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By an otherwise unidentified female artist, this is a rare large-format album of lithographs of the famous catholic Bavarian passion play at Oberammergau. The artist’s name is given only as initials ‘M. C. S. D’ on the plates and wrapper, but this copy bears a contemporary manuscript addition to the initials, which thus reads ‘M. C. S. Dawkins done by Herself’. It is additionally inscribed ‘with love’ to Major M. G. Best.
Performed decennially since 1634, the Oberammergau plays told the story of Christ’s passion, with a large cast drawn from local villages forming immense tableaux vivants with spoken biblical texts in the vernacular. In the nineteenth century it became a major attraction for well-to-do Grand Tourists and drew significant numbers of English visitors (so much so that the pioneering travel agent Thomas Cook established an Oberammergau office in 1880). The passion play was widely reported in contemporary English-language journals, adding to its attraction among English visitors (mainly protestant) who were curious about this ancient catholic theatrical tradition. We have been unable to discover anything substantial about the artist, but its fair to assume she made the journey to Oberammergau herself. WorldCat lists the V&A copy only in the UK. In the US there are copies at the University of Saint Mary of the Lake (IL) and WRHS (OH).

First edition of a gothic drama recounting the trials of an incarcerated nun — a theme with obvious anticlerical and libertarian potential which attracted several French novelists of the Revolutionary era, including Olympe de Gouges (in Le Couvent ou les voeux forcés) and Chénier (in Fénelon ou les religieuses de Cambrai). Julie was Pougens’ only drama and was evidently given salon performances by the actor François-Joseph Talma, and William Godwin read it in 1801 (Diary, 4 July 1801 http://godwindiary.bodleian.ox.ac.uk/diary/). Charles de Pougens (1755–1833) is an interesting figure — the natural son of the Prince de Conti, he was highly educated and began a diplomatic career in Rome 1776, cut short by smallpox which left him blind. He travelled to England and was associated with Cagliostro and the transgender Chevalier D’Eon. Sentenced to death by the French Revolutionary authorities, in 1794, he survived when the execution of Robespierre brought an end to the Reign of Terror. The National Convention awarded him a pension, and in 1795 he opened a business in Paris selling books on commission. He best known for his early speculative lost-race novel Jocko (1824). Gay, II, 749; Cioranescu 51120; Quérard VII, 302. Worldcat: Hagley Library, Harvard, Texas, Toronto and Victoria (BC) in North America.

First edition of this play, copy on large and thick paper. Marescalchi was born in Bologna, then in the Papal States, on 26 February 1754, into a noble family, he became a hereditary member of the Senate of that town. He later supported Napoleon in Italy and prospered under his patronage.

First editions. A dramatic adaptation of Fielding’s Tom Jones for the French stage by Choudard-Desforges, with its sequel. The plays were written for performance by the Comédie-Italienne, of which the playwright Desforges had been a member. Cioranescu 23412; 23418.

First edition. Considered to be the best play the author wrote in the traditional medium, a landmark in the history of the Italian theatre. The author was later the first Italian playwright to be awarded the Nobel Prize for Literature.