STRUTT, Joseph. Antoine Marie Henri BOULARD, translator. Angleterre ancien, ou, Tableau des mœurs, usages, armes, habillemens, &c. des anciens habitans de l’Angleterre; c’est-à-dire, des anciens Bretons, des Anglo-Saxons, des Danois & des Normands. Ouvrage traduit de l’anglois de M. Joseph Strutt, par M. B***, & pouvant servir de suite aux Recueils de Montsaucon & de Caylus. Paris: [widow Herissant for]: Maradin, 1789.
2 vols. in one, 4to (258 × 190 mm), pp. viii, 324; 23, [1] plus 69 engraved plates (including many folding). Plates browned towards the rear of the volume, old waterstain to gutter of folding plates 25-6 but mostly quite clean, paper flaw to blank margin of pp. 81-2, no loss. Contemporary mottled calf, rubbed, further wear to corners. Joints and head of spine sometime repaired to style. Nineteenth-century bookplate of M. Le Baron Zangiacomi. A good copy.
First editon in French of Strutt’s antiquarian work, Horda Angel-cynnan: or, A compleat view of the manners, customs, arms, habits, &c. of the inhabitants of England (published in three volumes between 1774 and 1776). The illustrations in the French edition are re-engraved from those of the English edition which were mainly copied from a wide range of manuscript sources consulted by Strutt from the British Museum, Lambeth Palace Library, the Bodleian Library, and Oxford and Cambridge college libraries. The majority are from the Chronicle of Matthew Paris. “Strutt may justifiably be regarded as the first serious historian of dress in England, and his pioneering works of scholarship were heavily drawn upon by nineteenth-century costume historians. Unlike many of his contemporaries, who doubted the reliability of artistic sources as historical evidence, he employed a comparative analysis of the manuscripts, showing that they were reliable indicators of changes not just in matters of dress but also of the ‘manners and customs’ of the time. He was one of the first to realize the potential value of visual material as a historical source rather than as simply serving an illustrative purpose. He showed an early appreciation of the intrinsic merit of medieval art and was unusual in producing near-facsimile engraved reproductions of the originals” (Harris in Oxford DNB).
£750.00
(equal to approx. US$1186.26* or €929.59* for 19 May 2012)
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