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  • Theatru[m] mulierum sive Varietas atq[ue] differentia habituum foeminei sexus diversorum Europae nationum hodierno tempore vulgo in usu... Londini Ao 1643. by HOLLAR, Wenceslaus. Robert SAYER, publisher. HOLLAR, Wenceslaus. Robert SAYER, publisher. ~ Theatru[m] mulierum sive Varietas atq[ue] differentia habituum foeminei sexus diversorum Europae nationum hodierno tempore vulgo in usu... Londini Ao 1643. London: Robert Sayer, [n.d., c 1795].
    Hollar’s small format plates of European women and their costume are dated from 1642-4 and followed his successful series Ornatus muliebris Anglicanus of 1640. The… (more)

    Hollar’s small format plates of European women and their costume are dated from 1642-4 and followed his successful series Ornatus muliebris Anglicanus of 1640. The plates were obtained by eighteenth-century printseller Robert Sayer, who issued them several times (with captions in English added) right up until his death in 1794. His widow may also have continued issuing and selling them into the early nineteenth-century. They are one of the best sources for seventeenth-century lay female dress and include several English subjects (A Noble Woman, a Merchant’s Wife of London, an English Gentlewoman, A Merchant’s Daughter, Lady of the Court, a Countrywoman etc) together with women of France, Ireland, Holland, Germany, Denmark, Belgium and Austria. Three of the plates at the end depict men of religious orders. cf. Colas 1466 (second edition of 1643); Lipperheide 30.

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  • Les 12 Mois - Aquarelles. by (COSTUME). BARENNE. (COSTUME). BARENNE. ~ Les 12 Mois - Aquarelles. [France, n.d. mid-nineteenth century].
    A delightful sequence of floral gowns, one for every month of the year, depicted in accomplished watercolour. The dress for each month includes seasonal flowers… (more)

    A delightful sequence of floral gowns, one for every month of the year, depicted in accomplished watercolour. The dress for each month includes seasonal flowers and fruit. The winter costumes represent ice and fire, with holly and ivy; in spring they are decked in leafy sprigs, buds and flowers; summer sees a predominance of grasses and meadow flowers, while autumn shows moths and grapes. The artist is presumably ‘Barenne’ as lettered on the upper cover, probably an accomplished amateur

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  • Hoedemaekers Rekening Boeck. by (HATMAKERS, Antwerp Guild of.) (HATMAKERS, Antwerp Guild of.) ~ Hoedemaekers Rekening Boeck. [Antwerp, 1707-1776].
    An eighteenth-century account book of the guild of hatmakers in the city of Antwerp, covering nearly 70 years. The Antwerp hatmakers were an important craft… (more)

    An eighteenth-century account book of the guild of hatmakers in the city of Antwerp, covering nearly 70 years. The Antwerp hatmakers were an important craft organization with a well-regulated structure. Their accounts were overseen by aldermen, each serving for several years, who recorded income (usually in the the form of entry fines for new members) and expenditure (usually payment for the guilds officials). One of the major expenditures was the payment of the ‘proefmeesters’ who exercised quality control by examining the products of prospective entrants before admitting them to membership.

    The accounts provide a detailed record of the names of entrants to the guild and of guild officials. They also provide much incidental detail of the position of the craft within the regional economy, with frequent expenditures recording contact with the neighbouring towns of Brussels, Mechelen and Bruges.

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