CUSTANCE, Olive. ~ Rainbows. London and New York: [Richard Folkard & Son in London for] Bodley Head, 1902.
8vo (165 × 100 mm), pp. viii, 76. Some light browning and spotting (mainly at front and rear). Contemporary olive morocco, signed E. Dreyfous, elaborately gilt to a panelled design with gothic arches, spine with 5 raised bands, silk marker in yellow, pink and green. Very slightly rubbed at corners. A lovely copy.
First edition of Olive Custance’s second collection (after Opals of 1897), published in the year of her elopement and marriage to Lord Alfred Douglas and containing the suite written for him, ‘The Fairy Prince’. Custance’s marriage, frowned upon by her parents, had come only a year after her supposed affair with Natalie Clifford Barney in Paris, and the Rainbows contains poems of desire from various points in the spectrum, notably ‘A Dancing Girl’ and ‘The White Witch’. Barney recounted that Custance had written the lines ‘Her face is like the faces the Dreamer sometimes meets, A face that Leonardo would have followed through the streets’ on seeing a version of Barney’s portrait [which] later appeared in ‘The White Witch’ (Pulham, ‘Tinted and Tainted Love: The Sculptural Body in Olive Custance’s Poetry’, Yearbook of English Studies, 37, 1, p. 164).
The elaborate contemporary binding is signed ‘E. Dreyfous’, the Grosvenor Square dealer in antiques, Edouard Henry Dreyfous who counted the Royal Family among his customers.