children

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  • Keywords = children
  • Londres et l’Angleterre, ouvrage élémentaire à l'usage de la jeunesse. by [AUBERT DE VITRY, François-Jean-Philibert]. [AUBERT DE VITRY, François-Jean-Philibert]. ~ Londres et l’Angleterre, ouvrage élémentaire à l'usage de la jeunesse. Paris: [Paul Renouard for] Bossange frères, 1826.
    First edition of this extensive pocket guide to London, England and Wales for a juvenile audience. The description of London is admirably complete, with notes… (more)

    First edition of this extensive pocket guide to London, England and Wales for a juvenile audience. The description of London is admirably complete, with notes on the principal monuments as well as its people and customs (‘The Lord of Merry Disports’ and ‘Itinerant Musicians’ among them). The plates (originally appearing London, or interesting Memorials published by Thomas Boys in London in 1823) depict The Custom House, Somerset House, Hanover Terrace and Westminster Abbey. Adams, London illustrated, 1604-1851 (1983), 150. No US copies in Worldcat and JISC/COPAC records the Bishopsgate Institute and Bodley copies only.

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  • Flecht-Schule. by WINCKELMANN, Leonie. WINCKELMANN, Leonie. ~ Flecht-Schule. [Germany or Austria, 1912].
    A good example of ‘Flecht-schule’ exercises for young girls, in which dexterity, accuracy, patience and creativity were encouraged through intricate pattern weaving in paper. This… (more)

    A good example of ‘Flecht-schule’ exercises for young girls, in which dexterity, accuracy, patience and creativity were encouraged through intricate pattern weaving in paper. This could be applied to the practical arts of embroidery but had been encouraged as an independent exercise. In addition to the 25 abstract designs here, the final two panels give the maker’s initials ‘L.W.’ and the date ‘1912’.

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  • (HUNTING). [ENGELBRECHT, Martin. ~ [A boar hunt in a miniature perspective peepshow. Augsburg: Martin Engelbrecht, c. 1730-50].
    A rare perspective peepshow depicting a boar hunt in a forest, with horses and dogs. Engelbrecht (1684-1756) produced many different designs of these sets in… (more)

    A rare perspective peepshow depicting a boar hunt in a forest, with horses and dogs. Engelbrecht (1684-1756) produced many different designs of these sets in three sizes, of which ours is an example of the smallest (and rarest). They were designed to be viewed when slotted successively into a perspective viewing box but can equally be appreciated when standing in simple slots or stands. One of the parts is marked ‘N. 87’ in the plate. In this example the prints have been mounted in the early nineteenth-century. cf. Ralph Hyde, Paper Peepshows (2015), pp. 14–15 and David Robinson, ‘Augsburg Peepshows’, Print Quarterly, Vol. 5, No. 2 (June 1988), pp. 188–191.�

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  • (HUNTING). [ENGELBRECHT, Martin. ~ [A stag hunt in a miniature perspective peepshow. Augsburg: Martin Engelbrecht, c. 1730-50].
    A rare perspective peepshow depicting a stag hunt in a forest, with horses and dogs. Among the hunters is one with a rifle, and two… (more)

    A rare perspective peepshow depicting a stag hunt in a forest, with horses and dogs. Among the hunters is one with a rifle, and two with horns. Engelbrecht (1684-1756) produced many different designs of these sets in three sizes, of which ours is an example of the smallest (and rarest). They were designed to be viewed when slotted successively into a perspective viewing box but can equally be appreciated when standing in simple slots or stands. One of the parts is marked ‘N. 87’ in the plate. In this example the prints have been mounted in the early nineteenth-century. cf, Ralph Hyde, Paper Peepshows (2015), pp. 14–15 and David Robinson, ‘Augsburg Peepshows’, Print Quarterly, Vol. 5, No. 2 (June 1988), pp. 188–191.�

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  • Le Poupée bien élevée. IIe. édition. by [MALLÈS DE BEAULIEU, Jeanne Sophie, Madame]. [MALLÈS DE BEAULIEU, Jeanne Sophie, Madame]. ~ Le Poupée bien élevée. IIe. édition. Paris: [Casimir for] LeCerf and Blanchard, [n.d., c. 1820s].
    First published in 1819, Le Poupée bien élevée proved popular among children on both sides of the English Channel, with numerous editions in both French… (more)

    First published in 1819, Le Poupée bien élevée proved popular among children on both sides of the English Channel, with numerous editions in both French and English (the latter as The Well Bred Doll). Jeanne Sophie Mallès de Beaulieu (176-1825) was the author of numerous moral and entertaining stories for children including Le Robinson de douze ans (1820).

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  • EDUCATION ACT. ~ An Act to provide for public Elementary Education in England Wales. 9 August 1870. [London: George Edward Eyre and William Spottiswoode, 1870].
    First edition of the first British act of legislation to deal specifically with the provision of education in England and Wales. It instituted schooling for… (more)

    First edition of the first British act of legislation to deal specifically with the provision of education in England and Wales. It instituted schooling for children between the ages of five and twelve, established local education authorities with defined powers and authorized public money to improve existing schools. Most importantly, it demonstrated a commitment to compulsory provision on a national scale. Introduced by Liberal politician William Forster (and sometimes referred to as ‘Forster’s Act’) it also marks an important milestone in the history of literacy and literature, and has been seen as a primary stimulant of the growth in reading and of popular fiction for a mass market.

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  • Journal de Christine. by [SCHALBACHER, Phillip Joseph]. [SCHALBACHER, Phillip Joseph]. ~ Journal de Christine. Paris: [Lachevardière fils for] Société reproductive des bons livres, [n.d. ?1837].
    A French edition, translated from the German original by Francois Jean Philibert Aubert de Vitry. A series of dialogues addressed to young children (a boy… (more)

    A French edition, translated from the German original by Francois Jean Philibert Aubert de Vitry. A series of dialogues addressed to young children (a boy and a girl) aged four and five, emphasising all the essential virtues of parenthood. The attractive aquatint plates were probably issued with the original edition and include several delightful family scenes. The first French edition appeared in 1825 and the date of 1837 for this reprint is taken from the Princeton Cotsen catalogue. cf. Barbier, II 1010; Querard VIII 508-10.

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  • Der Struwwelpeter oder lustige Geschichten und drollige Bilder für Kinder von 3—6 Jahren... 248. Auflage mit dem Jubiläums-Blatt zur hundersten Auflage. by HOFFMANN, Heinrich. HOFFMANN, Heinrich. ~ Der Struwwelpeter oder lustige Geschichten und drollige Bilder für Kinder von 3—6 Jahren... 248. Auflage mit dem Jubiläums-Blatt zur hundersten Auflage. Frankfurt: Literarische Anstalt von Rütten & Löning, [n.d., c. 1895].
    A good copy of this classic, if gruesome, children’s title. Struwwelpeter (’Shock-headed Peter’) was first published in 1845 as Lustige Geschichten und drollige Bilder –… (more)

    A good copy of this classic, if gruesome, children’s title. Struwwelpeter (’Shock-headed Peter’) was first published in 1845 as Lustige Geschichten und drollige Bilder – with its name changed to the familiar Struwwelpeter in the edition of 1858. It was thereafter reprinted in hundreds of editions worldwide before 1900. The 1876 edition added a special jubilee leaf which was reprinted in later editions, as here. Though undated, this 248th edition was printed c. 1895.

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  • La petite Bibliothèque de la jeunesse. by (MINIATURE BOOKS). (MINIATURE BOOKS). ~ La petite Bibliothèque de la jeunesse. Paris: [Pinard for] Marcilly, [1836].
    A charming miniature juvenile library, complete with its original glass fronted case.
    Cotsen A-50 (wanting the glass front); Bondy, p. 77; Welsh, 2012, 2788, 5569,… (more)

    A charming miniature juvenile library, complete with its original glass fronted case.
    Cotsen A-50 (wanting the glass front); Bondy, p. 77; Welsh, 2012, 2788, 5569, 6481, 3312 and 5558. In the US, Worldcat lists the Wightman copy at the Morgan Library, the Cotsen copy at Princeton, the Adomeit copy at Indiana together with copies at University of Colorado and Oak Spring.

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  • MILNE, A. A. ~ Now we are Six... with decorations by Ernest H. Shepard. London: Methuen & Co Ltd, 1927].
    First edition, published October 13th 1927. (more)

    First edition, published October 13th 1927.

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  • Ann’s Book... by PARSONS, Jacynth and Karl. PARSONS, Jacynth and Karl. ~ Ann’s Book... London: [William Brendon & Son, Plymouth for] The Medici Society, 1929.
    First edition of this attractive book illustrated by Jacynth Parsons. Parsons was a child prodigy, contributing superb illustrations to Ann’s Book by her father, the… (more)

    First edition of this attractive book illustrated by Jacynth Parsons. Parsons was a child prodigy, contributing superb illustrations to Ann’s Book by her father, the Arts and Crafts designer Karl Parsons, in 1929. In 1927 the Medici Society put on an exhibition of her ‘Pictures from the age of 3 to 16’ which met with considerable success. She later illustrated an edition of Blake under the patronage of W.B. Yeats, and several other works.

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  • La Princesse lumière Conte de fées. by BARTEL, Jehan [pseudonym of Jehannette or Jeanette BARTEL]. BARTEL, Jehan [pseudonym of Jehannette or Jeanette BARTEL]. ~ La Princesse lumière Conte de fées. [Toulouse: Imprimerie du Centre], June 1905.
    A privately-published fairy tale by a young girl, of which we can find no copy in any public collection, nor any obvious trace of the… (more)

    A privately-published fairy tale by a young girl, of which we can find no copy in any public collection, nor any obvious trace of the work or its author elsewhere. The book is printed on a handsome glazed paper and incorporates three illustrations, presumably the work of the author. It was almost certainly her who also decorated the smooth calf binding with a whimsical design depicting an owl in a tree by moonlight. The printed dedication is to ‘ma chère petite Cousine Renée’, with this copy of what was presumably a very small edition inscribed to the author’s mother.

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  • Grand Equestrian Feat, called the Peasant Frolic. As performed at Astley’s Amphitheatre. Price 4d 1/2 Plain. by (CIRCUS). (TOY THEATRE). (CIRCUS). (TOY THEATRE). ~ Grand Equestrian Feat, called the Peasant Frolic. As performed at Astley’s Amphitheatre. Price 4d 1/2 Plain. [London]: W[illiam]. West at his Theatrical Warehouse, Exeter Street, Strand, Apr[i]l 14, 1821.
    A rare large-format toy theatre print with figures for cutting out and mounting from a performance at Astley’s Amphitheatre, which was then managed by Andrew… (more)

    A rare large-format toy theatre print with figures for cutting out and mounting from a performance at Astley’s Amphitheatre, which was then managed by Andrew Ducrow, the father of circus equestrianism. The plate is unsigned other than by the publisher William West and is unattributed in the British Museum print catalogue, but it is of high quality. The BM copy was acquired with the nineteenth-century collection of toy theatre prints assembled by Ralph Thomas, who had made a tentative attribution to William Blake in Notes and Queries in 1898 (June 4th, p. 455). The British Museum did not adopt the attribution, though there is certainly something of Blake’s style in the print. William West was the pioneer of the Regency toy theatre print, commissioning work from both Cruickshank brothers, Flaxman, Dighton and Brooke.

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  • When we were very young. by MILNE, A. A. MILNE, A. A. ~ When we were very young. London: [Jarrold for] Methuen & Co. Ltd, 1927.
    Sixteenth edition (the first was November 1924). A very presentable copy. (more)

    Sixteenth edition (the first was November 1924). A very presentable copy.

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  • Victoria the good Queen and Empress. by (QUEEN VICTORIA). [BULLEY, Eleanor A.]. (QUEEN VICTORIA). [BULLEY, Eleanor A.]. ~ Victoria the good Queen and Empress. London: Gardner, Darton & Co, 1897.
    First edition of this diminutive near-miniature tribute to Queen Victoria ‘Dedicated to Children in all Places of Her Imperial Majesty’s Dominions’. (more)

    First edition of this diminutive near-miniature tribute to Queen Victoria ‘Dedicated to Children in all Places of Her Imperial Majesty’s Dominions’.

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  • [The Game of ‘Bis-bis’ or ‘48’]. by (GAME). (GAME). ~ [The Game of ‘Bis-bis’ or ‘48’]. [?Basque region, Saint Sébastien, c. 1865].
    Manuscript and watercolour maquettes for an apparently unpublished game, including a portion of a folding game mat (on linen), a sheet of counters (uncut, on… (more)

    Manuscript and watercolour maquettes for an apparently unpublished game, including a portion of a folding game mat (on linen), a sheet of counters (uncut, on parchment), numerous drawings and sketches as trials for the game positions (on paper and tracing paper, some coloured) and several sheets of manuscript instructions in French and Spanish. The game seems to have been a type of lotto, with parchment counters (corresponding to game positions) which were to be placed in a spherical wooden ‘bank’ for shuffling, before being drawn by the players.
    The game’s origin in a French household at Saint Sébastien is indicated by the use of numerous scraps of waste paper from the French Consul’s office there ― perhaps it was made by a member of his own family or staff. The sketches are highly accomplished and carefully rendered, often with several preliminary sketches before reduction in gouache to the size of the parchment game counters.

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  • Procession]. by [GREENAWAY, Kate. [GREENAWAY, Kate. ~ Procession]. [London:] Marcus Ward & Co, [ 1881].
    Greenaway’s ‘Procession’ greetings card set consisted of just two cards, but each was produced with variant verses.

    This set includes all four variants of each.

    Card 1… (more)

    Greenaway’s ‘Procession’ greetings card set consisted of just two cards, but each was produced with variant verses.

    This set includes all four variants of each.

    Card 1 (Blue border):
    (a) ‘A garland fair for Christmas day...’
    (b) ‘My Valentine in every rose discern...’
    (c) ‘Well we love our roses sweet...’
    (d) ‘Thro the Year that dawns...’

    Card 2 (Pink border):
    (a) ‘A garland fair for Christmas day...’
    (b) ‘Let’s love and live together, dear...’
    (c) ‘Well we love our roses sweet...’
    (d) ‘Thro the Year that dawns...’ Schuster & Engen, Kate Greenaway, 284.

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  • Party Girl]. by [GREENAWAY, Kate. [GREENAWAY, Kate. ~ Party Girl]. [London: Marcus Ward & Co, 1880s].
    The three greetings cards comprising the larger version of Greenaway’s Party Girl set, each present here in several variants, listed below according to Schuster &… (more)

    The three greetings cards comprising the larger version of Greenaway’s Party Girl set, each present here in several variants, listed below according to Schuster & Engen 282.

    Card 1 Girl with Badminton set
    a) recto ‘Christmas’ verso ‘I wish you all the joy that you can wish’.
    b) recto ‘Christmas’ verso ‘May the day be as happy as you could wish’.
    c) recto ‘New Year’ verso ‘Thy own wish, wish I thee in every place!’.
    d) recto ‘Valentine’ verso ‘To bear my love to you to-day’.
    e) recto ‘Greeting’ verso ‘Thy own wish, wish I thee in every place’.

    Card 2 Girl in rust coat and beaver hat
    b) recto ‘Christmas’ verso ‘Wishing you every happiness and blessing’.
    d) recto ‘New Year’ verso ‘May the day be as happy as you could wish’.
    d variant) recto ‘New Year’ verso ‘Wishing you every happiness and blessing’.
    e) recto ‘Valentine’ verso ‘From one who loves you dearly’.
    g) recto ‘Greeting’ verso ‘Thy own wish, wish I thee in every place’.
    h) recto ‘Greeting’ verso ‘May the day be as happy as you could wish’.

    Card 3 Girl in green dress
    a) recto ‘Christmas’ verso ‘Thy own wish, wish I thee in every place’.
    b) recto ‘Christmas’ verso ‘Wishing you every happiness and blessing’.
    c variant) recto ‘New Year’ verso ‘I wish you all the joy that you can wish’.
    d) recto ‘Valentine’ verso ‘I bring you some flowers from your Valentine’.
    e) recto ‘Greeting’ verso ‘Wishing you every happiness and blessing’.
    f) recto ‘Greeting’ verso ‘May the day be as happy as you could wish’. Schuster & Engen, Kate Greenaway, 282.

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  • The Story of Little Red Riding Hood’s Christmas]. by [GREENAWAY, Kate [GREENAWAY, Kate ~ The Story of Little Red Riding Hood’s Christmas]. [London:] Marcus Ward & Co, [before 1868].
    One of two versions of this early set, this one apparently issued as Christmas cards. Schuster & Engen, Kate Greenaway, 291. (more)

    One of two versions of this early set, this one apparently issued as Christmas cards. Schuster & Engen, Kate Greenaway, 291.

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  • et d’ornements dedié aux Elèves de la Visitation d’Ornans. by CAHIER D’ECRITURE CAHIER D’ECRITURE ~ et d’ornements dedié aux Elèves de la Visitation d’Ornans. Ornans: 18 July 1857.
    A set of blank ornamental borders designed for use by the convent girls of the monastery of the order of the Visitation at Ornans in… (more)

    A set of blank ornamental borders designed for use by the convent girls of the monastery of the order of the Visitation at Ornans in Eastern France. Probably destined for use as models for notecards and letters, as suggested by the contemporary tracings. A wonderful example of contemporary decorative arts in a convent environment these watercolours are elegantly ornate, incorporating foliage, flowers, vines, swags and birds. The convent at Ornans had been founded in the early seventeenth century and, after the Revolution, refounded as a religious school in 1839 for girls. The Ordre de la Visitation de Sainte-Marie, or ‘Visitandines’ had existed also from the early seventeenth century, founded as an active order for the visitation of the sick.

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