German Popular Stories. Translated from the Kinder und Haus Märchen…

German Popular Stories. Translated from the Kinder und Haus Märchen collected by M.M. Grimm from oral tradition. by GRIMM, Jacob and Wilhelm. < >
  • Another image of German Popular Stories. Translated from the Kinder und Haus Märchen collected by M.M. Grimm from oral tradition. by GRIMM, Jacob and Wilhelm.
  • Another image of German Popular Stories. Translated from the Kinder und Haus Märchen collected by M.M. Grimm from oral tradition. by GRIMM, Jacob and Wilhelm.

~ German Popular Stories. Translated from the Kinder und Haus Märchen collected by M.M. Grimm from oral tradition. London: [Richard Taylor for] C. Baldwyn, 1823.

12mo (170 × 100 mm), pp. 240, plus engraved title and 10 plates by Cruikshank. Light browning to title. Contemporary boards, maroon label lettered in gilt, ‘G.M. Robertson’ to upper cover. Worn, both covers detached.

First edition. The first volume of the first English edition of Grimm’s fairy tales. The copy belonged to G.M Robertson, artist and illustrator Graham Robertson’s father and loosely inserted is a letter from Kerrison Preston (dated Christmas 1970) to Gillian Preston where he notes, ‘This Grimm belonged to Graham Robertson’s father Graham Moore Robertson and must have influenced the child’s upbringing, and so it has some association value’.

Indeed, Robertson wrote in his memoir, Time Was of his early and defining interest in fairy-tales: ‘I had reached the ripe age of thirteen and had for years been an earnest student of fairy-tales, ballads and romances. In the course of my studies I was continually coming across dazzlingly beautiful ladies, princesses lovely as the day, radiant fairies, exquisite though distressed heroines. There was never any doubt as to the beauty of these ladies; it took you flat aback at first sight and you knew at once that you were in the presence of a Fairy or a Princess or at least of an ill-used stepdaughter — which came to the same thing in the end … I looked round me in the solid, comfortable, mid Victorian world. There were pretty girls and girls who were not pretty; there really seemed very little difference between them. They roused no particular interest, and as to taking one flat aback — well, it was not in their line. I concluded, after some research, that the race of Fairy Princesses was extinct, and I didn’t much mind’. (p. 53).

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