A CAPACIOUS AND OUTLANDISH FRENCH LIVRE DE RAISON (COMMONPLACE BOOK), DENSELY WRITTEN IN IDIOSYNCRATIC FRENCH WITH A SERIES OF NAÏVE AND HIGHLY-COLOURED ILLUSTRATIONS OF HISTORICAL AND ANTHROPOLOGICAL FIGURES.more...
Anonymous in its surviving form (it has lost 44 preliminary pages through accident or deliberate removal) it still represents a rich and surprising store of contemporary popular culture. It combines practical wisdom (medical and household recipes, a calendar and a formulary of letters) and history (accounts and memorials of the events of the Revolution and Revolutionary Wars), to which are added an abundance of oracles, popular songs, verses, maxims, puzzles, jokes and a wonderful dictionary for the interpretation of dreams. A brief sampling of the many texts suggests that this will become a rewarding resource for the reconstruction of a particular vein of popular culture. Detection of political bias or intention is no easy matter: though the writer clearly regrets the bloodthirsty acts of the Revolution, celebrates the successes of Napoleon in the subsequent wars, and reproduces a republican hymn to George III of England, a dialogue between Napoleon and King George and poem on Waterloo. Quite who compiled this remarkable manuscript and where is a matter for research. The relatively neat and regular script is countered by chaotic grammar and spelling — words and phrases are frequently phonetic, perhaps bringing the reader close to contemporary speech patterns. The maker’s literacy is certainly pragmatic, suggesting he was perhaps an official or clerk, capable of making effective records but remaining refreshingly untouched by high literary culture. The bold and naïve illustration is in keeping with this. Colour, ornamentation and visual impact are to the fore, while proportion and perspective are in short supply and if we need to seek parallels or comparisons for the style, then they are best found in contemporary popular woodcuts and broadsides produced by printers such as Pellerin of the Imagerie d’Épinal. It is quite possible that a regional location will be revealed through study, but for now, all that can be said is that the manuscript s very unlikely to be Parisian or metropolitan. Subjects for the images include numerous memorial portraits of victims of the Revolution (including the princesse de Lamballe, those drowned in the Nantes massacre of 1793/4, the duc de Berry and Louis XVII) plus a series of character sketches of selected inhabitants of the world. Among the latter are found English peasants and burgers, natives of African Guinea, Egypt, Castille, Rome, Gascony, Brittany and Paris; stilt-walking shepherds of the Landes, a Dover housewife, a pair of hairy savages and a depiction of house in America (‘habitation de la merique’). Other images are emblematic and include two misogynistic portraits of ill-tempered women, tempered by some rather touching heart-shaped emblems of love, wisdom and marriage..see full details
Folio (335 × 210 mm), pp. , plus several blank leaves at end. Text in manuscript, full-page illustrations in crayon or pastel. Lightly browned throughout, fragile at edges with minor fraying, all the result of poor quality paper. In original cloth backed notebook. Binding rather worn. A handsome chanson manuscript, anonymous but for the decorative initials 'J.B'. The songs include: 'Le Pigeon blessé', 'Sous les Platanes', 'Carmen', 'Chagrins d'Amour', 'Juanita', 'La Femme est un jouette' and 'Mort pour la France'.
II. Émile LEBLOND. Dijon, c. 1904.
Manuscript, 4to (214 × 170 mm), pp. 1-12, 17-98, 101-102, 105-270, 280-320, several blanks at rear. Evidence of 3 leaves removed, perhaps by the maker. Numerous drawings in ink and crayon, decorative headings. Original cloth notebook. Rather rubbed. An illustrated chansonnier made by a soldier of the First Artillery, stationed at Dijon. This is an especially full example which gives some unusual details as to its making: Leblond occasionally records the number of weeks he has been in service and there is evidence of carbon tracing, demonstrating the use of illustrations from popular journals in making these chansonniers. The songs include: 'Berceuse militaire', 'L'Africaine', 'Chapeai bas devant la Marseillais', 'Vous êtes si jolie', 'Four frou' and 'Ma Ninette'.
III. Yvan LOREAU. Chemillé-sur-Seine, c. 1909.
Manuscript, small 4to (216 × 175 mm), pp. , 88, ruled paper. Drawings in ink and crayon. Original limp wrappers. Yvan Loreau writes on his title-page that this manuscript was made 'Sur le tour de France' and begun on 11th December 1909. Songs include: 'Voila la Parisienne', 'Le petit coeur de Ninon', 'Ah! Ma p'tit Lili', 'Le ruban bleu de l'hirondelle' and 'Pas sur la bouche'.
IV. Alexandre MOULLET, 'le gros bâtarde'. Valence, 1913-14.
Manuscript (on squared paper), 4to (222 × 170 mm), pp. . Drawings in ink and crayon, partially unfinished. Some thumbing and fraying, one leaf loose. Original half cloth notebook. An illustrated chansonnier made on the eve of the Great War for one Alexandre Moullet, picturesquely nicknamed 'le gros bâtarde', of the 5eme Régiment d'Artillerie lourde, 8ème batterie, at Valence (Drôme). Songs include: 'Les petites Toulonnaises'; 'Soldat vierge', 'Marins de Marseille', 'Coeur Crise', 'Sur la Riviera' and 'Le dernier Tango'.
V. REDON. Valbonne (Ain), 1921.
Manuscript on paper, small 4to (216 × 170 mm), pp. , plus numerous blanks at rear, numerous drawings in pencil, ink and crayon (a couple cut from newspapers or journals, decorative headings. Original half cloth notebook. Songs include: 'Tu voudrais me voir pleurer', 'La vals du pastis', 'Vous rendez tous les hommes fou' and 'Le train fatale'. One verse is subscribed 'Fait a la Valbonne le 12-12-21 une soiré de grand froid'. .see full details
NORDENDORF, C.C. de. Attack Step Quickstep. Danville (Va.): Mrs E. L. Nordendorf, . Not found in OCLC.
2. SCHILLING, Fred[erick]. Brothers hasten on to Battle. Brooklyn: D.S. Holmes, . OCLC: Lincoln Presidential Library only.
3. DOANE, Howard. Bury me in the Valley. Cincinnati: John Church, [n.d.]. OCLC: Ohio State University only [possibly another edition].
4. MCNAUGHTON, J.H. The faded Coat of Blue or the nameless Grave. Ballad. Buffalo, Penn & Remington, . Stain to lower margins. OCLC: UC Santa Barbara and Library Company of Philadelphia.
5. CLARK, James C. Fremont’s Battle Hymn. Quartett. Rochester: Joseph P. Shaw, . Not found in OCLC.
6. PARKHURST, Mrs. E. A. Funeral March, to the Memory of Abraham Lincoln, the Martyr President of the United States of America. New York: Horace Waters, 1865. Advert on final page cropped (with some loss) at foot. Issue without vignette portrait.
7. MACK, E. General McClellan’s Grand March. Philadelphia, Lee & Walker . Issue without coloured lithograph plate. OCLC: Michigan, Duke, Pennsylvania and Brown Universities.
8. WINNER, Septimus. Give us back our old Commander. Philadelphia, Winner & Co, . OCLC: LC and Morgan.
9. EASTBURN, The hearty Welcome Home. Philadelphia: Smith, 1865. OCLC: no copies of Smith imprint but 2 of Auner: AAS and NYHS and one of Johnson imprint: NYHS.
10. BECKEL, J. C. Monody on the death of Abraham Lincoln. Sixteenth President of the United States. Born Feb. 12th, 1808, died by the hand of an assassin April 15th, 1865. Philadelphia: Marsh, 1865. OCLC: this issue Lincoln Museum only plus one copy of a Cincinnati imprint of same year at Abraham Lincoln Presidential Library.
11. WHEELOCK, O. Richmond Falls, the War is O’er: Philadelphia: March, 1865. No hard copy found in OCLC.
12. CASONELLA. A Song of Peace. New York, W. A. Pond, 1865. OCLC: UPenn, Ocean State, Brigham Young, AAS. .see full details
A set of four partbooks for male voices: 2 tenors and 2 basses, containing a repertoire of over 220 songs with words in Swedish.more...
They include works by well-known composers such as Spohr, Mendelssohn, Weber, Schubert, Kreutzer and Beethoven but at least half are by lesser-known Swedish composers: Lindblad (1801-1878), Geijer (1783-1847), Nordblom (1788-1848) and Tullberg (1802-1853) whose songs are both Romantic and patriotic..see full details
A delightful miniature almanac, which is preceded by several popular songs (‘Aux Dames’, ‘le Portraits’, ‘le Banquet’,‘la Barque à Caron’ etc.) Though without imprint, this is characteristic of the popular miniatures produced by Marcilly..see full details
The entertainments of the evening included Thomas Morton’s The Slave (1816) with the main character, Gambia, played by Mr Cooper, followed by music (including the first British appearance of celebrated Belgian violinist Charles Auguste de Bériot), a one act comic farce The Sultan and a ‘Serio-comic Operatic Bombastic Piece’ entitled Amoroso.more...