An intriguing and otherwise apparently unrecorded collection of 12 songs and ballads sold (and perhaps sung) by a vendor purportedly disabled in railroad accident.more...
The majority are Irish songs (’Remember Boy you’re Irish’, ‘The Dear Little Shamrock’, ‘The Irish Jubilee’ etc) but two American ballads, ‘The Milwaukee Fire’ and ‘Johnstown Flood’ serve suggest a date. A final paragraph is a hunmorous recipe: ‘Cure for Love’..see full details
First edition, large paper copy on vergé (and rare thus).more...
The scandalous memoirs of Philadelphia-born Harriet Ely Blackford, dubbed ‘Fanny Lear’, who conducted an affair with Grand Duke Nicholas Constantinovich, nephew of Czar Nicholas I between 1870 and 1874. In 1874 she was accused of stealing diamonds belonging to the imperial family and was banished from the court..see full details
Contemporary caricature portraits of the great American millionaires Carnegie, Pierpont-Morgan, Gordon-Bennett, Harjes, Frick and Depew.more...
The drawing was probably intended for reduction and publication in an (unidentified) journal. Rouveyre (1879-1962) was immensely prolific as a caricaturist and maintained friendships and correspondence with important figures such as Apollinaire and Matisse (having met the latter as joint students of the symbolist painter Gustave Moreau)..see full details
NORDENDORF, C.C. de. Attack Step Quickstep. Danville (Va.): Mrs E. L. Nordendorf, . Not found in OCLC.
2. SCHILLING, Fred[erick]. Brothers hasten on to Battle. Brooklyn: D.S. Holmes, . OCLC: Lincoln Presidential Library only.
3. DOANE, Howard. Bury me in the Valley. Cincinnati: John Church, [n.d.]. OCLC: Ohio State University only [possibly another edition].
4. MCNAUGHTON, J.H. The faded Coat of Blue or the nameless Grave. Ballad. Buffalo, Penn & Remington, . Stain to lower margins. OCLC: UC Santa Barbara and Library Company of Philadelphia.
5. CLARK, James C. Fremont’s Battle Hymn. Quartett. Rochester: Joseph P. Shaw, . Not found in OCLC.
6. PARKHURST, Mrs. E. A. Funeral March, to the Memory of Abraham Lincoln, the Martyr President of the United States of America. New York: Horace Waters, 1865. Advert on final page cropped (with some loss) at foot. Issue without vignette portrait.
7. MACK, E. General McClellan’s Grand March. Philadelphia, Lee & Walker . Issue without coloured lithograph plate. OCLC: Michigan, Duke, Pennsylvania and Brown Universities.
8. WINNER, Septimus. Give us back our old Commander. Philadelphia, Winner & Co, . OCLC: LC and Morgan.
9. EASTBURN, The hearty Welcome Home. Philadelphia: Smith, 1865. OCLC: no copies of Smith imprint but 2 of Auner: AAS and NYHS and one of Johnson imprint: NYHS.
10. BECKEL, J. C. Monody on the death of Abraham Lincoln. Sixteenth President of the United States. Born Feb. 12th, 1808, died by the hand of an assassin April 15th, 1865. Philadelphia: Marsh, 1865. OCLC: this issue Lincoln Museum only plus one copy of a Cincinnati imprint of same year at Abraham Lincoln Presidential Library.
11. WHEELOCK, O. Richmond Falls, the War is O’er: Philadelphia: March, 1865. No hard copy found in OCLC.
12. CASONELLA. A Song of Peace. New York, W. A. Pond, 1865. OCLC: UPenn, Ocean State, Brigham Young, AAS. .see full details
George Woodward, affectionately dubbed ‘Mustard George’ by his contemporaries, was one of the pioneers of English caricature.more...
Like his drinking-partner Thomas Rowlandson, Woodward absorbed high and low culture omnivorously and paid keen attention to contemporary politics.
A Political Fair is ‘a fantastic survey of the international situation’ in 1807 and is considered one of Woodward’s finest images, the print catalogue of the British Museum devoting two full pages to its complex allegories. At the heart of the fair is a large booth (‘The Best-Booth in the Fair’) representing Great Britain holding aloft on its platform images of Britannia, John Bull, together with an Irishman, Scotsman and Welsh harpist gathered convivially around a punchbowl, while a waiter sweeps into the chamber below with a vast joint of roast beef on his platter. All this was typical of Woodward’s patriotism and was intended to portray the essential unity of the nation amidst the host of clamouring figures in the neighbouring booths representing the other nations. Napoleon, in tricorn and feathers, rebuffs a disgruntled Dutchman complaining about his King with the words ‘I never change Mynheer after the goods are taken out of the Shop’. High up on the right, the American booth displays a placard advertising ‘Much ado about Nothing with the Deserter’, a reference to the friction between Britain and the United States over recent defections from British to American ships and the ban on armed British ships in American ports. The Danish booth on the left advertises ‘The English Fleet and The Devil to Pay’ in reference to the hideous bombardment of Copenhagen by the British fleet in September that year.
Musical and theatrical references abound, with many of the placards punning on the titles of plays and musical performances then showing in London: Much ado about nothing, All’s well that ends well (Shakespeare), The Padlock (Bickerstaffe), The Deserter (Dibdin), The Double Dealer (on the Russian booth, by Congreve) and The English Fleet (Dibdin again)..see full details