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  • Keywords = art & architecture
  • Morte la Bète... La Fugue — Un Soir de pluie... ouvrage inédit. by DUVERNOIS, Henri. Guy DOLLIAN, illustrator. DUVERNOIS, Henri. Guy DOLLIAN, illustrator. ~ Morte la Bète... La Fugue — Un Soir de pluie... ouvrage inédit. Paris: Fayard, Le Livre de Demain, [1924].
    First edition of these three novellas, number 2 of 15 copies with the suite of original woodcuts, initialled by Dollian.

    Fayard’s Livres de demain brought examples… (more)

    First edition of these three novellas, number 2 of 15 copies with the suite of original woodcuts, initialled by Dollian.

    Fayard’s Livres de demain brought examples of the current revival in woodcut and wood engraving to a wide audience at a reasonable price. Accordingly, the illustrations of the regular volumes were printed in large numbers from phototype metal blocks made from the prints, with just 15 copies of each (as here) presented with an additional suite of the original woodcuts specially printed on fine paper.

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  • Crapotte by DUVERNOIS, Henri. Achille OUVRÉ, illustrator. DUVERNOIS, Henri. Achille OUVRÉ, illustrator. ~ Crapotte Paris: Fayard, Le Livre de Demain, [1926].
    First illustrated edition of this urbane novel of the Parisian life of a boulevardier (it first appeared in 1918).Number 2 of 15 copies only with… (more)

    First illustrated edition of this urbane novel of the Parisian life of a boulevardier (it first appeared in 1918).Number 2 of 15 copies only with the woodcuts on chine, numbered. Fayard’s Livres de demain brought examples of the current revival in woodcut and wood engraving to a wide audience at a reasonable price. Accordingly, the illustrations of the regular volumes were printed in large numbers from phototype metal blocks made from the prints, with just 15 copies of each (as here) presented with an additional suite of the original woodcuts specially printed on fine paper.

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  • La Cigale. by DELARUE-MARDUS, Lucie. RENEFER, illustrator. DELARUE-MARDUS, Lucie. RENEFER, illustrator. ~ La Cigale. Paris: Fayard, Le Livre de Demain, [1923].
    First edition number 2 of 15 copies only with the woodcuts on chine, numbered and signed by the artist.

    Fayard’s Livres de demain brought examples… (more)

    First edition number 2 of 15 copies only with the woodcuts on chine, numbered and signed by the artist.

    Fayard’s Livres de demain brought examples of the current revival in woodcut and wood engraving to a wide audience at a reasonable price. Accordingly, the illustrations of the regular volumes were printed in large numbers from phototype metal blocks made from the prints, with just 15 copies of each (as here) presented with an additional suite of the original woodcuts specially printed on fine paper.

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  • Le petite Fille de Jérusalem. by HARRY, Myriam. Gérad COCHET, illustrator. HARRY, Myriam. Gérad COCHET, illustrator. ~ Le petite Fille de Jérusalem. Paris: Fayard, Le Livre de Demain, [1923].
    First edition with the Cochet illustrations, number 2 of 15 copies only with the woodcuts on chine, numbered and initialled by the artist. Fayard’s Livres… (more)

    First edition with the Cochet illustrations, number 2 of 15 copies only with the woodcuts on chine, numbered and initialled by the artist. Fayard’s Livres de demain brought examples of the current revival in woodcut and wood engraving to a wide audience at a reasonable price. Accordingly, the illustrations of the regular volumes were printed in large numbers from phototype metal blocks made from the prints, with just 15 copies of each (as here) presented with an additional suite of the original woodcuts specially printed on fine paper.

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  • Mitsou. by COLETTE. HERMANN-PAUL, illustrator. COLETTE. HERMANN-PAUL, illustrator. ~ Mitsou. Paris: Fayard, Le Livre de Demain, [ 1923].
    First edition with the Hermann-Paul illustrations, number 2 of 15 copies only with the woodcuts on chine, numbered and signed by the artist in pencil.… (more)

    First edition with the Hermann-Paul illustrations, number 2 of 15 copies only with the woodcuts on chine, numbered and signed by the artist in pencil. A brilliant pairing of one of Colette’s popular novellas (which had first appeared in 1919) with the illustrations of one of the most striking wood engravers of the twenties. He was already very well established by the time of the Great War, and turned to working on wood by necessity as metal for print making became scarce.

    Fayard’s Livres de demain brought examples of the current revival in woodcut and wood engraving to a wide audience at a reasonable price. Accordingly, the illustrations of the regular volumes were printed in large numbers from phototype metal blocks made from the prints, with just 15 copies of each (as here) presented with an additional suite of the original woodcuts specially printed on fine paper.

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    View basket More details Price: £750.00
  • Le Pardon Prématuré. by CORTHIS, André. Paul VIGOUREUX, illustrator. CORTHIS, André. Paul VIGOUREUX, illustrator. ~ Le Pardon Prématuré. Paris: Fayard, Le Livre de Demain, [1925].
    First edition with the illustrations by Vigoureux. Number 2 of 15 copies with the suite of all 20 wood engravings on chine, all initially by… (more)

    First edition with the illustrations by Vigoureux. Number 2 of 15 copies with the suite of all 20 wood engravings on chine, all initially by the artist. Fayard’s Livres de demain brought examples of the current revival in woodcut and wood engraving to a wide audience at a reasonable price. Accordingly, the illustrations of the regular volumes were printed in large numbers from phototype metal blocks made from the prints, with just 15 copies of each (as here) presented with an additional suite of the original woodcuts specially printed on fine paper.

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    View basket More details Price: £150.00
  • Le meilleur Ami. by BOYLESVE, René. Raphaël DROUART, illustrator. BOYLESVE, René. Raphaël DROUART, illustrator. ~ Le meilleur Ami. Paris: Fayard, Le Livre de Demain, [1923].
    First edition with the illustrations by Drouart. Number 2 of 15 copies with the suite of all 29 wood engravings on chine, all initially by… (more)

    First edition with the illustrations by Drouart. Number 2 of 15 copies with the suite of all 29 wood engravings on chine, all initially by the artist. Fayard’s Livres de demain brought examples of the current revival in woodcut and wood engraving to a wide audience at a reasonable price. Accordingly, the illustrations of the regular volumes were printed in large numbers from phototype metal blocks made from the prints, with just 15 copies of each (as here) presented with an additional suite of the original woodcuts specially printed on fine paper.

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    View basket More details Price: £150.00
  • Giséle, La Guitare et le jazz-band. by DUVERNOIS, Henri. Berthe MARX, illustrator. DUVERNOIS, Henri. Berthe MARX, illustrator. ~ Giséle, La Guitare et le jazz-band. Paris: Fayard, Le Livre de Demain, [1924].
    First edition with the illustrations by Berthe Marx. Number 2 of 15 copies with the suite of all 29 wood engravings on chine, all initially… (more)

    First edition with the illustrations by Berthe Marx. Number 2 of 15 copies with the suite of all 29 wood engravings on chine, all initially by the artist. Fayard’s Livres de demain brought examples of the current revival in woodcut and wood engraving to a wide audience at a reasonable price. Accordingly, the illustrations of the regular volumes were printed in large numbers from phototype metal blocks made from the prints, with just 15 copies of each (as here) presented with an additional suite of the original woodcuts specially printed on fine paper.

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    View basket More details Price: £200.00
  • La Bataille. by FARRÈRE, Claude. A. ROUBILLE, illustrator. FARRÈRE, Claude. A. ROUBILLE, illustrator. ~ La Bataille. Paris: Fayard, Le Livre de Demain, [1923].
    First edition with the Roubille illustrations. Number 2 of 15 copies with the suite of all 29 wood engravings on chine, all initially by the… (more)

    First edition with the Roubille illustrations. Number 2 of 15 copies with the suite of all 29 wood engravings on chine, all initially by the artist. Fayard’s Livres de demain brought examples of the current revival in woodcut and wood engraving to a wide audience at a reasonable price. Accordingly, the illustrations of the regular volumes were printed in large numbers from phototype metal blocks made from the prints, with just 15 copies of each (as here) presented with an additional suite of the original woodcuts specially printed on fine paper.

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    View basket More details Price: £150.00
  • L’Aventure de Thérèse Beauchamps. by MIOMANDRE, Francis de. Roger GRILLON, illustrator. MIOMANDRE, Francis de. Roger GRILLON, illustrator. ~ L’Aventure de Thérèse Beauchamps. Paris: Fayard, Le Livre de Demain, [1925].
    First edition with Grillon’s illustrations. Number 2 of 15 copies with the suite of all 29 wood engravings on chine, all initially by the artist.… (more)

    First edition with Grillon’s illustrations. Number 2 of 15 copies with the suite of all 29 wood engravings on chine, all initially by the artist. Fayard’s Livres de demain brought examples of the current revival in woodcut and wood engraving to a wide audience at a reasonable price. Accordingly, the illustrations of the regular volumes were printed in large numbers from phototype metal blocks made from the prints, with just 15 copies of each (as here) presented with an additional suite of the original woodcuts specially printed on fine paper. 1913

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  • Marie-Claire. by AUDOUX, Marguerite. Paul-Émile COLIN, illustrator. AUDOUX, Marguerite. Paul-Émile COLIN, illustrator. ~ Marie-Claire. Paris: Fayard, Le Livre de Demain, [1925].
    First edition with the Colin illustrations of Audoux successful autobiography of a humble rural upbringing (1911).

    Number 2 of 15 copies with the suite of all… (more)

    First edition with the Colin illustrations of Audoux successful autobiography of a humble rural upbringing (1911).

    Number 2 of 15 copies with the suite of all 21 wood engravings on chine, all initially by the artist. Fayard’s Livres de demain brought examples of the current revival in woodcut and wood engraving to a wide audience at a reasonable price. Accordingly, the illustrations of the regular volumes were printed in large numbers from phototype metal blocks made from the prints, with just 15 copies of each (as here) presented with an additional suite of the original woodcuts specially printed on fine paper.

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    View basket More details Price: £200.00
  • Les Justices de paix ou les vingt façons de juger dans Paris. by BENJAMIN, Réné. Georges BRUYER, illustrator. BENJAMIN, Réné. Georges BRUYER, illustrator. ~ Les Justices de paix ou les vingt façons de juger dans Paris. Paris: Fayard, Le Livre de Demain, [1928].
    First edition with Bruyer’s illustrations (the book was first published unillustrated in 1913), number 2 of 15 copies with all the wood engravings present in… (more)

    First edition with Bruyer’s illustrations (the book was first published unillustrated in 1913), number 2 of 15 copies with all the wood engravings present in a signed suite on chine.

    Fayard’s Livres de Demain brought examples of the current revival in woodcut and wood engraving to a wide audience at a reasonable price. Accordingly, the illustrations of the regular volumes were printed in large numbers from phototype metal blocks made from the prints, with just 15 copies of each (as here) presented with an additional suite of the original woodcuts specially printed on fine paper.

    (see full details)
    View basket More details Price: £150.00
  • L’Isle de volupté. by HARRY, Myriam. Pierre FALKÉ, editor. HARRY, Myriam. Pierre FALKÉ, editor. ~ L’Isle de volupté. Paris: Fayard, Le Livre de Demain, [1923].
    First edition with Falké’s illustrations, number 2 of 15 copies with all the wood engravings present in a signed suite on chine.

    Fayard’s Livres de Demain… (more)

    First edition with Falké’s illustrations, number 2 of 15 copies with all the wood engravings present in a signed suite on chine.

    Fayard’s Livres de Demain brought examples of the current revival in woodcut and wood engraving to a wide audience at a reasonable price. Accordingly, the illustrations of the regular volumes were printed in large numbers from phototype metal blocks made from the prints, with just 15 copies of each (as here) presented with an additional suite of the original woodcuts specially printed on fine paper. The series was very popular and ran for several years, with some titles reprinted in successive editions.

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  • Grangoujon. by BENJAMIN, René. A. ROUBILLE, illustrator. BENJAMIN, René. A. ROUBILLE, illustrator. ~ Grangoujon. Paris: Fayard, Le Livre de Demain, [1925].
    First edition with the illustrations by Roubille, one of 15 copies with all the wood engravings present in a signed suite on chine.

    Fayard’s Livres de… (more)

    First edition with the illustrations by Roubille, one of 15 copies with all the wood engravings present in a signed suite on chine.

    Fayard’s Livres de Demain brought examples of the current revival in woodcut and wood engraving to a wide audience at a reasonable price. Accordingly, the illustrations of the regular volumes were printed in large numbers from phototype metal blocks made from the prints, with just 15 copies of each (as here) presented with an additional suite of the original woodcuts specially printed on fine paper. The series was very popular and ran for several years, with some titles reprinted in successive editions.

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    View basket More details Price: £150.00
  • Je vous ai désirée un soir... by BOYLESVE, René. Paul BAUDIER, llustrator. BOYLESVE, René. Paul BAUDIER, llustrator. ~ Je vous ai désirée un soir... Paris: Fayard, Le Livre de Demain, [1925].
    First edition. Fayard’s Livres de Demain brought examples of the current revival in woodcut and wood engraving to a wide audience at a reasonable price.… (more)

    First edition. Fayard’s Livres de Demain brought examples of the current revival in woodcut and wood engraving to a wide audience at a reasonable price. Accordingly, the illustrations of the regular volumes were printed in large numbers from phototype metal blocks made from the prints, with just 15 copies of each (as here) presented with an additional suite of the original woodcuts specially printed on fine paper. The series was very popular and ran for several years, with some titles reprinted in successive editions.

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  • Gaspard. by BENJAMIN, Réné. RENEFER, illustrator. BENJAMIN, Réné. RENEFER, illustrator. ~ Gaspard. Paris: Fayard, Le Livre de Demain, [1923].
    First edition of the first of Fayard’s important Livre de Demain series, one of 15 copies with the illustrations in an additional suite on chine,… (more)

    First edition of the first of Fayard’s important Livre de Demain series, one of 15 copies with the illustrations in an additional suite on chine, signed. Benjamin’s Prix Goncourt novel of 1915 was written in hospital while recovering from injuries sustained at Verdun in September 1914 (and first published by Fayard). The wood engravings are among Renefer’s most evocative war illustrations.

    Fayard’s Livres de Demain brought examples of the current revival in woodcut and wood engraving to a wide audience at a reasonable price. Accordingly, the illustrations of the regular volumes were printed in large numbers from phototype metal blocks made from the prints, with just 15 copies of each (as here) presented with an additional suite of the original woodcuts specially printed on fine paper. The series was very popular and ran for several years, with some titles reprinted in successive editions.

    (see full details)
    View basket More details Price: £300.00
  • La Femme et le pantin. by LOUŸS, Pierre. Ch. J. HALLO, illustrator. LOUŸS, Pierre. Ch. J. HALLO, illustrator. ~ La Femme et le pantin. Paris: Fayard, Le Livre de Demain, [1925].
    First edition with the illustrations by Hallo, number 2 of 15 copies with the suite of all 28 wood engravings on chine, all signed by… (more)

    First edition with the illustrations by Hallo, number 2 of 15 copies with the suite of all 28 wood engravings on chine, all signed by the artist. Louÿs’ novel set in Seville (’The Woman and the Puppet’) first appeared in 1898. It saw several later editions and no less than five film adaptations, including Duvivier’s 1959 classic starring Brigitte Bardot.

    Fayard’s Livres de demain brought examples of the current revival in woodcut and wood engraving to a wide audience at a reasonable price. Accordingly, the illustrations of the regular volumes were printed in large numbers from phototype metal blocks made from the prints, with just 15 copies of each (as here) presented with an additional suite of the original woodcuts specially printed on fine paper.

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  • La Divine Chanson. by HARRY, Myriam. Ch. J. HALLO, illustrator. HARRY, Myriam. Ch. J. HALLO, illustrator. ~ La Divine Chanson. Paris: Fayard, Le Livre de Demain, [1925].
    First edition with the illustrations by Hallo, number 2 of 15 copies with the suite of all 23 wood engravings on chine, all initialled by… (more)

    First edition with the illustrations by Hallo, number 2 of 15 copies with the suite of all 23 wood engravings on chine, all initialled by the artist. Fayard’s Livres de demain brought examples of the current revival in woodcut and wood engraving to a wide audience at a reasonable price. Accordingly, the illustrations of the regular volumes were printed in large numbers from phototype metal blocks made from the prints, with just 15 copies of each (as here) presented with an additional suite of the original woodcuts specially printed on fine paper.

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    View basket More details Price: £200.00
  • Les Amants tourmentés. by RENEFER, illustrator. VIOUX, Marcelle. RENEFER, illustrator. VIOUX, Marcelle. ~ Les Amants tourmentés. Paris: Fayard, Le Livre de Demain, [1925].
    First edition with Renefer’s illustrations of an evocative Montparnasse-set novel first published in 1923. Number 2 of 15 copies with the suite of all 29… (more)

    First edition with Renefer’s illustrations of an evocative Montparnasse-set novel first published in 1923. Number 2 of 15 copies with the suite of all 29 wood engravings on chine, all signed by the artist. Fayard’s Livres de demain brought examples of the current revival in woodcut and wood engraving to a wide audience at a reasonable price. Accordingly, the illustrations of the regular volumes were printed in large numbers from phototype metal blocks made from the prints, with just 15 copies of each (as here) presented with an additional suite of the original woodcuts specially printed on fine paper.

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  • La Belle-Enfant ou l’Amour à 40 ans. by DARAGNÈS, illustrator. Eugène MONTFORT. DARAGNÈS, illustrator. Eugène MONTFORT. ~ La Belle-Enfant ou l’Amour à 40 ans. Paris: Fayard, Le Livre de Demain, [1926].
    First edition with Daragnès’s illustrations, number 2 of 15 copies with the suite of all 27 wood engravings on chine, all numbered. Daragnès was both… (more)

    First edition with Daragnès’s illustrations, number 2 of 15 copies with the suite of all 27 wood engravings on chine, all numbered. Daragnès was both an artist and publisher in his own right, producing some of the most stylish illustrated books of the interwar period. Fayard’s Livres de demain brought examples of the current revival in woodcut and wood engraving to a wide audience at a reasonable price. Accordingly, the illustrations of the regular volumes were printed in large numbers from phototype metal blocks made from the prints, with just 15 copies of each (as here) presented with an additional suite of the original woodcuts specially printed on fine paper.

    (see full details)
    View basket More details Price: £350.00