkably rare. WorldCat lists copies at Bn, NLS, Universities of Edinburgh, Leipzig and Princeton. E. Preston Dargan, ‘Scott and the French Romantics’, PMLA, Vol. 49, No. 2 (Jun 1934), 2 & 3 (May 3); Paul Barnaby, ‘Another Tale of Old Mortality: The Translations of Auguste-Jean-Baptiste Defauconpret in the French Reception of Scott.’ in Pittock, ed., The Reception of Sir Walter Scott in Europe, 2006; Garside, Raven and Schöwerling, The English Novel 1770-1829, 1816: 53.

[bound with:] — A plaine and familiar exposition of the eleuenth and twelfth chapters of the Prouerbs of Salomon. London: William Hall, for Thomas Man, 1612, pp. [viii], 191, [1], complete with first leaf, blank except for signature ‘A’ at foot, third edition, STC 6959;

[and:] — A plaine and familiar exposition of the Thirteenth and Fourteenth chapters of the Prouerbs of Salomon. London: R. B[radock]. for Roger Jackson..., 1609, pp.[iv], 1-45, 53, 52-54, 49, 48-49, 48, 55, 153, [3], complete with final blank, second edition, STC 6960;

[and:] — A plaine and familiar exposition of the fifteenth, sixteenth, and seuenteenth chapters of the Prouerbs of Salomon. London: by Felix Kingston for Thomas Man, 1611, pp.[viii], 157, [3], complete with final blank, second edition, STC 6964;

[and:] DOD, John and Ronert CLEAVER. A plaine and familiar exposition: of the eighteenth, nineteenth, and twentieth chapters of the Prouerbs of Salomon... London: [William Stansby and Thomas Creede] for Roger Jackson, 1611, pp.[xii], 170, [2], complete with initial and final blanks; second edition, STC 6966.

Five works bound together, 4to (190 × 138 mm), woodcut ornaments and initials. Some light browning throughout, two small wormholes affecting upper line in final two works, becoming a track towards the end. Contemporary limp vellum, spine lettered in manuscript ‘Dod on Ye Proverbs’, soiled, upper hinge broken. Early inscription ’Mrs Joane Saunders’ to head of first dedication, later bookplate (Willey Park) and inscription ‘Jessie Hope - left to J.A.N. April 1900’.

Dod and Cleaver’s Plaine and familiar expositions were a Puritan publishing phenomenon. They were written while the two preachers were under a ban imposed by the Bishop of Oxford after they refused to subscribe to Whitgift’s Three Articles and were an inspiration to the generation of Puritans in England and America. Each book was separately issued and they appear bound up in a variety of formations, the present collection being typical. They were later collected as A brief Explanation of the whole book... of Salomon (1615).

The dedication to Sir Anthony Cope of Hanwell (patron of Dod’s former living in Oxfordshire) explains the desire to stir up evangelical zeal. ‘We are now more willing to make some worke for the Presse, because we have no imployment in the pulpit. And who knoweth, but that others... may be stirred up hereby, to publish some of their godly meditations; that as their faithful labours were formerly like pure fountaines, which did not only refresh their particular congregations: so now, by meanes of printing, they may be made like great and comfortable rivers, to water the whole Lands.’

George Woodward, affectionately dubbed ‘Mustard George’ by his contemporaries, was one of the pioneers of English caricature. Like his drinking-partner Thomas Rowlandson, Woodward absorbed high and low culture omnivorously and paid keen attention to contemporary politics.

A Political Fair is ‘a fantastic survey of the international situation’ in 1807 and is considered one of Woodward’s finest images, the print catalogue of the British Museum devoting two full pages to its complex allegories. At the heart of the fair is a large booth (‘The Best-Booth in the Fair’) representing Great Britain holding aloft on its platform images of Britannia, John Bull, together with an Irishman, Scotsman and Welsh harpist gathered convivially around a punchbowl, while a waiter sweeps into the chamber below with a vast joint of roast beef on his platter. All this was typical of Woodward’s patriotism and was intended to portray the essential unity of the nation amidst the host of clamouring figures in the neighbouring booths representing the other nations. Napoleon, in tricorn and feathers, rebuffs a disgruntled Dutchman complaining about his King with the words ‘I never change Mynheer after the goods are taken out of the Shop’. High up on the right, the American booth displays a placard advertising ‘Much ado about Nothing with the Deserter’, a reference to the friction between Britain and the United States over recent defections from British to American ships and the ban on armed British ships in American ports. The Danish booth on the left advertises ‘The English Fleet and The Devil to Pay’ in reference to the hideous bombardment of Copenhagen by the British fleet in September that year.

Musical and theatrical references abound, with many of the placards punning on the titles of plays and musical performances then showing in London: Much ado about Nothing, All’s well that ends well (Shakespeare), The Padlock (Bickerstaffe), The Deserter (Dibdin), The Double Dealer (on the Russian booth, by Congreve) and The English Fleet (Dibdin again). BM Satires, 10763

Number 10 of 250 copies. Shakespeare’s metaphysical poem on the theme of idealised and mystical love was first published in the Supplement to Robert Chester’s Love’s Martyr (1601). In it, the phoenix and the turtle dove are joined in eternal love and burn themselves alive.

A leading figure in the Nouvelle École de Paris, Léon Gischia continued to produce and exhibit avant-garde work throughout the German occupation, despite repeated denunciation for degeneracy. He also produced designs for the theatre, notably for the production in French of Eliot’s Murder in the Cathedral at the théâtre du Vieux Colombier in 1945. Bland, History of Book Illustration, 321.

A collection of finely-executed plates illustrating the vogue for neo-Classical dress, with figures and groups placed within appropriate drawing-room and dinner-table settings. Moses was a sought-after engraver who worked for James Barrie, William Opie and Benjamin West, among others. His lightly-draped figures rendered with a sparse line have clear echoes of Flaxman. The collection was also issued under the imprint of at least two other London publishers (M’Lean and Miller).

First edition, privately printed. The limitation notice reads ‘This Edition is issued to Subscribers only and limited to two hundred and fifty copies, numbered and signed by the Author. The price will be doubled after first of March, 1931’. This copy is, however, unsigned and unnumbered. The work forms issue no. 5 of The Lugano Series.

‘From 1920 until 1937 Douglas was settled in Florence... As his fame grew, he became much visited by inter-war writers, and forged close friendships with D. H. Lawrence and Bryher. During these years he lived with the publisher Giuseppe (Pino) Orioli, who helped him publish several limited editions, most of which were later commercially published in London... In 1937 Douglas was forced to flee Florence after the police made enquiries concerning his friendship with a ten-year-old local girl’ (Katherine Mullin in Oxford DNB).

First edition of this contemporary report of the sensational arrest, interrogation and trial of ‘trois Anglais’ (actually an Englishman, an Irishman and a Scotsman) accused of abetting the escape of the Comte de Lavalette on the eve of his execution by the restored Bourbon regime. Lavalette had been one of Napoleon’s inner circle, but had refused exile on the restoration of the monarchy and was sentenced to death. ‘On 10 January 1816 Wilson was instrumental, in conjunction with Michael Bruce and Captain John Hely-Hutchinson (later third earl of Donoughmore), in the escape from Paris of Count Lavallette, who, condemned to death, had escaped from prison by putting on his wife’s clothes. Wilson passed the barriers in a cabriolet with Lavallette disguised as a British officer and conveyed him safely to Mons. He sent a narrative of the adventure to Earl Grey (reprinted in the Gentlemans Magazine in 1816), which was intercepted. He was arrested in Paris on 13 January. The three Englishmen were tried in Paris on 2 April and sentenced on the 24th to three months’ imprisonment’ (R. H. Vetch in Oxford DNB).

James Speirs was a prolific evangelical speaker and publisher, whose printed output suggests he was an important figure in the Victorian Sunday School movement. Sown in the spring-time collects 12 addresses aimed at a juvenile audience by Speirs and others (R.L. Tafel, Alfred J. Johnson, Samuel Teed and Charles A. Faraday) several on a theme of natural metaphor: “About Hares and Tortoises”; “The Horse and its correspondence”, “The Serpent and its correspondence” and “Trees”. COPAC and Worldcat lists editions of 1876, 1877 and 1879. Worldcat lists 2 copies of this edition (Graduate Theological Union Library and Urbana College) but COPAC lists none in the UK

An apparently unrecorded issue of this anonymous anti-freemasonry sermon, probably a piracy of the incendiary pamphlet printed in the same year as Masonry the Way to Hell. The Sermon provoked a response from John Thompson, freemason, entitled Remarks on a sermon lately published; entitled, Masonry the way to hell. Being a defence of that antient and honourable order, against the Jesuitical sophistry and false calumny of the author.
The sermon takes as its text Revelation XVII, 5 ‘And upon her forehead was a name written, Mystery, Babylon the Great, the Mother of Harlots, and Abominations of the Earth’ and gives a detailed consideration of the supposed ceremonies of the masons. Four other editions/issues dated 1768 under the slightly different titles with different paginations, but all four are recorded by ESTC in single copies only.
Not found in ESTC or Worldcat.